Konstfacks bibliotek

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*020  $a9781781301197$q(paperback)
*020  $a1781301190$q(paperback)
*035  $a(OCoLC)on1288136988
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*24510$aIngrid Pollard :$bcarbon slowly turning /$cedited by Fay Blanchard and Anthony Spira ; [essays by Anna Arabindan-Kesson, Cheryl Finley, Paul Gilroy, Mason Leaver-Yap and Gilane Tawadros].
*24610$aCarbon slowly turning
*264 1$aLondon :$bPhilip Wilson Publishers/Bloomsbury Publishing Plc,$c2022
*264 4$c©2022
*300  $a191 pages$billustrations (some colour), portraits (some color)$c25 cm
*336  $atext$astill image$btxt$bsti$2rdacontent$2rdacontent
*337  $aunmediated$bn$2rdamedia
*338  $avolume$bnc$2rdacarrier
*500  $aPublished to accompany an exhibition held at MK Gallery, Milton Keynes, 12 March - 29 May, 2022 and Turner Contemporary, Margate, 9 July - 25 September, 2022.
*504  $aIncludes bibliographical references.
*5058 $tCarbon slowly turning: an introuduction /$rAnthony Spira and Clarrie Wallis --$tAt the end of the black boy lane /$rPaul Gilroy --$tLandscape interrupted /$rAnna Arabindan-Kesson --$tUnruly /$rMason Leaver-Yap --$tMaterials and practices /$rCheryl Finley --$tCarbon slowly turning /$rGilane Tawadros --$gImage credits.
*5208 $a"Ingrid Pollard is a British media artist and researcher who has developed a social practice concerned with representation, using portraiture photography and traditional landscape imagery to explore social constructs such as Britishness or racial difference. While she became known for her photographic series, she has also throughout her career been uncovering unseen and hidden histories in a variety of practices from printmaking, drawing, mixed media and film. Ingrid Pollard: Carbon Slow Turning situates Pollard's practice in a wider context and weaves together her personal story and Caribbean heritage with broader narratives of post war black settlement and photographic history. Continuing the theme of exposing what is hidden, Pollard challenges in her works the representation and derogatory portrayals of the 'black figure'.  For four decades, Pollard's important photographic collages have offset traditionally idyllic representations of Britain with unseen legacies of xenophobia and exclusion. Pastoral Interlude (1988) places the Black figure within an imagined picturesque setting, undermining perceptions of 'urban' and 'authentic rural'. Seaside Series (1989) combines cyphers of coastal tourism with stories of historic and contemporary immigration to the UK. More recently, Seventeen of Sixty-Eight (2019) documents how the African body is represented in popular signwriting. Despite Pollard's work being held in several national collections and discussed in every publication on black artists in Britain, the artist is little known to the general public. There is no doubt that her practice and achievements are nationally significant and this first monograph seeks to widen her exposure."--$cPublisher's description.
*60010$aPollard, Ingrid$vExhibitions.
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*650 0$aWomen artists, Black$zEngland$vExhibitions.
*650 0$aWomen photographers$zEngland$vExhibitions.
*650 0$aArt, British$y20th century$vExhibitions.
*650 6$aArt britannique$y20e siècle$xExpositions.
*650 6$aFemmes artistes noires$zAngleterre$vExpositions.
*650 6$aFemmes photographes$zAngleterre$vExpositions.
*650 6$aArt britannique$y20e siècle$vExpositions.
*650 7$aWomen photographers$2fast
*650 7$aWomen artists, Black$2fast
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*655 7$aExhibition catalogs$2fast
*655 7$aExhibition catalogs.$2lcgft
*655 7$aCatalogues d'exposition.$2rvmgf
*70012$aPollard, Ingrid.$tWorks.$kSelections.
*7001 $aBlanchard, Fay$4edt
*7001 $aSpira, Anthony$4edt
*7001 $aArabindan-Kesson, Anna$ewriter of supplementary textual content.
*7001 $aFinley, Cheryl$ewriter of supplementary textual content.
*7001 $aGilroy, Paul,$d1956-$ewriter of supplementary textual content.
*7001 $aLeaver-Yap, Mason$ewriter of supplementary textual content.
*7001 $aTawadros, Gilane$ewriter of supplementary textual content.
*7102 $aMilton Keynes Gallery$4his
*7102 $aTurner Contemporary (Arts organization : Margate, England)$4his
*852  $5Ko$bKo$cFOTOGRAFI -$hInz Pollard, Ingrid
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^

Published to accompany an exhibition at MK Gallery, this is the first major survey of the work of contemporary British artist and photographer Ingrid Pollard, nominated for the Turner Prize 2022.

This publication provides the first overview of works by British artist and photographer Ingrid Pollard . Pollard is renowned for using portrait and landscape photography to question our relationship with the natural world and to interrogate social constructs such as Britishness, race, sexuality and identity. Working across a variety of techniques from photography, printmaking, drawing and installation to artists' books, video and audio, Pollard combines meticulous research and experimental processes to make art that is at once deeply personal and socially resonant.

'Ingrid Pollard's practice has long been focused on the human body, astro-physics and geology, and in particular geology in the formation of the stars and planets. The title of this publication - Carbon Slowly Turning - invites us to reflect on geological time in relation to human time. On the one hand, the millennia in which carbon, rock and other natural materials are made, and on the other, the brevity of human existence by comparison and the affecting nature of geology on the human form. A number of Pollard's works reflect on the cyclical nature of history and human experience, where everything is subject to change, sometimes over hundreds or thousands of years, at other times in the blink of an eye.'
- Gilane Tawadros, Curator, writer and CEO, DACS

'Ingrid Pollard's work slows down our looking to create space to consider alternative formations of history and landscape. Across four decades she has re-scripted Britishness, looking back in order that we might move forward differently. This is a profound and timely exploration of this vital British artist.'
- Maria Balshaw, Director, Tate

This book accompanies an exhibition at MK Gallery and Turner Contemporary , curated by Gilane Tawadros , with the artist, and supported by the Freelands Award 2020. Edited by Fay Blanchard and Anthony Spira . Essays by Anna Arabindan-Kesson , Cheryl Finley , Paul Gilroy , Mason Leaver-Yap and Gilane Tawadros .

• Carbon Slowly Turning: An Introduction06
• At the End of Black Boy Lane10
• Seventeen of Sixty Eight20
• Seaside Series30
• Pastoral Interlude32
• Landscape Interrupted36
• The Boy Who Watches Ships Go By50
• The Cost of the English Landscape60
• Bursting Stone66
• Unruly80
• Contenders90
• Deny: Imagine: Attack98
• Bow Down and Very Low-123102
• Materials and Practices110
• Landscape Trauma120
• There Was Much Interruption126
• Self Evident140
• Carbon Slowly Turning146
• The Valentine Days I & II170
• Emancipation Day178
• Performers & Portraits180
• Image Credits188