Konstfacks bibliotek

*000     cam a       7a 4500
*00154678
*00520170116145558.0
*008130110s2012    enka|||||b||||001 0|eng|c
*020  $a9781841504896$qpbk.
*020  $a1841504890$qpbk.
*0247 $a99948091086$2YBP
*035  $a(OCoLC)ocn760972970
*035  $a(OCoLC)760972970
*035  $a4820047
*035  $a(SE-LIBR)13754106
*041  $aeng
*050 4$aNX456.5.P38
*08204$a709.040755$223/swe
*084  $aIbh$2kssb/8
*24510$aPerform, repeat, record :$blive art in history /$cedited by Amelia Jones and Adrian Heathfield.
*264 1$aBristol ;$aChicago :$bIntellect,$c2012
*300  $a652 p.$bill. (some col.)$c23 cm.
*504  $aIncludes bibliographical references and index.
*5058 $tThe now and the has been :$tparadoxes of live art in history /$rAmelia Jones --$tThen again /$rAdrian Heathfield --$tThe performativity of performance documentation /$rPhilip Auslander --$tDead mannequin walking :$tFluxus and the politics of reception /$rHannah B. Higgins --$tThe viral ontology of performance /$rChristopher Bedford --$tCan photographs make it so? :$trepeated outbreaks of Valie Export's Genital panic since 1969 /$rMechtild Widrich --$tMacular degeneration :$tsome peculiar aspects of performance art documentation /$rMónica Mayer --$tHistory and precariousness :$tin search of a performative historiography /$rEleanora Fabião --$tPerformance remains /$rRebecca Schneider --$tNot as before, but simply :$tagain /$rAndré Lepecki --$tThe prosthetic present tense :$tdocumenting Chinese time-based art /$rMeiling Cheng --$tProgressive striptease /$rSven Lütticken --$tRepetition :$ta skin which unravels /$rJane Blocker --$tArt in the age of biopolitics :$tfrom artwork to art documentation /$rBoris Groys --$tThe interstices of history /$rAngela Harutyunyan ... [et al.] --$tAn unofficial timeline of socialist and post-socialist performance /$rAngela Harutyunyan ... [et al.] --$tA text on 20 years with 66 footnotes /$rTim Etchells --$tFaith Wilding, waiting and wait-with --$tLynn Hershman and/as Roberta Breitmore --$tWe are formatted memories /$rOrlan --$tFranko B and Kamal Ackarie, don't leave me this way --$tMake me stop smoking /$rRabih Mroué --$tThe personal evolution of the performance object (or, what to do with leftovers) /$rNao Bustamante --$tCai Yuan and J.J. Xi, mad for real --$tHayley Newman, miniflux --$tDaniel Joseph Martinez, call me Ishmael or the fully enlightened earth radiates disaster triumphant --$tMultiple journeys :$ta performance chronology /$rGuillermo Gómez-Peña --$tAttending to Anthony McCall's long film for ambient light /$rLucas Ihlein --$tReCut project /$rMing-Yuen S. Ma --$tAssuming a migrant woman's identity /$rTanja Ostojić --$tBarbara Smith, intimations of immortality --$tSantiago Serra and the "contexts" of history --$tReconstruction2 /$rJanez Janša --$tDocuments of Chinese time-based art :$tthree impressions from three fragments /$rMeiling Cheng --$tBoth sitting duet and cheap lecture /$rJonathan Burrows and Matteo Fargion --$tAftermath :$tthe performance/installation nexus /$rBlair French --$tTimeline of ideas :$tlive art in (art) history, a primarily European-US-based trajectory of debates and exhibitions relating to performance documentation and re-enactments /$rAmelia Jones --$tInterior squirrel and the vicissitudes of history /$rCarolee Schneemann and Amelia Jones --$tI just go in life /$rTehching Hsieh and Adrian Heathfield --$tThe maybe :$tmodes of performance and the "live" /$rTilda Swinton and Joanna Scanlan --$tPhotography as a performative act /$rShezad Dawood and Amelia Jones --$tDo it again, do it again (turn around, go back) /$rIain Forsyth and Jane Pollard, with Andrew Renton --$tTouching remains /$rJanine Antoni and Adrian Heathfield --$tPerverse martyrologies /$rRon Athey and Dominic Johnson --$tThe live artist as archaeologist /$rMarina Abramović and Amelia Jones --$tEvery house has a door /$rLin Hixson and Matthew Goulish --$tAlliterations /$rMathilde Monnier and Jean-Luc Nancy --$tIntangibles /$rHugo Glendinning, Adrian Heathfield, and Tim Etchells.
*650 0$aPerformance art$xHistory.
*650 7$aPerformance$xhistoria$2sao
*7001 $aJones, Amelia.$4edt
*7001 $aHeathfield, Adrian.$4edt
*852  $5Ko$bKo$cKONST -$hIb
*887  $a{"@id":"vd69tlj60hlhj9f","modified":"2017-01-16T14:55:58+01:00"}$2librisxl
*887  $5Ko$a{"@id":"wd01452qtbv34nhh","modified":"2023-06-26T16:06:07.161+02:00"}$2librisxl
^

Bringing together contributors from dance, theater, visual studies, and art history, Perform, Repeat, Record addresses the conundrum of how live art is positioned within history. Set apart from other art forms in that it may never be performed in precisely the same way twice, ephemeral artwork exists both at the time of its staging and long after in the memories of its spectators and their testimonies, as well as in material objects, visual media, and text, all of which offer new critical possibilities. Among the artists, theorists, and historians who contributed to this volume are Marina Abramovic, Guillermo Gómez-Peña, Rebecca Schneider, Boris Groys, Jane Blocker, Carolee Schneemann, Tehching Hsieh, Orlan, Tilda Swinton, and Jean-Luc Nancy.

• Introductions
• The Now and the Has Been: Paradoxes of Live Art in History
• Then Again
• Theories and Histories
• Introduction
• The Performativity of Performance Documentation
• Dead Mannequin Walking: Fluxus and the Politics of Reception
• The Viral Ontology of Performance
• Can Photographs Make It So? Repeated Outbreaks of VALIE EXPORT's Genital Panic Since 1969
• Macular Degeneration: Some Peculiar Aspects of Performance Art Documentation
• History and Precariousness: In Search of a Performative Historiography
• Performance Remains
• Not as Before, but Simply: Again
• The Prosthetic Present Tense: Documenting Chinese Time-based Art
• Progressive Striptease
• Repetition: A Skin which Unravels
• Art in the Age of Biopolitics: From Artwork to Art Documentation
• The Interstices of History
• An Unofficial Timeline of Socialist and Post-Socialist Performance
• Documents
• Introduction
• A Text on 20 years with 66 footnotes
• Faith Wilding, Waiting and Wait-With
• Lynn Hershman and/as Roberta Breitmore
• We Are Formatted Memories
• Franko B and Kamal Ackarie, Don't Leave Me This Way
• Make Me Stop Smoking
• The Personal Evolution of the Performance Object (Or, What to Do with Leftovers)
• Cai Yuan and J.J. Xi, Mad for Real
• Hayley Newman, MiniFlux
• Daniel Joseph Martinez, Call Me Ishmael or The Fully Enlightened Earth Radiates Disaster Triumphant
• Multiple Journeys: A Performance Chronology
• Attending to Anthony McCall's Long Film for Ambient Light
• ReCut Project
• Assuming a Migrant Woman's Identity
• Barbara Smith, Intimations of Immortality
• Santiago Sierra and the "Contexts" of History
• Reconstruction2
• Documents of Chinese Time-based Art: Three Impressions from Three Fragments
• Both Sitting Duet and Cheap Lecture
• Aftermath: The Performance / Installation Nexus
• Timeline of Ideas: Live Art in (Art) History, A Primarily European-US-based Trajectory of Debates and Exhibitions Relating to Performance Documentation and Re-enactments
• Dialogues
• Introduction
• Interior Squirrel and the Vicissitudes of History
• I Just Go in Life
• The Maybe: Modes of Performance and the "Live"
• Photography as a Performative Act
• Do it Again, Do it Again (Turn Around, Go Back)
• Touching Remains
• Reverse Martyrologies
• The Live Artist as Archaeologist
• Every House Has a Door
• Alliterations
• Introduction and Translation: Noémie Solomon
• Intangibles
• Acknowledgements
• Author Biographies
• Index