Konstfacks bibliotek

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*020  $a0500545332$qhardback
*035  $a(OCoLC)on1400080247
*035  $a(SE-LIBR)dxf66vt0brttssrw
*041  $aeng
*050 4$aTR15
*08204$a770.9$223
*084  $aInb$2kssb/8
*1001 $aAzoulay, Ariella Aïsha,$d1962-$4aut
*24510$aCollaboration :$ba potential history of photography /$cAriella Azoulay, Wendy Ewald, Susan Meiselas, Leigh Raiford, Laura Wexler.
*24610$aA potential history of photography
*264 1$aLondon :$bThames and Hudson,$c2023
*300  $a287 pages$billustrations (some colour)$c29 cm
*336  $atext$astill image$btxt$bsti$2rdacontent$2rdacontent
*337  $aunmediated$bn$2rdamedia
*338  $avolume$bnc$2rdacarrier
*504  $aIncludes bibliographical references and index.
*5058 $aThe photographed person was always there -- Reshaping the authoral position -- Iconization is preceded by collaboration -- Potentializing violence -- When a community is at stake -- Photography preserves sovereign history as incomplete -- Co-archiving -- Sovereign and the civil power of the apparatus.
*5203 $aCollaboration presents a groundbreaking and multifaceted history of photography which explores photography through the lens of collaboration, challenging the dominant narratives around photographic history and authorship. In a vast, collaborative effort led by five of the great thinkers and practitioners in photography that includes more than 550 photographs and over 80 text contributors, this book breaks apart photography's 'single creator' tradition by bringing to light tangible traces of collaboration - the various relationships, exchanges and interactions which occur between all participants in the event of photography. This book offers the keys to understanding and decoding the complex politics of seeing. The conditions of collaboration in photography are explored through over 100 photography projects, divided into eight thematic chapters. The photographs from each project are presented non-hierarchically alongside quotes, testimonies, and short texts by guest contributors. These networks of texts and images provide perspective on a vast array of photographic themes, from Araki's provocative portraits of women to archival files from the Spanish Civil War. Collaboration is not an ultimate account of what photography is, does, or means. Rather, the book is an inspiration for teaching and an open invitation to scholars, activists, photographers and others to practice always with and alongside others and participate actively in this engagement and enquiry.
*650 7$aFotografi$xhistoria$0https://id.kb.se/term/sao/Fotografi--historia$2sao
*650 0$aPhotography$xHistory.
*650 0$aPhotographers$xHistory.
*650 6$aPhotographie$xHistoire.
*650 6$aPhotographes$xHistoire.
*650 7$aPhotography$2fast
*650 7$aPHOTOGRAPHY / History.$2bisacsh
*655 7$aHistory$2fast
*7001 $aEwald, Wendy$4aut
*7001 $aMeiselas, Susan$4aut
*7001 $aRaiford, Leigh$4aut
*7001 $aWexler, Laura$4aut
*852  $5Ko$bKo$cFOTOGRAFI -$hInb
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^

A new, revolutionary history of photography from a stellar team of writers and thinkers that challenges all existing narratives by focusing on the complex collaborations between photographer and subject.

Led by five of the great thinkers and practitioners in photography, and including texts by over 100 writers, critics and academics, this groundbreaking publication presents a potential history of photography explored through the lens of collaboration, challenging the dominant narratives around photographic history and authorship. With more than 1,000 photographs, it breaks apart photography's 'single creator' tradition by bringing to light tangible traces of collaboration - the various relationships, exchanges and interactions that occur between all participants in the making of any photograph.

This collaboration takes different forms, including coercion and cooperation, friendship and exploitation, and expresses shared interests as well as competition, rivalry or antagonistic partnership. The conditions of collaboration are explored through 100 photography 'projects', divided into eight thematic chapters including 'The Photographed Subject', 'The Author' and 'Potentializing Violence'. The result of years of research, Collaboration addresses key issues of gender, race and societal hierarchies and divisions and their role in forging identity and conformity.

The photographs from each project are presented non-hierarchically alongside quotes, testimonies, and short texts by guest contributors. These networks of texts and images offer perspectives on a vast array of photographic themes, from Araki's portraits of women to archival files from the Spanish Civil War. Each chapter is introduced by the editors, who provide the keys to understanding and decoding the complex politics of seeing.