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Utgivning, distribution etc. Oxford University Press, Oxford : [2019]
©2019
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Fysisk beskrivning xix, 320 pages illustrations 24 cm
Anmärkning: Allmän
Anmärkning: Innehållsbeskrivning, sammanfattning What would an anatomy of the book look like? There is the main text, of course, the file that the author proudly submits to their publisher. But around this, hemming it in on the page or enclosing it at the front and back of the book, there are dozens of other texts - page numbers and running heads, copyright statements and errata lists - each possessed of particular conventions, each with their own lively histories. To consider these paratexts - recalling them from the margins, letting them take centre stage - is to be reminded that no book is the sole work of the author whose name appears on the cover; rather, every book is the sum of a series of collaborations. It is to be reminded, also, that not everything is intended for us, the readers. There are sections0that are solely directed at others - binders, librarians, lawyers - parts of the book that, if they are working well, are working discreetly, like a theatrical prompt, whispering out of the audience's ear-shot. 0'Book Parts' is a bold and imaginative intervention in the fast growing field of book history: it pulls the book apart. Over twenty-two chapters, 'Book Parts' tells the story of the components of the book: from title pages to endleaves; from dust jackets to indexes-and just about everything in between. 'Book Parts' covers a broad historical range that runs from the pre-print era to the digital, bringing together the expertise of some of the most exciting scholars working on book history today in order to shine a new light on these elements hiding in plain sight in the books we all read.
Term
ISBN 0198812469 9780198812463 9780198885443
Antal i kö:
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*500 $aIncludes index.
*5208 $aWhat would an anatomy of the book look like? There is the main text, of course, the file that the author proudly submits to their publisher. But around this, hemming it in on the page or enclosing it at the front and back of the book, there are dozens of other texts - page numbers and running heads, copyright statements and errata lists - each possessed of particular conventions, each with their own lively histories. To consider these paratexts - recalling them from the margins, letting them take centre stage - is to be reminded that no book is the sole work of the author whose name appears on the cover; rather, every book is the sum of a series of collaborations. It is to be reminded, also, that not everything is intended for us, the readers. There are sections0that are solely directed at others - binders, librarians, lawyers - parts of the book that, if they are working well, are working discreetly, like a theatrical prompt, whispering out of the audience's ear-shot. 0'Book Parts' is a bold and imaginative intervention in the fast growing field of book history: it pulls the book apart. Over twenty-two chapters, 'Book Parts' tells the story of the components of the book: from title pages to endleaves; from dust jackets to indexes-and just about everything in between. 'Book Parts' covers a broad historical range that runs from the pre-print era to the digital, bringing together the expertise of some of the most exciting scholars working on book history today in order to shine a new light on these elements hiding in plain sight in the books we all read.
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Book Parts tells the histories of the parts of a book that are not the main text: chapter heads, page numbers, introductions, indexes . . . Each of these elements emerged at a certain time and developed in a particular way. The book is arranged into twenty two chapters, covering topics from front matter (title page, frontispiece, etc.) to back (errata list, endleaves, etc.), and each written by an expert on the subject but with an emphasis on lightness,so that its presentation is authoritative but not ponderous.
List of Figures p. ix List of Plates p. xiii Contributors p. xv A Note On The Type p. xxi Introductions p. 1 Dust Jackets p. 11 Frontispieces p. 25 Title Pages p. 39 Imprints, Imprimaturs, And Copyright Pages p. 51 Tables of Contents p. 65 Addresses To The Reader p. 81 Acknowledgements And Dedications p. 95 Printers' Ornaments And Flowers p. 109 Character Lists p. 123 Page Numbers, Signatures, And Catchwords p. 137 Chapter Heads p. 151 Epigraphs p. 165 Stage Directions p. 177 Running Titles p. 191 Woodcuts p. 209 Engravings p. 223 Footnotes p. 237 Errata Lists p. 251 Indexes p. 263 Endleaves p. 275 Blurbs p. 287 Select Bibliography p. 301 Index p. 309