Konstfacks bibliotek

*000     cam a       7i 4500
*00153570
*00520221124105543.0
*008221124s2022    enka|||||b||||001 0|eng|d
*020  $a9783753302386$qKönig
*020  $a9781846382635$qAfterall
*020  $a1846382637$qAfterall
*020  $a3753302384
*035  $a(OCoLC)on1328026466
*035  $a(SE-LIBR)9rj11bj871rnzqwt
*041  $aeng
*08204$a700.8996$223
*084  $aI$2kssb/8 (machine generated)
*24510$aReshaping the field :$barts of the African diasporas on display /$cedited by Nana Adusei-Poku.
*264 1$aLondon :$bAfterall,$c2022
*300  $a267 pages$billustrations (some color)$c24 cm
*336  $atext$btxt$2rdacontent
*337  $aunmediated$bn$2rdamedia
*338  $avolume$bnc$2rdacarrier
*4901 $aExhibition histories
*500  $a"First published 2022 by Afterall in association with Asia Art Archive, the Center for Curatorial Studies, Bard College and the Faculty of Fine, Applied and Performing Arts, University of Gothenburg"--Title page verso.
*504  $aIncludes bibliographical references and index.
*5058 $tIntroduction: Reshaping the field /$rNana Adusei-Poku --$tArt, museums and the fear of a black planet /$rBridget R. Cooks --$tMarginalized legacies and networks --$tIntroduction to marginalized legacies and networks /$rRichard J. Powell --$tMapping art history at the Atlanta University Center /$rCheryl Finley --$tFisk University Galleries /$rJamaal B. Sheats --$tPaving the way: exhibition history of African American Art as the Howard University Gallery of Art /$rAbby R. Eron --$tBetween inclusion and making space --$tInsisting on inclusion and making space downtown /$rHoward Singerman --$tRevisiting Exhibiting Blackness: African Americans and the American art museum /$rBrittany Webb --$tMore than preamble: anticipating 'Two centuries of Black American art' /$rJulie L. McGee --$tRuptures --$t'Freestyle': how Post-Black ruptured Black art /$rNana Adusei-Poku --$tDoes the plantation end when the market begins? Personal reflections and more than a few questions in personal and public practice post-'Freestyle' /$rSenam Okudzeto --$tBlackness on display: on racial fetishism and the right to opacity /$rDerek Conrad Murray --$tDialogics of diaspora --$tMoving images, exhibition histories: Dreaming Rivers and Handsworth Songs /$rLucy Steeds --$tThe afterlives of 'Transforming the crown': Black British art and the survey exhibition /$rMora J. Beauchamp-Byrd --$tFinding the room next to mine /$rMarlene Smith in conversation with Claudette Johnson --$tCurating Black futures --$tBlack girl: a plot and a promise /$rAmber Esseiva --$tCreating the histories we think we'll need: thoughts on Black futurity /$rBrittany Webb --$tNo real closure: curating Black futures now /$rLanguid Hands (Imani Mason Jordan and Rabz Lansiquot) --$tHarmattan Dust /$rSerubiri Moses --$tRoundtable conversation: curating Black futures now /$rNana Adusei-Poku, Amber Esseiva, Languid Hands (Imani Mason Jordan and Rabz Lansiquot), Serubiri Moses and Brittany Webb.
*650 0$aArts, Black$xExhibitions.
*650 0$aAfrican diaspora in art$xExhibitions.
*650 0$aArtists, Black$xHistory.
*650 0$aBlack people$xRace identity.
*650 7$aAfrican diaspora in art.$2fast
*650 7$aArtists, Black.$2fast
*650 7$aArts, Black.$2fast
*650 7$aBlack people$xRace identity.$2fast
*655 7$aExhibition catalogs.$2fast
*655 7$aHistory.$2fast
*7001 $aAdusei-Poku, Nana$4edt
*830 0$aExhibition histories
*852  $5Ko$bKo$cKONST -$hIit
*887  $a{"@id":"9rj11bj871rnzqwt","modified":"2022-11-24T10:55:43.946+01:00"}$2librisxl
*887  $5Ko$a{"@id":"0g7qq51fx5l1v8nf","modified":"2022-11-24T10:57:12.186+01:00"}$2librisxl
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