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Titel och upphov
Utgivning, distribution etc. Gina Kehayoff, München ; London : cop. 1998
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning ca [800] s. huvudsakligen ill, ports 28 cm
Anmärkning: Allmän Ce livre est publié à l'occasion de l'exposition de Christian Boltanski "Dernières années" au Musée d'Art Moderne de la Ville de Paris du 15 mai au 4 octobre 1998.
Personnamn
Term
Institutionsnamn
ISBN
Antal i kö:
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*00154139
*00520181030230000.0
*008011211s1998 gw |||||||||||000 0|fre|c
*020 $a392907883X$cNo price
*020 $a2879003962$qFrance
*035 $9392907883X
*035 $a(SE-LIBR)7023699
*041 $afre
*082 4$a709.049$221
*084 $aInz Boltanski, Christian$2kssb/8
*084 $aIn$2kssb/8
*1001 $aBoltanski, Christian,$d1944-$4pht
*24510$aKaddish /$cChristian Boltanski.
*264 1$aMünchen ;$aLondon :$bGina Kehayoff,$ccop. 1998
*300 $aca [800] s.$bhuvudsakligen ill, ports$c28 cm
*500 $aCe livre est publié à l'occasion de l'exposition de Christian Boltanski "Dernières années" au Musée d'Art Moderne de la Ville de Paris du 15 mai au 4 octobre 1998.
*60014$aBoltanski, Christian,$d1944-
*650 7$aJudar$0https://id.kb.se/term/sao/Judar$2sao
*650 7$aFotokonst$0https://id.kb.se/term/sao/Fotokonst$2sao
*650 7$aPorträttfotografi$0https://id.kb.se/term/sao/Portr%C3%A4ttfotografi$2sao
*650 7$aPhotographs$2bnb
*650 7$aKonstnärer$zFrankrike$y1945-$2sao
*650 7$aFotografer$zFrankrike$y1945-$2sao
*650 7$aArt, Modern$y20th century$2bnb
*650 0$aJews
*650 0$aPortrait photography
*650 0$aPhotography, Artistic
*655 7$aUtställningskataloger$0https://id.kb.se/term/saogf/Utst%C3%A4llningskataloger$2saogf
*7102 $aMusée d'art moderne de la ville de Paris$4oth
*852 $5Ko$bKo$cARTISTS' BOOKS
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*887 $5Ko$a{"@id":"k12wd3v0hpnj6pbx","modified":"2023-01-27T14:42:46.382+01:00"}$2librisxl
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Kaddish is best described as the high point in a long series of art books which are of outstanding importance to Boltanski's oeuvre. In contrast to the ephemeral presence of exhibitions, the book form offers a unique opportunity to bring images together in a lasting collection. Availability created in this way sets the stage for individual analysis. Interpretation occurs solely within the spectator, even when the content is inherent. "Each object conceals a story", according to the artist, "and each object has its own face".