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*24514$aThe Oxford handbook of hip hop dance studies /$cedited by Mary Fogarty and Imani Kai Johnson.
*24610$aHandbook of hip hop dance studies
*24610$aHip hop dance studies
*264 1$aNew York :$bOxford University Press,$c2022
*300  $axiv, 575 pages$billustrations$c26 cm
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*4901 $aOxford handbooks
*504  $aIncludes bibliographical references and index.
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*650 0$aHip-hop dance.
*650 0$aHip-hop
*650 0$aDance
*650 0$aBreak dancing
*7001 $aFogarty, Mary,$d1978-$4edt
*7001 $aJohnson, Imani Kai$4edt
*830 0$aOxford handbooks
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Engaging with a broad range of research and performance genres, The Oxford Handbook of Hip Hop Dance Studies offers the most comprehensive research on Hip Hop dance to date. Filling a lacuna in both Hip Hop and dance studies, the Handbook places practitioners' voices at the forefront and in dialogue with theoretical insights, rooted in critical race theory, anticolonialism, intersectional feminism, and more. Volume editors Mary Fogarty and Imani Kai Johnson have included influential dancers and scholars from around the world: from B-Boys Ken Swift, YNOT, and Storm, to practitioners of locking, waacking and House dance styles such as E. Moncell Durden, Terry Bright Kweku Ofosu, Fly Lady Di, and Leah McFly, and innovative academic work on Hip Hop dance by the most prominent researchers in the field. Throughout the Handbook contributors address individual and social histories of dance, Afrodiasporic and global lineages, the contribution of B-Girls from Honey Rockwell to Rokafella, the "studio-fication" of Hip Hop styles, and moves into theatre, TV, and the digital/social media space.

• Acknowledgmentsix
• List of Contributorsxi
• Introduction1
• Hip Hop Dance Legacies and Traditions
• Foundation: Context and Components of Breaking Fundamentals13
• The Camera in the Cypher: High Times and Hypervisibility in Early Hip Hop Dance32
• The Technical Developments in Breaking from Conditioning to Mindset58
• Connecting Hip Hop History and Heritage80
• Kung Fu Fandom: B-Boys and the Grindhouse Distribution of Kung Fu Films97
• What Makes a Man Break?116
• Hip Hop Dance Methodologies
• Learn Your History: Using Academic Oral Histories of NYC B-Girls in the 1990s to Broaden Hip Hop Scholarship131
• Hard Love Part 1: Corporealities of Women Ethnographers of Hip Hop Dances149
• Framing Hip Hop Dance as an Object of Sociological and Cultural Research171
• Through Sound and Space: Notes on Education from the Edge of the Cypher188
• The Vault: Collecting and Archiving Streetdance Footage204
• Critical Hiphopography in Streetdance Communities (Hard Love Part 2)217
• Outstanding Identities in Hip Hop Streetdance Practices
• Breaking in My House: Popular Dance, Gender Identities, and Postracial Empathies243
• Globalization and the Hip Hop Dance Cipher260
• Asian American Liminality: Racial Triangulation in Hip Hop Dance280
• Breakin' Down the Bloc: Hip Hop Dance in Armenia292
• Twerking and P-Popping in the Context of the New Orleans Local Hip Hop Scene308
• Is She B-Boying or B-Girling? Understanding how B-Girls Negotiate Gender and Belonging326
• Breaking with Convention
• Streetdance and Black Aesthetics347
• Living in the Tension: The Aesthetics and Logics of Popping365
• Staging Hip Hop Dance: Fly Girls in the House384
• Battles and Ballets: Hip Hop Dance in France408
• Negotiating the Metaspace: Hip Hop Dance Artists in the Space of UK Dance Theatre430
• Make the Letters Dance: A Hip Hop Approach to Creative Practice457
• Hip Hop Health: Injury, Healing, and Rehabilitation
• Hip Hop Dance and Injury Prevention477
• They Come for the Hip Hop but Stay for the Healing497
• Can Expert Dancers Be a Springboard Model to Examine Neurorehabilitation via Dance?516
• Afterword: Dance, Hip Hop Studies, and the Academy534
• Index559