Konstfacks bibliotek

*00000838nam a22003013  45
*0018416
*007|||||||||||||||||||||||
*008110824s1999           e     |||  ||eng||
*020  $a0415157102  :$c16.99  ; 50.00
*035  $a(Ko)9098
*084  $aDf
*084  $aIaa
*24510$aInterpreting visual culture :$bexplorations in the hermeneutics of the visual  /$cedited by Ian Heywood and Barry Sandywell
*260  $aLondon  :$bRoutledge ,$c1999
*300  $axviii, 260 s.  :$bill.
*650 4$aKonstteori
*653  $aEstetik
*653  $aHermeneutik
*653  $aVisuell kultur
*697  $cEstetik
*697  $cKonstteori och konstestetik
*7001 $aHeywood, Ian
*7001 $aSandywell, Barry
*7001 $4aut
*8520 $cKONST - Iaa
*950  $aAesthetics
^

Interpreting Visual Culture brings together original writings from leading experts in art history, philosophy, sociology and cultural studies. Ranging from an analysis of the role of vision in current critical discourse to discussion of specific examples taken from the visual arts, ethics and sociology, it presents the latest material on the interpretation of the visual in modern culture.
Among topics covered are:
* the visual rhetoric of modernity
* the drawings of Bonnard
* recent feminist art
* practices and perception in arts and ethics.

• List of illustrationsp. vii
• List of contributorsp. viii
• Introduction: explorations in the hermeneutics of visionp. ix
• Rethinking the visual in contemporary theoryp. 1
• The hermeneutics of seeingp. 3
• Specular grammar: the visual rhetoric of modernityp. 30
• Bakhtin and the metaphorics of perceptionp. 57
• Durkheim's double visionp. 74
• Rethinking the visual in art: the challenge to contemporary theorizingp. 97
• Readers of the lost art: visuality and particularity in art criticismp. 99
• Seeing becoming drawing: the interplay of eyes, hands and surfaces in the drawings of Pierre Bonnardp. 123
• The 'real realm': value and values in recent feminist artp. 143
• The denigration of vision and the renewal of paintingp. 162
• Towards an ethics of the visualp. 183
• My philosophical project and the empty jugp. 185
• 'Ever more specific': practices and perception in art and ethicsp. 198
• Aporia of the sensible: art, objecthood and anthropomorphismp. 218
• The original projectp. 238
• Select bibliographyp. 251
• Indexp. 258