Konstfacks bibliotek

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*020  $a9783956796005$qbroché
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*035  $a(OCoLC)on1334643855
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*1001 $aEl Baroni, Bassam$4pbd$4aut
*24510$aBetween the material and the possible :$binfrastructural re-examination and speculation in art /$cedited by Bassam El Baroni.
*264 1$c2022
*264 1$aLondon :$bSternberg Press ;$aOldenburg :$bEdith-Russ-Haus.
*264 4$ccopyright 2022
*300  $a307 pages$billustrations en noir et en couleur.$c23 cm.
*336  $atext$btxt$2rdacontent
*336  $astill image$bsti$2rdacontent
*337  $bn$2isbdmedia
*337  $aunmediated$bn$2rdamedia
*504  $aNotes bibliographiques.
*520  $aForming a comprehensive picture of the multiple processes, regulations, institutions, technologies, networks, and operations that we have come to understand as the distributed infrastructural arena in which we act, yield, and plot is a perennial challenge. Over the past decade, a growing number of artists, theorists, curators, and researchers have moved from “institutional critique” to “infrastructural critique,” or toward “infrastructural speculation,” in which they explore the potential of creative infrastructure-related visions and scenarios. In attempts to counter the impasse of “the cancelled future,” art has immersed itself in systemic critiques and propositional thinking, addressing major challenges, such as the rampant financialization of the economy and runaway climate change.From questions around space settlements to the possibility of repurposing blockchain infrastructures and financial instruments for redistributive purposes, and from the diagrammatic potential of infrastructural thinking in artistic practices to scenario planning and economic strategizing, this collection of new essays brings together critical analysis from a broad group of contributors engaged in the revisioning of our infrastructural futures. Their interrogations span local and global relationalities, historical and political legacies, as well as future-oriented infrastructural hypotheses.
*550  $aContributions de Nancy Adajania, Sabeth Buchmann, Tom Clark, Cassandra Collective, Vermeir & Heiremans, Václav Janoščík, Bogna Konior, Aude Launay, João Enxuto et Erica Love, Bahar Noorizadeh, Matthew Poole, Ghalya Saadawi, Adham Selim, Nishant Shah, Ilan Manouach et Marina Vishmidt, Tirdad Zolghadr, Natalia Zuluaga ; conversation entre Diakron (David Hilmer Rex et Aslak Aamot Helm) et Adam Marblestone.
*650 7$aEsprit critique$xDans l'art.$2ram
*852  $5Ko$bKo$cKONST -$hIaa
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*887  $5Ko$a{"@id":"2j0p5nhd0zdbx7s3","modified":"2022-09-08T13:01:43.873+02:00"}$2librisxl
^

The revisioning of our infrastructural futures, local and global relationalities, and historical and political legacies.

Forming a comprehensive picture of the multiple processes, regulations, institutions, technologies, networks, and operations that we have come to understand as the distributed infrastructural arena in which we act, yield, and plot is a perennial challenge. Over the past decade, a growing number of artists, theorists, curators, and researchers have moved from "institutional critique" to "infrastructural critique," or toward "infrastructural speculation," in which they explore the potential of creative infrastructure-related visions and scenarios. In attempts to counter the impasse of "the cancelled future," art has immersed itself in systemic critiques and propositional thinking, addressing major challenges, such as the rampant financialization of the economy and runaway climate change.

From questions around space settlements to the possibility of repurposing blockchain infrastructures and financial instruments for redistributive purposes, and from the diagrammatic potential of infrastructural thinking in artistic practices to scenario planning and economic strategizing, this collection of new essays brings together critical analysis from a broad group of contributors engaged in the revisioning of our infrastructural futures. Their interrogations span local and global relationalities, historical and political legacies, as well as future-oriented infrastructural hypotheses.

• Prelude
• Deep Learning Infrastructural Critiquep. 9
• Infrastructural Critique
• Introduction: Infrapolitics after Infrastructure Spacep. 29
• Infrastructure as Diagrammatic Disposition: Fareed Armaly's From/To (1999/2002) Revisitedp. 35
• Infrastructure, Ideology, Hegemonyp. 51
• Vapid Virtues, Real Stakes: Diagnosis for Left Art Protocolsp. 71
• Disarticulating Infrastructures: Toward Touchstones for Infrastructural Inquiriesp. 95
• Redistributionsp. 109
• Infrastructural Speculation
• The Currency of Contemporary Artp. 117
• Mystical Habitats: Art after Earth and Outer-Space Settlementsp. 137
• What Can the Arts Sector Learn from Structural Diversification of Science and Technology Development? A Conversationp. 149
• Point and Pivotp. 167
• A Modest Proposal for Preventing Artists from Becoming a Burden to Society, and Making Finance Beneficial to Both Artists and the Publicp. 185
• From the Automation of Relations to the Amplification of Communities: The Rise of DAOsp. 197
• Infrahauntologies: On Invasive Legacies and Futures
• Affordances: Degrees of Freedom Wrested from Phantom Narrativesp. 213
• Abstraction, Abjection, Affectivity: Ontological Horizons of Contemporary Artp. 231
• Cybernetic Pasts, Financial Futures: The Calculation of the Unknownp. 245
• How To Break Free from the Ghosts of the Future? Cassandra Collectivep. 263
• Architecture Is Obsolete: Financialization Nostalgia and Real Estate Powerp. 275
• Restaging Infrastructural Images That Make the World: Reconfiguring Scalep. 283
• End Matter
• Contributorsp. 299
• Editor's Acknowledgmentsp. 307