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Title Statement A cultural history of the avant-garde in the Nordic countries since 1975
Publication, Distribution, etc. (Imprint) Brill, Leiden ; Boston : [2022]
©2022
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Physical Description xxx, 1043 pages illustrations 25 cm.
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Series Added Entry - Uniform Title
Bibliography, etc. Note Includes bibliographical references and index.
Formatted Contents Note Paradigmatic cases -- The promises of technology -- The performative turn -- Intervention and institutional critique -- Venues -- Subcultures -- Postmodernism and re-enactments -- The end of the avant-garde?
Summary, etc "The Cultural History of the Avant-Garde in the Nordic Countries Since 1975 is the final volume of the four-volume series of cultural histories of the avant-garde movements in the Nordic countries. This volume carries the avant-garde discussion forward to present-day avant-gardes, challenged by the globalisation of the entertainment industries and new interactive media such as the internet. The avant-garde can now be considered a tradition that has been made more widely available through the opening of archives, electronic documentation and new research, which has spurred both re-enactments, revisions and continuations of historical avant-garde practices, while new cultural contexts, political, technological and ecological conditions have called for new strategies"-- Provided by publisher.
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The Cultural History of the Avant-Garde in the Nordic Countries Since 1975 is the final volume of the four-volume series of cultural histories of the avant-garde movements in the Nordic countries. This volume carries the avant-garde discussion forward to present-day avant-gardes, challenged by the globalisation of the entertainment industries and new interactive media such as the internet. The avant-garde can now be considered a tradition that has been made more widely available through the opening of archives, electronic documentation and new research, which has spurred both re-enactments, revisions and continuations of historical avant-garde practices, while new cultural contexts, political, technological and ecological conditions have called for new strategies.
Preface p. xiii Contributors p. xxv The Long Avant-Garde Tradition - Restaging, Resisting, Renewing p. 1 Paradigmatic Cases Introduction to Section 1 p. 41 Appropriating the Past to Examine the Present - On Matias Faldbakken as Media Artist p. 49 Magma and Persona - Material Generativity in the Work of Björk Guðmundsdóttir p. 61 DOGMA 95 and The Idiots - A Renewal of Avant-Garde Realism in Film p. 79 Feminist Avant-Garde Film of the 1970s as Gender Politics - The Example of Tornerose, by Jytte Rex and Kirsten Justesen p. 94 Such Stuff as We Are Made of - Kirsten Dehlholm, Billedstofteater and Hotel Pro Forma p. 109 "An American Poet Only Writing in Finnish" - Leevi Lehto's Seminal Role in Contemporary Finnish Poetry p. 126 The Promises of Technology Introduction to Section 2 p. 141 The Avant-Garde and the Computer Industry - Art and Technology Collaborations at Datasaab and IBM Sweden from the late 1960s to the 1990s p. 150 Miracle Machines - The Creative and Democratic Promise of the Photocopier: Danish Xerography 1979-1995 in an Avant-Garde Perspective p. 168 Avant-Garde Anomalies and Transnational Trajectories - The Place and Time of Gunvor Nelson's Collage Films of the 1980s p. 190 Art for Aliens - On Goodiepal's Xenophile Posthumanism p. 197 Erkki Kurenniemi - Life Is an Algorithm p. 213 Life in a Code - Mikael Brygger's "NASDAQ 30.5.2010" as Found Poetry p. 227 The Performative Turn Introduction to Section 3 p. 243 She Splits Phallic Cucumbers with a Knife - The Norwegian Vienna Actionist that Art History Forgot p. 254 "Don't Panic. Black, No Sugar is a New Way of Life!" - An Icelandic Street Theatre between Carnival and Disturbance p. 267 Two Different Perspectives on the Avant-Garde in Finnish Dance in the 1980s - Reijo Kela and Sanna Kekäläinen p. 279 Hilarious Imperialists - Baktruppen's Bad Family Photos from the World Tour p. 293 Jessie Kleemann between Orsoq and Turpentine p. 304 Humour as an Avant-Garde Strategy in Three Generations of Feminist Art: Kirsten Justesen, Hanne Nielsen & Birgit Johnsen and Maja Malou Lyse p. 322 Precarious Fiction and Precarious Spectatorship - The Artistic Practice of SIGNA as Theatrical Avant-Garde p. 341 Intervention and Institutional Critique Introduction to Section 4 p. 357 The Skinnebach Effect - Towards a Poetic Institutional Critique p. 367 The Stunt Poets - A Literary Avant-Garde in the Neo-Liberal Age of Mass Media p. 377 We Are a Song the Band Doesn't Play - Systematic Systemic Critique in Contemporary Swedish Poetry p. 400 The Sámi Museum in Karasjok - A Story of Resistance p. 415 S.L.Á.T.U.R. - The Obtrusive Composers' Collective p. 433 The Guerrilla Paradigm or "Feminist Avant-Garde" - Towards an Alternative Feminist Canon p. 447 Venues Introduction to Section 5 p. 477 J.O. Mallander and the Nordic Neo-Avant-Garde p. 483 Was ist der Fall? What is the Case? Mr. Klein's Last Moments (P)reconstructed by Mail p. 497 Towards a Kinetic Icelandic Culture - Friðrik Pór Friðriksson, Suðurgata 7 and Experimental Film in Iceland p. 516 Look Back, Dig Out, Mix Up, Think Forward - The Archival Activism of OEI p. 540 The Bergensbrag Generation - The Rise of Independent Literary Platforms in Norway, 2000-2005 p. 551 Investigative Infrastructures - Nordic Small Presses of the Twenty-First Century p. 569 Locality and Literary Intervention - Ida Börjel's Skåneradio p. 592 Danish Children's and Youth Television from an Avant-Garde Perspective p. 605 The Ultima Festival in Oslo - Institutionalising the Avant-Garde? p. 616 Subcultures Introduction to Section 6 p. 631 The Copenhagen Punk Years - Art with No Future? p. 643 The Performance Group Værst's Nine Performance Videos for Sort Sol's Album Flow My Firetear p. 662 Beyond the Borders - Elgaland-Vargaland and the Association for Temporary Art p. 674 The Happy Antagonist - Pasi "Sleeping" Myllymäki's Underground Super-8 Films p. 689 Immigrant Film Co-Operatives in Sweden - The Most Typical Avant-Garde p. 703 Specialists in Revolt - The Surrealist Group of Stockholm p. 715 "To Be Fully Subconscious" - On the Medúsa Group p. 729 Home to Hell - Tóroddur Poulsen p. 746 A "Cow-Napping" in Context: From the Scribble Board to Zero Tolerance - (Sub)Cultural Interventions in the Public Realms of Stockholm, 1968-2004 p. 757 "... because enmity and admiration go hand in hand" - Guy Maddin's Tales from the Gimli Hospital p. 770 Postmodernism and Re-Enactments Introduction to Section 7 p. 789 Postmodern Avant-Garde in Theory and in Poetry in Finland at the End of the Twentieth Century p. 797 Avant-Garde vs. "Avant-Garde" - Danish Artists of the 1980s as Successors to and Rebels against the 1960s Avant-Garde p. 815 Traces of Avant-Garde Strategies in Danish Poetry of the 1980s p. 831 Cecilie Løveid - Postmodern Recycling of the Avant-Garde p. 846 French Feminist Theory and Surrealism in Karin Moe's Kjønnskrift (Sextext) p. 865 "New. Fantastic. Different" - Mariaana Jäntti's Amorfiaana (1986) and Monika Fagerholm's Diva (1998) as Finnish Feminist Avant-Garde Prose Fiction p. 880 The Arctic Mongrel - Pia Arke's Ethno-Aesthetics as Post-Colonial Avant-Gardism p. 893 The End of the Avant-garde? Introduction to Section 8 p. 911 Superflex and the End of Art p. 918 A BIGamist Bricoleur - The Postmodern Avant-Gardism of Bjarke Ingels p. 936 Avant-Garde Design in Denmark - Four Cases Concerning Furniture p. 955 Avant-Garde and Post-Colonial? - How to Square the Circle in a Nordic Country with a Colonial Past p. 964 Constructing an Avant-Garde Canon in the Twenty-First Century - On the Icelandic Poetry Group Nyhil p. 976 Precarious Life - Nielsen's Search for a Life beyond Identity p. 994 A Contemporary Avant-Garde in the Nordic Countries? Subversion or Subvention p. 1013 Index p. 1023