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Titel och upphov Cultural appropriation in fashion and entertainment
Utgivning, distribution etc. Bloomsbury Visual Arts, London ; New York : [2022]
©2021
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning XV, 218 pages illustrations (black and white) 24 cm
Anmärkning: Bibliografi etc. Includes bibliographical references and index.
Anmärkning: Innehåll Introduction-Culture -- Academic studies on cultural appropriation -- Fashion -- Entertainment -- Ambivalance and paradox.
Anmärkning: Innehållsbeskrivning, sammanfattning "Unpicks the knotty problem of cultural appropriation in fashion and entertainment, using sociological analysis to explore international examples and engage with the passionate debates that surround them as well as the implications for designers, artists and consumers"-- Provided by publisher.
Term
Annat medium Online version: Kawamura, Yuniya, 1963- Cultural appropriation in fashion and entertainment London ; New York : Bloomsbury Visual Arts, [2022] ISBN 9781350170568
ISBN 9781350170551 1350170550 9781350170544 1350170542
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*504 $aIncludes bibliographical references and index.
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*650 0$aCultural appropriation.
*650 0$aCulture and globalization .
*650 0$aFashion and globalization .
*650 0$aCultural industries$xSocial aspects.
*650 6$aAppropriation culturelle.
*650 6$aCulture et mondialisation.
*650 6$aIndustries culturelles$xAspect social.
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Is it ever acceptable to "borrow" culturally inspired ideas? Who has ownership over intangible culture? What role does power inequality play? These questions are often at the center of heated public debates around cultural appropriation, with new controversies breaking seemingly every day. Cultural Appropriation in Fashion and Entertainment offers a sociological perspective on the appropriation of race, ethnicity, class, sexuality, and religion embedded in clothing, textiles, jewelry, accessories, hairstyles and tattoos, as well as in entertainment, such as K-pop, Bhangra, and hip-hop.By providing a range of global perspectives on the adoption, adaptation, and application of both tangible and intangible cultural objects, Kawamura and de Jong help move the conversation beyond simply criticizing designers and creators to encourage nuanced discussion and raise awareness of diverse cultures in the creative industries.
List of Figures and Tables p. viii Preface p. xii Introduction-Culture p. 1 Culture in Classical Social Theory p. 3 Schools of Thought: Value-laden and Value-neutral Culture p. 6 Conceptual Tools for Cultural Analysis p. 14 Outline of the Book p. 21 Conclusion p. 23 Suggested Further Reading p. 23 Academic Studies on Cultural Appropriation p. 25 Definitions, Processes, and Types p. 26 Logos, Mascots, and Nicknames p. 28 Gastronomy and Cuisine p. 33 Literary Works p. 36 Adornment p. 40 Conclusion p. 45 Suggested Discussion Examples p. 46 Suggested Further Reading p. 47 Fashion p. 49 In Pursuit of Exoticism and Novelty p. 51 Biological, Cultural, and Sartorial Hierarchies p. 57 Conceptual Typologies p. 64 The Strength of Weak Virtual Ties p. 91 Conclusion p. 99 Suggested Discussion Examples p. 100 Suggested Further Reading p. 101 Entertainment p. 103 What is Sociological about Entertainment? p. 105 The Commodification of Culture and the Other p. 108 Conditions of Cultural Appropriation p. 116 The Production of Culture in the Social Media Age p. 129 Cultural Hybridization and Cultural Appropriation p. 137 Conclusion p. 145 Suggested Discussion Examples p. 146 Suggested Further Reading p. 147 Ambivalence and Paradox p. 149 Cross-cultural Encounters in a Historical Context p. 152 Globalization and Deterritorialization p. 154 Immigration and Cultural Globalization through Mediascapes p. 158 Culture as Epistemological Relativism p. 162 Ambivalence in Fashion Globalization p. 166 Cultural Authentication Process p. 172 Conclusion p. 175 Suggested Further Reading p. 176 Conclusion p. 177 Notes p. 187 Bibliography p. 191 Index p. 215