Mikromarc websearch : Take a closer look

Location	KONST - Iaa
Main Entry - Personal Name	Arasse, Daniel,
Title Statement	Take a closer look
Uniform Title	On n'y voit rien. Engelska
Publication, Distribution, etc. (Imprint)	Princeton University Press, Princeton : [2013] ©2013
	2013
	Språk: Engelska.
Dewey Decimal Classification Number	750.1
SAB Classification Code	Ie
Physical Description	167p. ill. (color) 23 cm
General Note	"Originally published as Daniel Arasse, On n'y voit rien: Descriptions. Copyright (c) Editions Denoel, 2000, 2005." Includes index.
Formatted Contents Note	Cara Giulia -- Mars and Venus surprised by Vulcan, Tintoretto -- The snail's gaze -- The Annunciation, Francesco del Cossa -- Paint it black -- The Adoration of the Magi, Bruegel the Elder -- Mary Magdalene's "fleece" -- The woman in the chest -- The Venus of Urbino, Titian -- The eye of the master -- Las Meninas, Velazquez.
Subject - Topical Term	Målarkonst Motiv i konsten Konstreception Painting Painting Painting Art criticism ; Art appreciation
ISBN	9780691151540
Waiting	0 (0)

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*24010$aOn n'y voit rien.$lEngelska
*24510$aTake a closer look /$cDaniel Arasse ; translated from the French by Alyson Waters.
*264 1$aPrinceton :$bPrinceton University Press,$c[2013]
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*500  $a"Originally published as Daniel Arasse, On n'y voit rien: Descriptions. Copyright (c) Editions Denoel, 2000, 2005."
*500  $aIncludes index.
*5058 $aCara Giulia -- Mars and Venus surprised by Vulcan, Tintoretto -- The snail's gaze -- The Annunciation, Francesco del Cossa -- Paint it black -- The Adoration of the Magi, Bruegel the Elder -- Mary Magdalene's "fleece" -- The woman in the chest -- The Venus of Urbino, Titian -- The eye of the master -- Las Meninas, Velazquez.
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*650 0$aPainting$xThemes, motives.
*650 0$aPainting$xAppreciation.
*650 0$aPainting
*650 0$aArt criticism ; Art appreciation
*7001 $iTranslation of:$aArasse, Daniel.$tOn n'y voit rien.
*7001 $aWaters, Alyson,$d1955-$4trl
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What paintings can teach us--if we can really learn to see them

What happens when we look at a painting? What do we think about? What do we imagine? How can we explain, even to ourselves, what we see or think we see? And how can art historians interpret with any seriousness what they observe? In six engaging, short narrative "fictions," each richly illustrated in color, Daniel Arasse, one of the most brilliant art historians of our time, cleverly and gracefully guides readers through a variety of adventures in seeing, from Velázquez to Titian, Bruegel to Tintoretto.

By demonstrating that we don't really see what these paintings are trying to show us, Arasse makes it clear that we need to take a closer look. In chapters that each have a different form, including a letter, an interview, and an animated conversation with a colleague, the book explores how these pictures teach us about ways of seeing across the centuries. In the process, Arasse freshly lays bare the dazzling power of painting. Fast-paced and full of humor as well as insight, this is a book for anyone who cares about really looking at, seeing, and understanding paintings.

Cara Giulia: Mars and Venus Surprised by Vulcan, Tintorettop. 1
The Snail's Gaze: The Annunciation, Francesco del Cossap. 17
Paint It Black: The Adoration of the Magi, Bruegel the Elderp. 39
Mary Magdalene's "Fleece"p. 71
The Woman in the Chest: The Venus of Urbino, Titianp. 89
The Eye of the Master: Las Meninas, Velázquezp. 129
Illustration Creditsp. 161
Indexp. 163