Konstfacks bibliotek

*000     nam a        i 4500
*00154332
*00520230323154347.0
*008230323t20222022sp a|||||bc|||000 0deng|d
*020  $a9788498448160$q(Fundación MAPFRE ;$qhardcover)
*020  $a8498448166$q(Fundación MAPFRE ;$qhardcover)
*020  $a9781636810751$q(DAP ;$qhardcover)
*020  $a1636810756$q(DAP ;$qhardcover)
*020  $z9788498448146
*020  $q(Spanish edition)$z9788498448146
*035  $a(OCoLC)on1349464901
*035  $a(SE-LIBR)hz6c16c0fl2sw450
*0411 $aeng$hspa$hcat$hger
*050 4$aTR647
*08204$a779.092$223/eng/20221220
*084  $aInz$2kssb/8 (machine generated)
*1001 $aWeems, Carrie Mae,$d1953-$4art
*24010$aCarrie Mae Weems.$lEngelska
*24510$aCarrie Mae Weems :$b"a great turn in the possible" /$cCarrie Mae Weems ; [edited by Fundación MAPFRE].
*24610$a"Great turn in the possible"
*2461 $iAdded title page:$aLook of things :$ba visual essay by Carrie Mae Weems, 2022
*2461 $aCarrie Mae Weems :$bcatalogue (English)
*250  $aFirst English-language edition.
*264 1$aMadrid, Spain :$bFundación MAPFRE ;$aNew York, NY :$bD.A.P./Distributed Art Publishers Inc.$c[2022]
*264 2$aNew York, NY :$bD.A.P./Distributed Art Publishers Inc.
*264 4$c©2022
*300  $a283 pages$billustrations (some color)$c31 cm
*336  $atext$btxt$2rdacontent
*336  $astill image$bsti$2rdacontent
*337  $aunmediated$bn$2rdamedia
*338  $avolume$bnc$2rdacarrier
*500  $a"This publication, edited by Fundación MAPFRE in Spanish and Catalan and co-published by D.A.P./Distributed Art Publishers in English, accompanies Carrie Mae Weems multisite project at the following locations: The Evidence of Things Not Seen, Württembergischer Kunstverein Stuttgart (WKV), Stuttgart, April 2-August 21, 2022, [and] A Great Turn in the Possible, KBr Fundación MAPFRE, Barcelona, Fundación Foto Colectania, Barcelona, October 5, 2022-January 15, 2023."--Colophon.
*500  $a"Catalogue (English)"--Colophon.
*500  $a"Pgs. 1-33: the visual essay The Look of Things has been specially created for this publication by Carrie Mae Weems."--Colophon.
*500  $aTranslator of Iris Dressler's essay: Damion Searle.
*504  $aIncludes bibliographical references.
*5058 $t"A great turn in the possible": a background to Carrie Mae Weems's oeuvre /$rElvira Dyangani Ose --$tThe evidence of things not seen /$rIris Dressler ;$gtranslated by$ttables and gems /$rFred Moten --$tRefusing anti-blackness: Carrie Mae Weems and the visual poetics of imagination /$rLaCharles Ward --$tCarrie Mae Weems by associations /$rRaúl Muñoz de la Vega --$tWorks (List of works 278-283).
*520  $a"One of the most influential American artists working today, Carrie Mae Weems has investigated narratives around family, race, gender, sexism, class and the consequences of power for more than 40 years. Her complex oeuvre-always ahead of its time, and profoundly formative for younger generations of artists-has employed photography (for which she is best known), fabric, text, audio, digital images, installation and video. Writing in the New York Times, Holland Cotter succinctly described Weems as "a superb image maker and a moral force, focused and irrepressible." This volume, spanning four decades of work, is the most thorough survey yet published. It includes Weems' earliest series, such as Family Pictures and Stories, for which she photographed her relatives and close friends; the legendary Kitchen Table Series, in which she posed in a domestic setting; and other critically acclaimed works and series such as Ain't Jokin', Colored People, From Here I Saw What Happened and I Cried, Not Manet's Type, The Jefferson Suite, Monuments, Roaming, Museums, Constructing History (A Class Ponders the Future), Slow Fade to Black and the Obama Project, among many others. Contextualizing these pieces are essays by LaCharles Ward and Fred Moten and a chronology by Raul Muñoz. The book also includes a visual essay by Weems that presents a personal selection of her own works from the artist's perspective. The accompanying exhibition is organized by Fundación MAPFRE in collaboration with Fundación Foto Colectania, Barcelona and Württembergischer Kunstverein, Stuttgart, where the exhibition Carrie Mae Weems. The Evidence Of Things Not Seen took place from April 2 through August 21, 2022"--$cProvided by publisher.
*5450 $aCarrie Mae Weems (born 1953) has received numerous awards, grants and fellowships, and is represented in public and private collections around the world, including the Metropolitan Museum of Art, the Museum of Fine Arts, Houston, the Museum of Modern Art and the Museum of Contemporary Art, Los Angeles. Weems lives in Brooklyn and Syracuse, New York.
*546  $aTranslated from the Spanish and Catalan; one essay translated from the German
*60010$aWeems, Carrie Mae,$d1953-$vExhibitions.
*650 0$aPhotography, Artistic$vExhibitions.
*650 0$aAfrican American women in art$vExhibitions.
*650 0$aAfrican Americans in art$vExhibitions.
*650 0$aWomen in art$vExhibitions.
*650 0$aRacism in art$vExhibitions.
*650 0$aSocial problems in art$vExhibitions.
*650 0$aPortrait photography$vExhibitions.
*650 0$aDocumentary photography$vExhibitions.
*650 0$aAfrican American women$vPictorial works.
*650 0$aAfrican Americans$vPictorial works.
*650 0$aWomen$vPictorial works.
*655 7$aPhotobooks.$2lcgft
*655 7$aExhibition catalogs.$2lcgft
*655 7$aIllustrated works.$2lcgft
*7001 $aDyangani Ose, Elvira$ewriter of supplementary textual content.$4cur
*7001 $aDressler, Iris$ewriter of supplementary textual content.$4cur
*7001 $aChrist, Hans D.$ewriter of supplementary textual content.$4cur
*7001 $aMoten, Fred$ewriter of supplementary textual content.
*7001 $aWard, LaCharles,$d1988-$ewriter of supplementary textual content.
*7001 $aMuñoz de la Vega, Raúl$ewriter of supplementary textual content.
*7001 $aSearls, Damion$4trl
*7102 $aWürttembergischer Kunstverein$4his
*7102 $aKBr Fundación MAPFRE$4his$4isb$4spn
*74002$aEvidence of things.
*852  $5Ko$bKo$cFOTOGRAFI -$hInz Weems, Carrie Mae
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