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What great paintings say [1] : old masters in detail : vol. 1
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  • KONST - Ib
Main Entry - Personal Name
Title Statement
  • What great paintings say [1] : old masters in detail : vol. 1
Publication, Distribution, etc. (Imprint)
  • Taschen, Köln ; 1995 : cop. 1995
  • cop. 1995
  • Språk: Odefinierat språk.
SAB Classification Code
Physical Description
  • 175 s. : ill. (huvudsakligen i färg)
Subject - Personal Name
Index Term - Uncontrolled
Added Entry - Uniform Title
  • What great paintings say
ISBN
  • 3-8228-9057-X
  • 3-8228-9057-X
Waiting
  • 0 (0)
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*020  $a3-8228-9057-X
*020  $a3-8228-9057-X
*035  $a(Ko)6946
*084  $aIe
*1001 $aHagen, Rose-Marie
*24510$aWhat great paintings say [1] :$bold masters in detail : vol. 1  /$cRose-Marie and Rainer Hagen
*260  $aKöln ;$a1995 :$bTaschen,$ccop. 1995
*300  $a175 s.  :$bill. (huvudsakligen i färg)
*60014$aEyck, Jan van,$d1390-1440
*60014$aMantegna, Andrea
*60014$aBotticelli, Sandro
*60014$aCarpaccio, Vittore
*60014$aRafael,$d1483-1520
*60014$aHolbein, Hans,$cd.y.$d1497-1543
*60014$aVeronese, Paolo,$d1528-1588
*60014$aKo
*60014$aBruegel, Pieter, d.ä.,$dca 1525-1569
*60014$aTintoretto, Jacopo Robusti,$d1518-1594
*60014$aCaravaggio, Michelangelo Merisi da,$d1573-1610
*60014$aLa Tour, Georges de,$d1593-1652
*60014$aRubens, Peter Paul,$d1577-1640
*60014$aVelázquez, Diego,$d1599-1660
*60014$aJordaens, Jacob
*60014$aRembrandt,$d1606-1669$2sao
*60014$aWatteau, Antoine
*60014$aGainsborough, Thomas
*60014$aTiepolo, Giambattista
*60014$aTischbein, Johann Heinrich Wilhelm
*60014$aDavid, Jacques-Louis,$d1748-1825
*60014$aGoya, Francisco,$d1746-1828
*60014$aFriedrich, Caspar David,$d1774-1840
*60014$aDelacroix, Eugène,$d1798-1863
*60014$aMenzel, Adolph
*60014$aIngres, Jean Auguste Dominique,$d1780-1867
*60014$aManet, Edouard,$d1832-1883
*653  $aMålarkonst
*653  $aBildanalys
*7001 $aHagen, Rainer$4aut
*730  $aWhat great paintings say
*8520 $hKONST -  Ib
^
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Why should a banker, two actresses and a seamstress meet at a riverside restaurant? What was the Impressionist who painted them trying to capture? And did he have enough money to pay for his lunch? These are the kinds of questions applied to the masterpieces collected in this book. The result is an unusual account of trends and lifestyles of times past as reflected in great works of art.

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