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Color & light : navigating color mixing in the midst of an LED revolution, a handbook for lighting designers
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Main Entry - Personal Name
Title Statement
  • Color & light : navigating color mixing in the midst of an LED revolution, a handbook for lighting designers
Varying Form of Title
  • Color and light
Publication, Distribution, etc. (Imprint)
  • Quite Specific Media, a division of Silman-James Press, Los Angeles : [2019]
  • 2019
  • Språk: Engelska.
Dewey Decimal Classification Number
SAB Classification Code
Physical Description
  • xxvii, 212 pages color illustrations 23 cm
Bibliography, etc. Note
  • Includes bibliographical references and index.
Formatted Contents Note
  • Introduction: Explore and experiment -- Why color? -- What is color? -- Primary colors in light -- Other spectral colors -- The color circle and color spaces -- Additive color mixing revisited -- Subtractive mixing -- What is white light? -- Saturation -- Color dominance -- Monochromatic and polychromatic palettes -- Color rendering, limited spectrum sources, and new color spaces -- Revisiting dominant and recessive colors -- Dimming, dousing and redshift -- Additive mixing in a world of LEDs -- Color paths revisited -- Metamerism : developing a new language of color -- Creating work that can be reproduced -- Conclusion: Where we are going -- Appendix A : Design for a lighting lab -- Appendix B : A form for recording mixed colors.
Summary, etc
  • Color & Light is an essential practical guide to how color works in light. Written from the perspective of a theatrical lighting designer, it discusses how to see color, how to construct effective lighting palettes, and how to make use of both color filters and color-mixing LED fixtures to create compositions that work well with scenery and costumes to tell compelling stories.We are presently at the leading edge of a revolution in theatrical lighting, redefining how it can be used to create and communicate. Today's LED-based additive color-mixing fixtures require new methodologies and new ways of thinking, and Color & Light directly addresses this technology's potentials and challenges. But underpinning lighting's many recent technological changes is the fundamental language of color that artists have worked with since the birth of humanity's artistic urges.
Subject - Topical Term
ISBN
  • 9781935247197
  • 1935247190
Waiting
  • 0 (0)
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*24510$aColor & light :$bnavigating color mixing in the midst of an LED revolution, a handbook for lighting designers /$cClifton Taylor.
*2461 $aColor and light
*264 1$aLos Angeles :$bQuite Specific Media, a division of Silman-James Press,$c[2019]
*300  $axxvii, 212 pages$bcolor illustrations$c23 cm
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*504  $aIncludes bibliographical references and index.
*5058 $aIntroduction: Explore and experiment -- Why color? -- What is color? -- Primary colors in light -- Other spectral colors -- The color circle and color spaces -- Additive color mixing revisited -- Subtractive mixing -- What is white light? -- Saturation -- Color dominance -- Monochromatic and polychromatic palettes -- Color rendering, limited spectrum sources, and new color spaces -- Revisiting dominant and recessive colors -- Dimming, dousing and redshift -- Additive mixing in a world of LEDs -- Color paths revisited -- Metamerism : developing a new language of color -- Creating work that can be reproduced -- Conclusion: Where we are going -- Appendix A : Design for a lighting lab -- Appendix B : A form for recording mixed colors.
*520  $aColor & Light is an essential practical guide to how color works in light. Written from the perspective of a theatrical lighting designer, it discusses how to see color, how to construct effective lighting palettes, and how to make use of both color filters and color-mixing LED fixtures to create compositions that work well with scenery and costumes to tell compelling stories.We are presently at the leading edge of a revolution in theatrical lighting, redefining how it can be used to create and communicate. Today's LED-based additive color-mixing fixtures require new methodologies and new ways of thinking, and Color & Light directly addresses this technology's potentials and challenges. But underpinning lighting's many recent technological changes is the fundamental language of color that artists have worked with since the birth of humanity's artistic urges.
*650 0$aColor$vHandbooks, manuals, etc.
*650 0$aStage lighting$vHandbooks, manuals, etc.
*650 6$aCouleur$vGuides, manuels, etc.
*650 6$aÉclairage de scène$vGuides, manuels, etc.
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*650 7$aStage lighting.$2fast
*655 7$aHandbooks and manuals.$2fast
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^
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This is an essential practical guide to how colour works in light. Written from the perspective of a theatrical lighting designer, it discusses how to see colour, how to construct effective lighting palettes, and how to make use of both colour filters and colour-mixing LED fixtures to create compositions that work well with scenery and costumes to tell compelling stories. We are presently at the leading edge of a revolution in theatrical lighting, redefining how it can be used to create and communicate. Todays LED-based additive colour-mixing fixtures require new methodologies and new ways of thinking, and the book directly addresses this technologys potentials and challenges. But underpinning lightings many recent technological changes is the fundamental language of colour that artists have worked with since the birth of humanitys artistic urges. More saturated vs. less, warmer vs. cooler, more green vs. more magenta, recessive vs. dominant -- the bedrock language of colour manipulation endures, whether you are putting paintbrush to canvas or calling up colour attributes on a high-tech lighting console. Balancing the basics and the latest innovations, this is a book for everyone involved artistically with light and colour. It will enhance your understanding of how a lighting setup works from a colour perspective, while equipping you with the language to communicate about colour with your collaborators.

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