Konstfacks bibliotek

*00000632nam a22002413  45
*0016436
*007|||||||||||||||||||||||
*008110824s1995           e     |||  ||eng||
*020  $a0713638826
*020  $a0713638826
*035  $a(Ko)7000
*084  $aPgb
*084  $aIhfa
*1001 $aPerryman, Jane
*24510$aSmoke-fired pottery  /$cJane Perryman
*260  $aLondon ;$a1995 :$bA & C Black ,$ccop. 1995
*300  $a128 s.  :$bill. (vissa i färg)
*505  $aRepr., 1997
*653  $aKeramik
*697  $cTeknik:keramik och porslin
*697  $cKonsthantverk: keramik
*8520 $cKERAMIK - Ihfa
^

The appeal of smoke firing is multifold. First of all, there is a spontaneity to smoke firing that is often lacking in the more high-firing techniques. Then there is the fact that because it is a low-firing technique, it is relatively inexpensive to do. In its simplest form, the pot could be fired in a hole in the ground or in a bonfire. Finally, the process is suitable for all ages and abilities and can be used in schools from primary upwards. At the other end of the scale, the technique encompasses some very sophisticated results which will appeal to the professional potter.

Jane Perryman illustrates the various techniques involved with the work of an international group of artists. She also describes the 'primitive' potters of Nigeria, India and the American South West who use smoke firing. Finally, she discusses the possibilities of using smoke firing in schools with children from primary age up through A-levels.;This book should appeal to a wide range of people but particularly those who would like to have a go at pottery without having to spend a lot of money on a kiln.