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  • KONST - Ib.5
Main Entry - Personal Name
Title Statement
  • Bachelors
Publication, Distribution, etc. (Imprint)
  • MIT Press , Cambridge, Mass. : 1999
  • 1999
  • Språk: Engelska.
SAB Classification Code
Physical Description
  • 222 s. ; CIP entry : ill.
General Note
  • "An October book."
Subject - Personal Name
Index Term - Uncontrolled
  • 0262112396
  • 0262112396
  • 0 (0)
*00001093nam a22004453  45
*008110824s1999           e     |||  ||eng||
*020  $a0262112396
*020  $a0262112396
*035  $a(Ko)7374
*084  $aIb.5
*084  $aIaa
*084  $aIn
*1001 $aKrauss, Rosalind E.
*24510$aBachelors  /$cRosalind Krauss
*260  $aCambridge, Mass.  :$bMIT Press ,$c1999
*300  $a222 s. ;$aCIP entry  :$bill.
*500  $a"An October book."
*60014$aCahun, Claude,$d1894-1954
*60014$aMaar, Dora
*60014$aBourgeois, Louise,$d1911-2010
*60014$aMartin, Agnes,$d1912-2004
*60014$aHesse, Eva,$d1936-1970
*60014$aSherman, Cindy,$d1954-
*60014$aWoodman, Francesca,$d1958-1981
*60014$aLevine, Sherrie
*60014$aLawler, Louise
*653  $aFeminism
*653  $aKonst
*697  $cKonsthistoria: 1905-
*697  $cKonstteori och konstestetik
*697  $cFotokonst
*8520 $cKONST - Ib.5
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These essays on nine women artists are framed by the question, born of feminism, What evaluative criteria can be applied to women's art?. In the case of surrealism, in particular, some have claimed that surrealist women artists must either redraw the lines of their practice or participate in the movement's misogyny. Rosalind Krauss resists that claim, for these bachelors are artists whose expressive strategies challenge the very ideals of unity and mastery identified with masculinist aesthetics. The artists presented include Louise Bourgeois, Cindy Sherman, Agnes Martin, Eva Hesse, Sherrie Levine, Claude Cahun, Dora Maar, Louise Lawler and Francesca Woodman.

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