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Titel och upphov No plan at all how the Danish printshop of Niels Borch Jensen redefined artists' prints for the contemporary world
Utgivning, distribution etc. Hatje Cantz, Ostfildern : 2021
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Fysisk beskrivning 1 volume illustrations 29 cm
Anmärkning: Innehållsbeskrivning, sammanfattning The Copenhagen-based print studio of Niels Borch Jensen has been instrumental in the creation of contemporary art for more than forty years. Working with artists as varied as Georg Baselitz, Tacita Dean, Olafur Eliasson, Per Kirkeby, and Julie Mehretu, it has produced works that enhance and disrupt the traditional understanding of printed images, photography and film?works whose existence depends on the printers? virtuosic technical expertise and on their willingness to try anything. ?No Plan at All? offers insight into how artists think, how artworks are made, and why they matter to audiences. It juxtaposes two narrating voices: Niels Borch Jensen gives a personal account of the studio?s history, projects and artists, while art historian Susan Tallman places the story in context? from the American printmaking renaissance in the 1960s through the rise of the Berlin art scene since the 1990s to today?s diverse international collaborations. Interviews with artists further illuminate the often opaque processes, decisions and play that lie behind major works of art. Written and edited by Niels Borch Jensen and Susan Tallman.Niels Borch Jensen (b. 1952 in Frederiksberg, Denmark) founded the print studio now known as BORCH Editions in 1979. Widely considered one of the most significant European workshops of our time, its prints are held by MoMA (New York), the Whitney Museum of American Art (New York), the British Museum (London), Louisiana Museum of Modern Art (Humlebæk), and Staatliche Museen zu Berlin
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Whether it's Georg Baselitz or Olafur Eliasson, Tacita Dean or Martin Kippenberger: these are the greats who have frequented Niels Borch Jensen's printmaking studio in Copenhagen. And they've been coming and going for more than forty years! Not only because of his special, farsighted expertise, which contributes to the congenial creation of unique works of art, but also due to his wish to reject any imposition of aesthetic limitations and to constantly attempt new things. A look at the story of the studio and its founder, therefore, also means taking a look through the kaleidoscope of contemporary art history.