Konstfacks bibliotek

*00000670nam a22002533  45
*0016360
*00520161109131148.6
*007|||||||||||||||||||||||
*008110824s1997           e     |||  ||eng||
*020  $a0713643552
*035  $a(Ko)6922
*084  $aPgb
*084  $aIhfa
*1001 $aGault, Rosette
*24510$aPaper clay  /$cRosette Gault
*260  $aLondon  :$bA & C Black ,$c1997
*300  $a128 s.  :$bill. (vissa i färg)  ; pbk  ; University of
*4900 $aCeramics handbooks
*504  $aIncludes index
*653  $aKeramik
*697  $cTeknik:keramik och porslin
*697  $cKonsthantverk: keramik
*8520 $hIhfa$lGAU
^

Paper clay is a new development in the ceramics field. It is easy to use, extremely strong in the unfired state, easy to repair at nearly any stage of the forming process and the final glazed and fired result can be indistinguishable from that of conventional clay. Yet the result is extremely light. This is particularly useful when doing wall installations and delicate sculptural forms.

• Introduction: History and Overview
• Clay Ingredients and Additives
• Paper and Paper Clay Preparation
• Types of Paper Clay
• What Paper Clays Can Do
• Basic Forming Methods
• Large-scale Sculpture
• Sculpture and Beyond
• Surfaces and Firing
• Further Developments
• Appendix
• Bibliography
• List of Suppliers
• Index