Hylla FOTOGRAFI - Inz Reid, Leslie
Personnamn
Titel och upphov Leslie Reid : a darkening vision
Utgivning, distribution etc. Carleton University Art Gallery, Ottawa, Ontario : 2013
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning 80 pages illustrations (chiefly colour) 24 x 31 cm
Anmärkning: Bibliografi etc. Includes bibliographical references (pages 75-76).
Anmärkning: Innehåll Foreword / Sandra Dyck -- Light as metaphor / Diana Nemiroff -- Works in the exhibition -- Biography of the artist -- Artist's acknowledgments.
Personnamn
Term
ISBN
Antal i kö:
*000 nam a 3a 4500
*00153519
*00520221025145804.0
*008221025s2013 onca|||||b||||000 0|eng|d
*020 $a9780770905675$q(hbk.)
*020 $a0770905676$q(hbk.)
*035 $a(OCoLC)ocn857109507
*035 $a(SE-LIBR)n4sv57mll4sn9b1c
*041 $aeng
*050 4$aND249.R45
*08204$a759.11$223
*084 $acci1icc $2lacc
*084 $acoll13$2lacc
*084 $aIe-qb$2kssb/8 (machine generated)
*1001 $aNemiroff, Diana$4aut
*24510$aLeslie Reid :$ba darkening vision /$cDiana Nemiroff.
*264 1$aOttawa, Ontario :$bCarleton University Art Gallery,$c2013
*300 $a80 pages$billustrations (chiefly colour)$c24 x 31 cm
*336 $atext$btxt$2rdacontent
*336 $astill image$bsti$2rdacontent
*337 $aunmediated$bn$2rdamedia
*338 $avolume$bnc$2rdacarrier
*504 $aIncludes bibliographical references (pages 75-76).
*5058 $aForeword / Sandra Dyck -- Light as metaphor / Diana Nemiroff -- Works in the exhibition -- Biography of the artist -- Artist's acknowledgments.
*60010$aReid, Leslie$xCriticism and interpretation.
*60016$aReid, Leslie,$d1947-$vExpositions.
*60017$aReid, Leslie.$2fast
*650 0$aLight in art.
*650 0$aSpace (Art)
*650 6$aLumière dans l'art.
*650 6$aEspace (Art)
*650 7$aLight in art.$2fast
*650 7$aSpace (Art)$2fast
*655 7$aCriticism, interpretation, etc.$2fast
*852 $5Ko$bKo$cFOTOGRAFI -$hInz Reid, Leslie
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*887 $5Ko$a{"@id":"9rfhsv0x71q78b7v","modified":"2022-10-25T14:58:24.344+02:00"}$2librisxl
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This thoroughly illustrated monograph traces the 30-year evolution of Canadian painter Leslie Reid's treatment of light and space, revealing that although her extraordinarily subtle landscapes are grounded in observation, their objectivity is underpinned by the preliminary photographs that allow her to contemplate the sensations and emotions evoked by place. "A Darkening Vision" refers not to her palette, but to the intensifying feeling in her work of the tenuous nature of life. The paintings presented are grouped thematically: 'Air' sets works from the 1970s, liminally abstract, delicately nuanced paintings; 'Earth' groups paintings from the artist's travels in France, England, and California during the 1980s and 90s; 'Water' spans the mid 1990s to the present, when Reid was focused more narrowly on family property in Quebec. For Reid, the sensory experience of the landscape is deeply imbued with feeling - what interests her are the perceptual and psychological sensations provoked by the experience of a particular place.