Konstfacks bibliotek

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*020  $a9783038602910$qhardbound
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*041  $aeng
*050 4$aN6537.B769
*1001 $aBrown, Marshall$4art
*24514$aThe architecture of collage /$cMarshall Brown ; with contributions by Anna Arabindan-Kesson, Aaron Betsky, Marshall Brown, James Glisson, Editor.
*264 1$a[Zurich] :$bPark Books ;$a[Santa Barbara, California] :$bSanta Barbara Museum of Art,$c[2022]
*264 4$c©2022
*300  $a124 pages$bmany illustrations (chiefly color)$c32 cm$e1 map
*336  $atext$btxt$2rdacontent
*336  $astill image$bsti$2rdacontent
*337  $aunmediated$bn$2rdamedia
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*500  $aPublished on the occasion of an exhibition held at the Santa Barbara Museum of Art, October 2, 2022-January 7, 2023.
*5058 $tDirector's foreword /$rLarry J. Feinberg --$tIntroduction /$rJames Glisson --$tCollage is... collage ain't /$rMarshall Brown --$tChimera -- Collage architecture /$rAaron Betsky --$tZiggurat --$tHow to build a collage /$rMarshall Brown --$tMaps of Berlin --$tJe est un autre --$tNotes from the joint: collage ethics /$rAnna Arabindan-Kesson --$tPrisons of invention --$tBlock, procession, spin & map /$rJames Glisson --$gList of plates
*520  $a"The Architecture of Collage is Marshall Brown’s first solo museum exhibition and most comprehensive presentation of his collages to date. There are twenty-five artworks in the exhibition, including loans from the Art Institute of Chicago and the Museum of Contemporary Photography, Chicago. Two of the most recent collage series, Prisons of Invention and Maps of Berlin, will premiere at the Santa Barbara Museum of Art. Brown cuts out photographs of buildings and reassembles them into levitating structures that hover between reality and fiction. He calls them chimeras after the lion-goat-snake creature of Greek mythology. Like the monster, whose parts were taken from existing animals, the parts of these collages are taken from actual buildings but when combined form something new. They are physical proof that borrowing and recombination can yield strikingly original results and achieve what contemporary art often does so well: suggest that the world could be different than what it is without specifying what that might concretely be.""--Santa Barbara Museum of Art website.
*60010$aBrown, Marshall$vExhibitions.
*648 7$a2000-2099$2fast
*650 0$aCollage, American$y21st century.
*650 7$aCollage, American.$2fast
*655 7$aExhibition catalogs.$2fast
*7001 $aGlisson, James$4edt
*7102 $aSanta Barbara Museum of Art$4his
*852  $5Ko$bKo$cKONST -$hIbz Brown, Marshall
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^

The first book on American architect Marshall Brown and his collages, which sit at the intersection of architecture and art.



Despite its consistent presence in architectural practice throughout the twentieth and twenty-first centuries, collage has never been considered a standard form of architectural representation like drafting, model making, or sketching. The work of Marshall Brown, an architect and artist, demonstrates the power of collage as an architectural medium. In Brown's view, collage changes the terms of architectural authorship and challenges outdated definitions of originality.



Published in conjunction with the exhibition The Architecture of Collage: Marshall Brown at the Santa Barbara Museum of Art, the book features some forty collages by Marshall Brown. These works come from four of his collage series, including Chimera , Je est un autre , as well as the previously unpublished Prisons of Invention and Piranesian Maps of Berlin . Additionally, there are photographs of Ziggurat, an outdoor sculpture with a design based on a collage from Chimera . The full-color plates are supplemented with essays by critic and curator Aaron Betsky, scholar of art history and archaeology Anna Arabindan-Kesson, Santa Barbara Museum of Art's curator James Glisson, and Marshall Brown that outline the conceptual foundations of Brown's intriguing exploration of an intersection of architecture and art.