Konstfacks bibliotek

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*008230929t20222022enka|||||b||||000 0|eng|d
*020  $a3960989334$q(paperback)
*020  $a9783960989332$q(paperback)
*035  $a(OCoLC)on1336955185
*035  $a(SE-LIBR)1jhdp8fgzjhl3nc9
*041  $aeng
*050 4$aN72.S6
*08204$a701.03$223
*084  $aIaa$2kssb/8 (machine generated)
*24510$aArt and autonomy :$ba critical reader /$cedited by Sven Lütticken.
*264 1$aLondon :$bAfterall Books,$c2022
*264 4$c©2022
*300  $a424 pages$billustrations (chiefly color)$c25 cm
*336  $atext$btxt$2rdacontent
*336  $astill image$bsti$2rdacontent
*337  $aunmediated$bn$2rdamedia
*338  $avolume$bnc$2rdacarrier
*504  $aIncludes bibliographical references.
*5058 $gA user's manual --$gIntroduction:$tAutonomy and art --$gPart one:$tArt and life.$tCritique of the power of judgment /$rImmanuel Kant --$tLetters on the aesthetic education of manking /$rFriedrich Schiller --$tThe Romantic school /$rHeinrich Heiner --$tImage of the people /$rT.J. Clark --$t'The Realist manifesto' /$rGustave Courbet --$tLetter to Les Temps Nouveaux /$rLucien Pissarro --$t'Manifesto: Towards a free revolutionary art' /$rAndré Breton and Diego Rivera [and Leon Trotsky] --$t'The minimum life /$rLettrist International --$t'The negation of the autonomy of art by the avant-garde' /$rPeter Bürger --$t'The aesthetic revolution and its outcomes' /$rJacques Rancière --$gPart two:$tUseful art.$t'Lecture IV: The relation of art to use' /$rJohn Ruskin --$t'The dual character of the labour embodied in commodities' /$rKarl Marx --$t'The lesser arts' /$rWilliam Morris --$tPreface to The picture of Dorian Gray /$rOscar Wilde --$t'Who owns the artists' /$rUpton Sinclair --$t'THE END' /$rNul Group --$t'Art strike 1977-1980' /$rGustav Metzger --$t'PROJECT FOR ART LIQUIDATION' /$rGuillaume Bijl --$t'The mirror of production' /$rJean Baudrillard --$t'Marxism and the system of political economy' /$rJean Baudrillard --$t'Social autonomy and the use-value of art' /$rJohn Byrne --$gPart three:$tFrom object to frame.$t'The picture frame' /$rGeorg Simmel --$t'Critical limits' /$rDaniel Buren --$t'Hans Haacke and the cultural logic of Postmodernism' /$rFredric Jameson --$t'Autonomy and its contradictions' /$rAndrea Fraser --$gPart four:$tSocial autonomy and the labour of art.$t'The absolute artwork meets the absolute commodity' /$rStewart Martin --$t'Theorem 4. Autonomy' /$rPeter Osborne --$tThe project of autonomy' /$rPier Vittorio Aureli --$t'What is the meaning of autonomy today?' /$rFranco 'Bifo' Berardi --$tInterview with Imma Harms /$rAlice Creischer and Andreas Siekmann --$t'Immaterial labor' /$rMaurizio Lazzarato --$t'The sadness of post-workerism' /$rDavid Graeber --$t'Manifesto for maintenance art 1969!' /$rMierle Laderman Ukeles --$t'(Not) More autonomy' /$rKerstin Stakemeier --$gPlates --$gPart five:$tAutonomedia.$t'Avant-garde and kitsch' /$rClement Greenberg --$t'Absolute film' /$rMenno ter Braak --$tComposing for the films /$rTheodor W. Adorno and Hanns Eisler --$t'The author as producer' /$rWalter Benjamin --$t'Constituents of a theory of the media' /$rHans Magnus Enzensberger --$t'The Lumpen-headache' /$rPeter Benchley [Mel Ramsden] --$t'Popular free radio' /$rFélix Guattari --$t'The ABC of tactical media' /$rDavid Garcia and Geert Lovink --$t'Artistic autonomy and the communication society' /$rBrian Holmes --$t'A cyborg manifesto' /$rDonna J. Haraway --$t'Dear Artfukts, Look at my curve' /$rNatasch Sadr Haghighian --$gPart six:$tAnother autonomy is possible.$tDiscourse on colonialism /$rAimé Césaire --$t'The ends of humans' /$rElizabeth Povinelli --$t'African modes of self-writing' /$rAchille Mbembe --$tThe creation of the world or globalization /$rJean-Luc Nancy --$t'The autonomy archipelago' /$rStephen Wright --$t'A Zapatista position paper on photography' /$rSubcomandante Marcos --$t'Living without approval' interview with Jonas Staal /$rDilar Dirik --$t'The city is sinking' /$rH.K. revisited by pirate comrades --$gCoda:$tHomelessness.$t'Duty-free art' /$rHito Steyerl.
*520  $a"The idea of the autonomy of the art object seems to have disappeared into the annals of modernism. Today our primary concern is to show how art and its institutions are socially determined, that art no longer operates in a separate sphere of its own. Sven Lütticken's ambitious study seeks to test such assumptions, arguing that the concept of autonomy retains its conceptual and political purchase. Bringing together a wide range of thinkers (from Theodor W. Adorno to Aimé Césaire, Friedrich Schiller to Andrea Fraser, Peter Bürger to Elizabeth Povinelli) and covering a broad set of themes (from German Idealism to institutional history and media theory), this critical reader foregrounds autonomy as something dynamic, offering an essential introduction to the field while leading the debates in fresh directions."-- vendor website, viewed March 21, 2023.
*650 7$aKonst och samhälle$0https://id.kb.se/term/sao/Konst%20och%20samh%C3%A4lle$2sao
*650 0$aArt and society.
*650 0$aArt$xPhilosophy.
*650 7$aArt and society.$2fast
*650 7$aArt$xPhilosophy.$2fast
*650 0$aArt and society
*7001 $aLütticken, Sven,$d1971-$4edt
*852  $5Ko$bKo$cKONST -$hIaa
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*887  $5Ko$a{"@id":"r874f0lbpbsptgd6","modified":"2023-09-29T13:46:27.905+02:00"}$2librisxl
^

In recent years, the theory of art's autonomy appears to have been confined to the annals of Modernism.If contemporary history, political interventions and critiques of Eurocentrism have shown us anything, it is that art and its institutions are thoroughly socially determined, that art no longer operates in a separate or protects sphere of its own.Researched and authored by Sven Lütticken, an art historian and critic who teaches at Vrije Universiteit Amsterdam, this ambitious study seeks to test such assumptions, arguing that autonomy, far from a romantic naiveté, retains its conceptual and political purchase.Bringing together a wide range of thinkers - from Theodor W. Adorno to Aimé Césaire, Friedrich Schiller to Andrea Fraser, Peter Bürger to Elizabeth Povinelli - and covering a broad set of themes - from German Idealism to institutional history, media theory to political sovereignty - this critical reader foregrounds autonomy as something dynamic and shifting, something to be critically struggled and fought over lest it be relinquished.Art and Autonomy offers an essential theoretical introduction to the field while leading the debates in new directions.