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Titel och upphov The Routledge companion to dramaturgy
Utgivning, distribution etc. Routledge, Abingdon, Oxon ; New York, NY : 2015
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Anmärkning: Bibliografi etc. Includes bibliographical references and index.
Anmärkning: Innehåll Part I. World dramaturgy in the twenty-first century -- Part II. Dramaturgy in the age of globalization -- Part III. Dramaturgy in motion : demolitions, definitions, and demarcations -- Part IV. Dramaturgs as artistic leaders and visionaries : privileges and responsibilities of the office -- Part V. Dramaturg as mediator and context manager : transculturalism, translation, adaptation, and contextualization -- Part VI. Dramaturgy among other arts : interdisciplinarity, transdisciplinarity, and transvergence -- Part VII. Dramaturg as systems analyst : dramaturgy of postdramatic structures -- Part VIII. Dramaturg as public relations manager : immersions, talkbacks, lobby displays, and social networks.
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Annat medium Online version: The Routledge companion to dramaturgy Abingdon, Oxon ; New York, NY : Routledge, 2015 ISBN 9780203075944
ISBN 9781138946330 0415658497 9780415658492
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Dramaturgy, in its many forms, is a fundamental and indispensable element of contemporary theatre. In its earliest definition, the word itself means a comprehensive theory of "play making." Although it initially grew out of theatre, contemporary dramaturgy has made enormous advances in recent years, and it now permeates all kinds of narrative forms and structures: from opera to performance art; from dance and multimedia to filmmaking and robotics.
In our global, mediated context of multinational group collaborations that dissolve traditional divisions of roles as well as unbend previously intransigent rules of time and space, the dramaturg is also the ultimate globalist: intercultural mediator, information and research manager, media content analyst, interdisciplinary negotiator, social media strategist.
This collection focuses on contemporary dramaturgical practice, bringing together contributions not only from academics but also from prominent working dramaturgs. The inclusion of both means a strong level of engagement with current issues in dramaturgy, from the impact of social media to the ongoing centrality of interdisciplinary and intermedial processes.
The contributions survey the field through eight main lenses:
world dramaturgy and global perspective dramaturgy as function, verb and skill dramaturgical leadership and season planning production dramaturgy in translation adaptation and new play development interdisciplinary dramaturgy play analysis in postdramatic and new media dramaturgy social media and audience outreach.
Magda Romanska is Visiting Associate Professor of Slavic Languages and Literatures at Harvard University, Associate Professor of Theatre and Dramaturgy at Emerson College, and Dramaturg for Boston Lyric Opera. Her books include The Post-Traumatic Theatre of Grotowski and Kantor (2012), Boguslaw Schaeffer: An Anthology (2012), and Comedy: An Anthology of Theory and Criticism (2014).
Introduction World dramaturgy in the twenty-first century Robert Blacker looks at the past and future of American dramaturgy Contemporary new play dramaturgy in Canada Collaborative dramaturgy in Latin American theater Documentary dramaturgy in Brazil The place of a dramaturg in twenty-first century England On German Dramaturgy The making of La Dramaturgie in France Dramaturgy and the role of the dramaturg in Poland Agata Dbek Translated The new play dramaturgy in Russia Pavel Rudnev Translated Dramaturgy in post-revolution Iran: problems and prospects Performing dramaturgy in Syria: observations and interview with Mayson Ali Official and unofficial dramaturgs: dramaturgy in China Dramaturgy of Separated Elements in the Experimental Japanese Theatre Dramaturgy in Indian theatre: a closer view Dramaturgy in Australia and the case of Avast and Doku Rai Dramaturgies in/of South Africa Dramaturgy in the age of globalization The dramaturg as globalist Freelance dramaturgs in the twenty-first century: journalists, advocates, and curators The National Theatre goes international: global branding and the regions From alienation to identity: transnational communication of Russian-Israeli theatre Intercultural dramaturgy: dramaturg as cultural liaison The dramaturgical bridge: contextualizing foreignness in multilingual theatre Reading and (re)directing "racial scripts" on and beyond the stage Transcultural dramaturgy methods The dramaturgical process and global understanding European dramaturgy in the twenty-first century Dramaturgy in motion: demolitions, definitions, and demarcations Dramaturgy on shifting grounds Dramaturgy as skill, function, and verb Interactual dramaturgy: intention and affect in interdisciplinary performance The expansion of the role of the dramaturg in contemporary collaborative performance Who is the dramaturg in devised theatre? Finding our hyphenates: a new era for dramaturgs Dramaturgy as a way of looking into the spectator's aesthetic experience Dramaturgy as training: a collaborative model at Shakespeare's Globe The art of collaboration: on dramaturgy and directing Dramaturgy in action{{...}}even if it's not as a dramaturg Dramaturgs as artistic leaders and visionaries: privileges and responsibilities of the office Dramaturgs as artistic leaders Dramaturgical leadership and the politics of appeal in commercial theatre On dramaturgy and leadership Leadeship advice to a dramaturgy student Season planning: challenges and opportunities The dramaturg's role in diversity and audience development Guthrie Theater's debt to women and diversity Reimagining the literary office: designing a department that fulfills your purpose The National New Play Network Collaborative Literary Office: new tools for old tricks Dramaturg as context manager: transculturalism, translation, adaptation, and contextualization A view from the bridge: the dramaturg's role when working on a play in translation Lost in translation The dissemination of theatrical translation Literary adaptation for the stage: a primer for adaptation dramaturgs Intermingling literary and theatrical conventions Research strategies in dramaturgical practice Dramaturg as context manager: a phenomenological and political practice New play explorations in the twenty-first century Thinking like an actor: a guide for the production dramaturg The youth respondent method: new work development for Theatre for Young Audiences Dramaturgy among other arts: interdisciplinarity, transdisciplinarity, and transvergence Complex in-betweeness of dramaturgy and performance studies The dramaturg(ies) of puppetry and visual theatre A method for musical theatre dramaturgy Borderless dramaturgy in dance theatre The role of the dramaturg in the creation of new opera works Dramaturgy and film Phronesis for robots: (re)covering dramaturgy as an Interdiscipline Dramaturgical design of the narrative in digital games New media dramaturgy The science of dramaturgy and the dramaturgy of science Dramaturg as systems analyst: dramaturgy of postdramatic structures Postdramatic dramaturgy Teaching deconstructively EF's visit to a small planet: some questions to ask a play Dramaturging non-realism: creating a new vocabulary On dramaturgy in contemporary dance and choreography Research, counter-text, performance: reconsidering the (textual) authority of the dramaturg The bead diagram: a protean tool for script analysis Methods for a new dramaturgy of digital performance Drametrics: what dramaturgs should learn from mathematicians Parallel-text analysis and practical dramaturgies Dramaturg as public relations manager: immersions, talkbacks, lobby displays, and social networks Dramaturgy and the immersive theatre experience Barrack-dramaturgy and the captive audience Framing the theatrical experience: lobby displays Dramaturg as public relations manager Talkbacks: asking good discussion questions Talkbacks for "sensitive subject matter" productions: the theory and practice Dramaturgies for the digital age Digital engagement: strategies for online dramaturgy Digital dramaturgy and digital dramaturgs Can technology save theatre? Tweet Seats, YouTube auditions, and Facebook backstage?