Hylla KONST - Ibz Wyn Evans, Cerith
Titel och upphov
Utgivning, distribution etc. Phaidon, London : 2023
©2023
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning 158 pages illustrations 29 cm.
Serietitel - ej biuppslagsform
Anmärkning: Bibliografi etc. Includes bibliographical references (pages 156-158).
Anmärkning: Innehållsbeskrivning, sammanfattning "Cerith Wyn Evans is one of today's most respected and acclaimed sculptors. Born in Wales and educated through his first language of Welsgh, his work reflects his fascination with literature, film, music, and philosophy. Evans is an artist interested in language and how this can be perceived in spatial terms. Originally an experimental filmmaker, in the 1990s Evans started creating sculptures and installations defined by poetic conceptualism and elegant aesthetic forms. Often made of neon light, his pieces subtly disrupt existing systems of communication, either through the subversion and alteration of given spatial forms or by adopting a communal rather than a singular, authoritarian voice. In 2003 Evans represented Wales at the country's inaugural pavilion at the 50th Venice Biennale. This book, the first comprehensive study dedicated to his work, includes contributions by luminaries such as the former Guggenheim Chief, Nancy Spector and the 2011 Venice Biennale director, Daniel Birnbaum, together with a previously unpublished text by Evans himself."-- Provided by publisher.
Personnamn
ISBN
Antal i kö:
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*24510$aCerith Wyn Evans /$cHans Ulrich Obrist, Nancy Spector, Daniel Birnbaum.
*264 1$aLondon :$bPhaidon,$c2023
*264 4$c©2023
*300 $a158 pages$billustrations$c29 cm.
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*4900 $aPhaidon contemporary artists series
*504 $aIncludes bibliographical references (pages 156-158).
*5203 $a"Cerith Wyn Evans is one of today's most respected and acclaimed sculptors. Born in Wales and educated through his first language of Welsgh, his work reflects his fascination with literature, film, music, and philosophy. Evans is an artist interested in language and how this can be perceived in spatial terms. Originally an experimental filmmaker, in the 1990s Evans started creating sculptures and installations defined by poetic conceptualism and elegant aesthetic forms. Often made of neon light, his pieces subtly disrupt existing systems of communication, either through the subversion and alteration of given spatial forms or by adopting a communal rather than a singular, authoritarian voice. In 2003 Evans represented Wales at the country's inaugural pavilion at the 50th Venice Biennale. This book, the first comprehensive study dedicated to his work, includes contributions by luminaries such as the former Guggenheim Chief, Nancy Spector and the 2011 Venice Biennale director, Daniel Birnbaum, together with a previously unpublished text by Evans himself."--$cProvided by publisher.
*60010$aWyn Evans, Cerith,$d1958-
*60017$aWyn Evans, Cerith,$d1958-$2fast
*7001 $aObrist, Hans-Ulrich,$d1968-$4edt$4edt
*7001 $aSpector, Nancy$4edt$4edt
*7001 $aBirnbaum, Daniel,$d1963-$4edt$4edt
*852 $5Ko$bKo$cKONST -$hIbz Wyn Evans, Cerith
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^
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A definitive and timely monograph celebrating the work of ground-breaking conceptual artist Cerith Wyn Evans
Cerith Wyn Evans is one of today's most respected and acclaimed sculptors. Born in Wales and educated through his first language of Welsgh, his work reflects his fascination with literature, film, music, and philosophy. Evans is an artist interested in language and how this can be perceived in spatial terms.
Originally an experimental filmmaker, in the 1990s Evans started creating sculptures and installations defined by poetic conceptualism and elegant aesthetic forms. Often made of neon light, his pieces subtly disrupt existing systems of communication, either through the subversion and alteration of given spatial forms or by adopting a communal rather than a singular, authoritarian voice.
In 2003 Evans represented Wales at the country's inaugural pavilion at the 50th Venice Biennale. This book, the first comprehensive study dedicated to his work, includes contributions by luminaries such as the former Guggenheim Chief, Nancy Spector and the 2011 Venice Biennale director, Daniel Birnbaum, together with a previously unpublished text by Evans himself.