Location FOTOGRAFI - Inz Dayanita Singh
Main Entry - Personal Name
Title Statement Sea of files Hasselblad Award 2022
Publication, Distribution, etc. (Imprint) Steidl Verlag, Göttingen : 2022
Dewey Decimal Classification Number
SAB Classification Code
Physical Description
Subject - Personal Name
Index Term - Uncontrolled
Added Entry - Corporate Name
Electronic Location and Access http://deposit.dnb.de/cgi-bin/dokserv?id=2569f0e4e9974b1aaeb5eee4ca25099f&prov=M&dok_var=1&dok_ext=htm text/html
ISBN
Waiting
*000 nam a 3c 4500
*00153536
*0052022 1110143006.0
*008221110s2022 gw |||||||||||000 0|eng|d
*020 $a9783969991541
*020 $a3969991544
*0243 $a9783969991541
*035 $a(OCoLC)on1343889142
*035 $a(SE-LIBR)5mc8mr9x38f3qp97
*041 $aeng
*044 $cXA-DE-NI
*082 4$a770$qDE-101$83\p
*084 $aPn$2kssb/8 (machine generated)
*1000 $aDayanita Singh$4pht
*24510$aSea of files$bHasselblad Award 2022 /$cDayanita Singh.
*263 $a2022 10
*264 1$aGöttingen :$bSteidl Verlag,$c2022
*300 $a152 Seiten$c26 cm x 26 cm
*336 $aText$btxt$2rdacontent/ger
*337 $aohne Hilfsmittel zu benutzen$bn$2rdamedia/ger
*338 $aBand$bnc$2rdacarrier/ger
*60004$aDayanita Singh
*653 $a(Produktform)Hardback
*653 $a(Produktform (spezifisch))Cloth over boards
*653 $aHasselblad Award
*653 $a2022
*653 $aFotografie Preis
*653 $aArchive
*653 $a(VLB-WN)1587: Hardcover, Softcover / Kunst/Fotografie, Film, Video, TV
*7102 $aSteidl-Verlag$gGöttingen$4pbl$4pbl$82\p
*852 $5Ko$bKo$cFOTOGRAFI -$hInz Dayanita Singh
*85642$uhttp://deposit.dnb.de/cgi-bin/dokserv?id=2569f0e4e9974b1aaeb5eee4ca25099f&prov=M&dok_var=1&dok_ext=htm$qtext/html
*887 $a{"@id":"5mc8mr9x38f3qp97","modified":"2022 -11-10T14:30:06.194+01:00"}$2librisxl
*887 $5Ko$a{"@id":"9rhdrxj8782h5xgs","modified":"2022 -11-10T14:30:35.145+01:00"}$2librisxl
^
No reviews exists for this book.
Click here
to be the first to write a review.
This book celebrates Dayanita Singh as the 2022 winner of the Hasselblad Award, considered the most prestigious international photography prize. Sea of Files highlights Singh's consistent and unique engagement with the archive, both in a real sense (including the overflowing bundles of India's public and private archives) and metaphorically: the archive as a vessel of cultural experience. The book includes Singh's associative visual essay "Sea of Files" in its entirety, as well as-for the first time in a publication-"Museum of Innocence (The Madras Chapter)" and other series engaging with the meanings and materiality of archives. A personal essay by Nobel laureate Orhan Pamuk explores the lyrical, silent reality of Singh's photographs of state archives, for him images of aura and melancholy that evoke the "texture of memory," "an idea of poetic decrepitude and a sense of profundity," as well as "dignified resistance even when the passage of time makes everything meaningless." The book furthermore shows how Singh has paved new ways for engaging with photography, be it through humanist portraiture, or her innovative display structures and book objects which recast traditional notions of the museum and publishing.