Location
Main Entry - Personal Name
Title Statement
Publication, Distribution, etc. (Imprint) Bloomsbury Visual Arts, London : 2018
Dewey Decimal Classification Number
SAB Classification Code
Physical Description ix, 236 pages illustrations (black and white, and colour) 30 cm
Bibliography, etc. Note Includes bibliographical references (page 221) and index.
Formatted Contents Note Introduction -- Part I. : The designer's skill set: 1. Visual analysis: identifying contrasts, Type of contrast ; Degree and quality of contrast -- 2. Sample analysis and documentation: structure and design : Observation and annotation of structural data ; Design analysis and documentation -- 3. Weave drafting methods: recording, designing and reading weaves : Relationship between weave representation and the physical textile: warp and weft alignment ; Illustrations ; Weave drafts ; Drafting simple weaves: drawdown and sectional draft ; Drafting compound weave structures ; Other methods for recording simple and compound weaves -- Part II. : Technology, process, technique: 4. Weave-patterning technology in the digital era : A brief history of figuring technology ; The digital loom comes down, the comber board goes out ; Industrial or manual Jacquard weaving: fast or slow -- 5. Design process and terminology, from sketch to card: Process ; Terminology -- 6. Figuring techniques : One warp, one welt: self-patterning textiles ; Weft patterning ; Warp patterning ; Multiple cloths ; Lampas -- Part III. : Woven structure, design and the Jacquard medium: 7. Weave glossary, choosing and building weaves, evaluating weaves : Weave glossary ; Choosing weaves ; Building weaves ; Structural evaluation -- 8. Which comes first: figuring technique or design?: Loom and warp come first ; Design before technique, technique before design ; To repeat, or not to repeat ; Trusting the eye ; Choosing mistakes ; Threshold of visibility -- 9. Case studies : Primordial and Genesis ; Two games, three squares, eight textiles ; Red July 336: design process, an illustrated narrative ; Fast design, fast weaving ; Watercolor, woven canvas, finished painting ; Site- and event-specific textiles for the winter season ; Weave-patterned shibori ; Textiles in space and time ; How many weave effects? ; Once and future figuring techniques ; Slow weaving.
Summary, etc "For centuries, the creation of Jacquard cloth required the collaborative efforts of teams of designers and technicians working on vastly complex equipment. In the past three decades, developments in loom technology and CAD systems have made it possible for a single individual to design and produce this most challenging class of textiles. Digital Jacquard Design presents a comprehensive introduction to the creation of weave patterning in the era of digitally piloted looms. It offers both aesthetic and technical training for students of figured weaving, covering the Jacquard medium in fantastic breadth and depth. The book is an essential guide for all who create figured textiles with modern materials and tools, and provides the reader with a 'digital' key to access and employ the great textile traditions of the past.Digital Jacquard Design examines the design process from end to end, progressing from visual analysis, sample analysis and weave-drafting methods, to figuring techniques and the selection and building of weaves. It provides a guide to converting traditional drafts to digital polychrome format, a design terminology and a weave glossary. The book concludes with a rich set of case studies to demonstrate ingenious and effective weave and design solutions"-- Provided by publisher.
Subject - Topical Term
ISBN
Waiting
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*00154317
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*008230418s2018 enka|||||b||||001 0|eng|c
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*020 $a9781350108493
*035 $a(OCoLC)on1302646750
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*041 $aeng
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*08204$a746$223/eng/20230216$qOCoLC
*084 $aIhc$2kssb/8 (machine generated)
*1001 $aHolyoke, Julie$4aut
*24510$aDigital jacquard design /$cJulie Holyoke, including photographs and illustrations by Dario Bartolini.
*264 1$aLondon :$bBloomsbury Visual Arts,$c2018
*300 $aix, 236 pages$billustrations (black and white, and colour)$c30 cm
*336 $atext$btxt$2rdacontent
*336 $astill image$bsti$2rdacontent
*337 $aunmediated$bn$2rdamedia
*338 $avolume$bnc$2rdacarrier
*504 $aIncludes bibliographical references (page 221) and index.
*5058 $aIntroduction -- Part I. : The designer's skill set: 1. Visual analysis: identifying contrasts, Type of contrast ; Degree and quality of contrast -- 2. Sample analysis and documentation: structure and design : Observation and annotation of structural data ; Design analysis and documentation -- 3. Weave drafting methods: recording, designing and reading weaves : Relationship between weave representation and the physical textile: warp and weft alignment ; Illustrations ; Weave drafts ; Drafting simple weaves: drawdown and sectional draft ; Drafting compound weave structures ; Other methods for recording simple and compound weaves -- Part II. : Technology, process, technique: 4. Weave-patterning technology in the digital era : A brief history of figuring technology ; The digital loom comes down, the comber board goes out ; Industrial or manual Jacquard weaving: fast or slow -- 5. Design process and terminology, from sketch to card: Process ; Terminology -- 6. Figuring techniques : One warp, one welt: self-patterning textiles ; Weft patterning ; Warp patterning ; Multiple cloths ; Lampas -- Part III. : Woven structure, design and the Jacquard medium: 7. Weave glossary, choosing and building weaves, evaluating weaves : Weave glossary ; Choosing weaves ; Building weaves ; Structural evaluation -- 8. Which comes first: figuring technique or design?: Loom and warp come first ; Design before technique, technique before design ; To repeat, or not to repeat ; Trusting the eye ; Choosing mistakes ; Threshold of visibility -- 9. Case studies : Primordial and Genesis ; Two games, three squares, eight textiles ; Red July 336: design process, an illustrated narrative ; Fast design, fast weaving ; Watercolor, woven canvas, finished painting ; Site- and event-specific textiles for the winter season ; Weave-patterned shibori ; Textiles in space and time ; How many weave effects? ; Once and future figuring techniques ; Slow weaving.
*520 $a"For centuries, the creation of Jacquard cloth required the collaborative efforts of teams of designers and technicians working on vastly complex equipment. In the past three decades, developments in loom technology and CAD systems have made it possible for a single individual to design and produce this most challenging class of textiles. Digital Jacquard Design presents a comprehensive introduction to the creation of weave patterning in the era of digitally piloted looms. It offers both aesthetic and technical training for students of figured weaving, covering the Jacquard medium in fantastic breadth and depth. The book is an essential guide for all who create figured textiles with modern materials and tools, and provides the reader with a 'digital' key to access and employ the great textile traditions of the past.Digital Jacquard Design examines the design process from end to end, progressing from visual analysis, sample analysis and weave-drafting methods, to figuring techniques and the selection and building of weaves. It provides a guide to converting traditional drafts to digital polychrome format, a design terminology and a weave glossary. The book concludes with a rich set of case studies to demonstrate ingenious and effective weave and design solutions"--$cProvided by publisher.
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*650 7$aTygmönster$0https://id.kb.se/term/sao/Tygm%C3%B6nster$2sao
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*650 0$aTextile fabrics.
*650 0$aJacquard weaving.
*650 0$aJacquard weaving$xComputer-aided design.
*650 2$aTextiles
*650 6$aTextiles et tissus.
*650 6$aTissage à la Jacquard.
*650 6$aTextiles et tissus$xDessins.
*650 6$aTissage à la Jacquard$xConception assistée par ordinateur.
*650 7$aJacquard weaving.$2fast
*650 7$aTextile design.$2fast
*650 7$aTextile fabrics.$2fast
*650 0$aTextile fabrics
*7001 $aBartolini, Dario$4ill
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^
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For centuries, the creation of Jacquard cloth required the collaborative efforts of teams of designers and technicians working on vastly complex equipment. In the past three decades, developments in loom technology and CAD systems have made it possible for a single individual to design and produce this most challenging class of textiles.