Konstfacks bibliotek

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*020  $a3775751971$q(Hatje Cantz)
*020  $a9783775751971$q(Hatje Cantz)
*020  $a9788090825819$q(Kunsthalle Praha)
*020  $a8090825818$q(Kunsthalle Praha)
*035  $a(OCoLC)on1281651049
*035  $a(SE-LIBR)5ln0ts2k3hzpffbm
*041  $aeng
*050 4$aN72.E53
*08204$a704.949537$223
*084  $aIbvz$2kssb/8 (machine generated)
*24510$aKinetismus :$b100 years of electricity in art /$cedited by Peter Weibel with Christelle Havranek; scientific associate: Lívia Nolasco-Rózsás.
*2461 $aOne hundred years of electricity in art
*264 1$aPrague :$bKunsthalle Praha Services, s.r.o.$c2022
*264 4$c©2022
*300  $a269 pages$bcolor illustrations$c32 cm
*336  $atext$btxt$2rdacontent
*336  $astill image$bsti$2rdacontent
*337  $aunmediated$bn$2rdamedia
*338  $avolume$bnc$2rdacarrier
*500  $aCatalogue published to accompany the exhibition at Kunsthalle Praha, February 22 to June 20, 2022.
*5058 $tForeword /$rIvana Goossen --$tIntroduction /$rChristelle Havranek --$t100 years of electricity in art /$rPeter Weibel --$gCinematography. --$tThe illusion of movement /$rLívia Nolasco-Rózsás --$tRobert Breer /$rAndres Pardey --$tMary Ellen Bute /$rSandra Naumann --$tViking Eggeling /$rPeter Weibel --$tWilliam Kentridge /$rIdis Hartmann --$tMan Ray /$rSylva Poláková --$tWalter Ruttman /$rJeanpaul Goergen --$tStefan and Franciszka Themerson /$rAdriana Prodeus --$tPeter Weibel /$rJudith Bihr --$gKinetic art. --$tThe art of real motion /$rLívia Nolasco-Rózsás --$tPol Bury / Anna Kodl --$tNaum Gabo /$rPeter Weibel --$tŽilvinas Kempinas --$tVollrad Kutscher /$rChristelle Havranek --$tZdeněk Pešánek /$rChristelle Havranek --$tOtto Piene /$rBarbora Ropková --$tKonrad Balder Schäuffelen /$rAnett Holzheid --$tTakis /$rToby Kamps --$tPeter Weibel /$rClara Runge --$gCybernetic art. --$tFeedback, self-organization, and interaction in art /$rLívia Nolasco-Rózsás --$tVladimir Bonačič /$rLeila Topić --$tShilpa Gupta /$rLívia Nolasco-Rózsás --$tGyöry Kepes /$rMárton Orosz --$tChristina Kubisch /$rAnne-Laure Chamboissier --$tFrank Joseph Malina /$rJudith Bihr --$tNicolas Schöffer /$rGuillaume Richard --$tWen-Ying Tsai /$rClara Kim --$tWoody Vašulka /$rMiloš Vojtěchovský --$gComputer art. --$tThe computer as a universal medium /$rLívia Nolasco-Rózsás --$tRefik Anadol /$rPelin Kivrak --$tMichael Bielický and Kamila B. Richter /$rPaul Kenig --$tLaurent Mignonneau and Christa Sommerer /$rSiegfried Zielinski --$tHaroon Mirza /$rAnna Kodl --$tAnna Ridler /$rRosemary Lee --$tLillian F. Schwartz /$rLívia Nolasco-Rózsás --$tJeffrey Shaw and Dirk Groeneveld /$rDaniel Irrgang and Siegfried Zielinski --$tKarl Sims /$rGeorge Fifield --$tteamLab /$rLívia Nolasco-Rózsás --$tTimeline: Art ideas, and technology 1920-2020.
*520  $a"This exhibition is not the first devoted to electricity in the arts, but in many aspects, it is different-- above all in its structure according to the 'four Cs' (cinematography, cinétisme, cybernetics, computer art), whicht thus shows all forms of interdependency, intersectionality, variations, and interplays of electrified motion, light, machines, and media. Moreover, the exhibition differs in its contemporary relevance. Its basic aim is to demonstrate that, alongside many centuries of art without electricity ('unplugged art,' like 'unplugged music'), for the past 100 years there has existed an art based on electricity, 'plugged-in art'--the predominant singular achievement of the twentieth century. Even as museums and the market hesitate to accept electricity-based forms of art, future generations will claim that the true masterpieces of the twentieth and twenty-first centuries are not unplugged paintings and sculptures made by human hands but rather those artworks created with the technology at their epoch"--Page 36.
*650 0$aElectricity in art.
*650 0$aArt and electronics$vExhibitions.
*650 0$aElectricity in art$vExhibitions.
*650 0$aArt, Modern$y20th century$vExhibitions.
*650 0$aArt, Modern$y21st century$vExhibitions.
*650 6$aÉlectricité dans l'art.
*650 6$aArt et électronique$vExpositions.
*650 6$aÉlectricité dans l'art$vExpositions.
*650 6$aArt$y20e siècle$vExpositions.
*650 6$aArt$y21e siècle$vExpositions.
*650 7$aElectricity in art.$2fast
*650 4$aElektricitet i konsten
*7001 $aWeibel, Peter$4cur$4edt
*7001 $aHavranek, Christelle$4cur
*7001 $aNolasco-Rózsás, Lívia
*7102 $aKunsthalle Praha$4his
*852  $5Ko$bKo$cKONST -$hIbvz Elektricitet
*887  $a{"@id":"5ln0ts2k3hzpffbm","modified":"2022-05-23T16:53:55.321+02:00"}$2librisxl
*887  $5Ko$a{"@id":"p46jcjv2mksnhjdd","modified":"2022-05-23T16:54:15.716+02:00"}$2librisxl
^

Ever since electricity became ubiquitous artists have been fascinated by the manifold possibilities to create works with it. The catalogue Kinetismus: 100 Years of Electricity in Art , which accompanies the opening exhibition of Kunsthalle Praha, explores how electricity has transformed artistic practice from 1920 to the present day, including cinematography, sound, kinetic and mechanical sculptures, computer-based art and immersive installations. A historical perspective emphasizes the fact that electricity, with its various usages-from artificial light to computing-has become a defining element of our societies.

Kinetismus: 100 Years of Electricity in Art includes an essay by Peter Weibel, the author of the exhibition concept, four thematic chapters written by the co-curator Lívia Nolasco-Rózsás as well as descriptions and reproductions of key artworks by artists, such as Mary Ellen Bute, William Kentridge, Christina Kubish, Zdenek Pesanek, Anna Ridler, Nicolas Schöffer, Jeffrey Shaw, Takis, Steina, and Woody Vasulka.