Konstfacks bibliotek

*00000755nam a22003013  45
*0015478
*007|||||||||||||||||||||||
*008110824s1997           |     |||  |aeng||
*020  $a0679452583
*020  $a0679452583
*035  $a(Ko)5959
*084  $aIn
*084  $aBt
*084  $aInb
*1001 $aMorris, John G.
*24510$aGet the picture :$ba personal history of photojournalism  /$cJohn G. Morris
*250  $a1. ed.
*260  $aNew York  :$bRandom House ,$c1997
*300  $ap. cm ;$aCIP entry  :$bill.
*60014$aMorris, John G.
*60014$aKo
*650 4$aFotografi
*650 4$ahistoria
*653  $aFotojournalistik
*697  $cFotokonst
*697  $cPublicistik
*8520 $hFOTOGRAFI -  Inb
^

A universally acknowledged expert on the subject delivers an account of the Golden Age of photojournalism, beginning with the ascendence of Life magazine during World War II, complemented by ninety black-and-white photographs.

• Forewordp. ix
• Tuesday Was a Good D-Day for Lifep. 3
• My Life Beginsp. 11
• The Thirty-first Floorp. 17
• "To Suffer or to Fight"p. 27
• The "Picture Men"p. 35
• Hollywood Bureaup. 45
• The "Day of Wrath"p. 53
• The Longest Waitp. 65
• To the Beachp. 79
• "Paris Is Free Again!"p. 87
• Beatrice and Bruce and Maryp. 101
• "People Are People"p. 113
• The Missouri Workshopp. 123
• Red-baitedp. 129
• "Nothing but Champagne!"p. 135
• "Personal and Confidential"p. 141
• Disasterp. 153
• Decisive Momentsp. 163
• Chim's Fatep. 171
• The Many Woes of W. Eugene Smithp. 181
• Camelot and Cubap. 189
• Departurep. 195
• To the Postp. 203
• Jobless at Forty-ninep. 213
• To the Timesp. 221
• A Table at Sardi'sp. 231
• The Guns of '68p. 239
• Abe in Orbitp. 249
• Special Transmissionsp. 255
• Various Questsp. 267
• After Genep. 273
• Geographic Agonistesp. 281
• Paris, Capital of Photojournalismp. 291
• The Gulfp. 301
• Afterwordp. 309
• Acknowledgmentsp. 315
• Indexp. 319