Mikromarc websearch

*00001061nam a22004213  45
*001724
*007|||||||||||||||||||||||
*008110824s1987    sw ||||e||||||00| ||und d
*020  $a0-500-23495-7
*020  $a0-500-23495-7
*035  $a(Ko)764
*084  $aIaa
*084  $aIe
*1001 $aWollheim, Richard
*24510$aPainting as an art  /$cRichard Wollheim
*260  $aLondon  :$bThames and Hudson ,$c1987
*300  $a384 s.  :$bill. (vissa i färg)
*60014$aFriedrich, Caspar David,$d1774-1840
*60014$aManet, Edouard,$d1832-1883
*60014$aHals, Frans,$d1584-1666
*60014$aPoussin, Nicolas,$d1594-1665
*60014$aPoussin, Nicolas,$d1594-1665
*60014$aPicasso, Pablo,$d1881-1973
*60014$aIngres, Jean Auguste Dominique,$d1780-1867
*60014$aTizian,$dca 1488-1576.
*60014$aDe Kooning, Willem,$d1904-1997
*60014$aBellini, Giovanni
*653  $aKonstteori
*653  $aMålarkonst
*653  $aTeori
*8520 $cKONST - Iaa
^

Presenting a vision of viewing art, this book attempts to unify the three passions of the author - philosophy, psychology, art - into a theory of the experience of art. It also presents the author's argument that in order to fully appreciate a work of art, critics must bring a much richer conception of human psychology than they have in the past.