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Titel och upphov The global rules of art : the emergence and divisions of a cultural world economy
Utgivning, distribution etc. Princeton University Press, Princeton, New Jersey : [2022]
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DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning xxi, 387 pages illustrations (black and white), maps (black and white) 24 cm
Anmärkning: Bibliografi etc. Includes bibliographical references (pages 303-373) and index.
Anmärkning: Innehåll A global field approach to art and culture -- The emergence of a global field in the contemporary visual art s. The genesis of a global art istic subfield -- From an international avant-garde market to a global commercial subfield -- Dynamics of art istic recognition in the globalizing field. Cross-border valuation between art experts and the market : from Bourdieu’s conversion model to a dual cultural world economy -- Diversity and careers in a dual cultural world economy -- Creative lives : from the “periphery” to global recognition -- Becoming a global art ist at the relatively autonomous pole : the case of Gabriel Orozco -- The hype of the Chinese market star Yue Minjun : a globalizing speculation game -- "Global art " between autonomy and heteronomy.
Anmärkning: Innehållsbeskrivning, sammanfattning "Prior to the 1980s, the postwar canon of “international” contemporary art was made up almost exclusively of art ists from North America and Western Europe, while cultural agents from other part s of the world often found themselves on the margins. The Global Rules of Art examines how this discriminatory situation has changed in recent decades. Drawing from abundant sources—including objective indicators from more than one hundred countries, multiple institutional histories and discourses, extensive fieldwork, and interviews with art ists, critics, curators, gallerists, and auction house agents—Larissa Buchholz examines the emergence of a world-spanning art field whose logics have increasingly become defined in global terms. Deftly blending comprehensive historical analyses with illuminating case studies, The Global Rules of Art breaks new ground in its exploration of valuation and how cultural hierarchies take shape in a global context. The book’s innovative global field approach will appeal to scholars in the sociology of art , cultural and economic sociology, interdisciplinary global studies, and anyone interested in the dynamics of global art and culture."--Page [4] of cover.
Kronologisk term
Term
Annat medium Buchholz, Larissa. Global rules of art . Princeton : Princeton University Press, [2022] ISBN 069123986X ISBN 9780691239866
ISBN 9780691172026 0691172021 9780691245447 0691245444
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A trailblazing look at the historical emergence of a global field in contemporary art and the diverse ways artists become valued worldwide
List of Illustrations p. ix List of Tables p. xiii Preface: An Unsettling Success p. xv A Global Field Approach to Art and Culture p. 1 The Emergence of a Global Field in the Contemporary Visual Arts p. 23 The Genesis of a Global Artistic Subfield p. 27 From an International Avant-Garde Market to a Global Commercial Subfield p. 67 Dynamics of Artistic Recognition in the Globalizing Field p. 107 Cross-Border Valuation between Art Experts and the Market: From Bonrdieu's Conversion Model to a Dual Cultural World Economy p. 111 Diversity and Careers in a Dual Cultural World Economy p. 121 Creative Lives: From the "Periphery" to Global Recognition p. 161 Becoming a Global Artist at the Relatively Autonomous Pole: The Case of Gabriel Orozco p. 165 The Hype of the Chinese Market Star Yue Minjun: A Globalizing Speculation Game p. 217 "Global Art" between Autonomy and Heteronomy p. 262 Epilogue: COVID-19, Geopolitical Shifts, and Deglobalization? p. 274 Acknowledgments p. 277 Appendices p. 285 Notes p. 303 References p. 347 Index p. 375