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Titel och upphov Mix & stir : new outlooks on contemporary art from global perspectives
Varianttitel Mix and stir New outlooks on contemporary art from global perspectives
Utgivning, distribution etc. Valiz, Amsterdam : 2021
©2021
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning 431 pages illustrations, chart, maps, portraits 23 cm.
Serietitel - ej biuppslagsform
Nummer i serie
Seriebiuppslag under titel
Anmärkning: Bibliografi etc. Includes bibliographical references and index.
Anmärkning: Innehåll STARTERS. Dinner is served! / Kitty Zijlmans -- Satellite cuisines: The human sciences and the visual arts / Wilfried van Damme -- Angèle Etoundi Essamba -- UNDECIDABILITY AND SPECTATORSHIP. Darkness as actor in the prints by Belkis Ayón / Stéphanie Noach -- What had happened?: Reflections in response to Melvin Edwards' Lynch Fragments / Robert Zwijnenberg -- Agonistic recipes: Constructive conflicting visual mediation as socio-political model / Helen Westgeest -- How not to bake a cake: Playful methods and 'pluriversing' / Sybille Lammes -- COLLECTIVES. Set in stone / Sonja van Kerkhoff, Parisa Damandan, Rudi Struik -- Ruangrupa: New outlooks on artist collectives in contemporary art / Thomas J. Berghuis -- Art is going underground / Janneke Wesseling -- Unanticipated intimacies: A collective writing experiment / Joo Yun Lee, Katja Kwastek, Chris Lee, Virginia MacKenny, Kyveli Mavrokordopoulou, Jacqueline Hoàng Nguyên, Jennifer Pranolo, Lize van Robbroeck, Pippa Skotnes, James Webb, Carine Zaayman -- Inclusive art history and canon formation: Contradictio in terminis? / Gregor Langfeld -- Prosthetic swarm intelligence: Of windmills, ships, and an aesthetic of brutality / Frans-Willem Korsten -- CIRCULATIONS. Rudi Struik -- Touching the break: Negotiating the world of art by feel / Anne Gerritsen -- Value accruement and dwindling of an iconic Chinese export painting, a journey / Rosalien van der Poel -- Ever given: On mobility, stasis, and the circulation of images after the 'global turn' / Eva-Maria Troelenberg -- New approaches to Asian modernity / John Clark -- Art in jade: Or, how to identify a 'cultural avant-garde' work / Leonor Veiga -- Tirzo Martha -- ON EXHIBITIONS. Dishing up colonialism: An innovative curatorial approach to Dutch colonial history / Anja Novak -- Black art matters: The successful branding of Black Lives Matter / Rob Perrée -- The proof of the pudding is in the eating / Stijn Huijts -- Revisiting Oshogbo / Paul Faber -- John Mawurndjul: Towards a truer transcultural exhibition / Georges Petitjean -- Our brain is a mirror / Meta Knol -- ARTISTS AT WORK. Mutability / Sonja van Kerkhoff -- The art of Gerard Caris and the world: A neural approach / John Onians -- Mental fusions / Henk Slager -- Artless aesthetics / Elisabeth de Bièvre -- Spiral retelling / Kitty Zijlmans in conversation with Charl Landvreugd -- POSTCOLONIAL PERSPECTIVES. The silent empress: What should she have said? / Sophie Ernst -- Rehumanizing acts: An outlook on (the meaning of) Dutch slavery research / Nancy Jouwe -- Art history rooms, decoloniality, and liberature: Practicing art history in the Heerenlogement at the Turfdraagsterpad / Christa-Maria Lerm Hayes -- The art foodie's lament: Vegan soundings of the contemporary art circuit / Sarat Maharaj -- The parallax effect / Leon Wainwright -- Cooking a transcultural pedagogical experiment: A recipe to turn a global art course into a vehicle for change / Isabel Hoving -- Intersectional spaces? DRC No. 12 / Ni Haifeng -- DEEP ART HISTORY. Evolutionary approaches to art: A fusion dish / Larissa Mendoza Straffon -- World art history: The dialogue between the prehistoric and the contemporary / Thomas DaCosta Kaufmann -- The future of the past: What comes after world art history? / Claire Farago -- Remy Jungerman -- AFTERS / Helen Westgeest, Astrid Vorstermans -- Biographies.
Anmärkning: Innehållsbeskrivning, sammanfattning Mix & Stir', this book's aim is an endeavour to understand art as being a panhuman phenomenon of all times and cultures; to steer away from the persistent Eurocentric/Western-centric viewpoint towards a transcultural and transnational interconnected model of exchange and processes of interculturalization. Mix & Stir wants to expand this landscape by bringing to the fore new, recalcitrant, queer, idiosyncratic practices and discourses, theories and topics, methods and concerns that open up ways to approach art from a global perspective. Analogous to a cookery book filled with recipes and instruction, Mix & Stir explores new outlooks on contemporary art from global perspectives. It intends to encourage studying art beyond national constraints, cultural dominances, and hierarchies: a voyage similar to that of culinary discovery. The book brings a variety of tastes and flavours to the table, and breaks new ground by allowing innovative, contrary, queer, idiosyncratic practices and discourses, theories and topics, methods, and concerns to access art in its global dimensions. Researchers, curators and artists with a special interest in this topical issue were invited to present, develop, outline, and contemplate compelling frames of reference, both theoretical and artistic, in order to arrive at a true 'world art studies'. Their contributions are structured in seven thematic fields: Undecidability and Spectatorship, Collectives, Circulations, Exhibitions, Artists at Work, Postcolonial Perspectives, and Deep Art History. The reader is invited to explore the vast supply of dishes, to taste and test the aromas and to feast.
Term
ISBN
Antal i kö:
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*2461 $aMix and stir
*24610$aNew outlooks on contemporary art from global perspectives
*264 1$aAmsterdam :$bValiz,$c2021
*264 4$c©2021
*300 $a431 pages$billustrations, chart, maps, portraits$c23 cm.
*336 $atext$btxt$2rdacontent
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*5058 $aSTARTERS. Dinner is served! / Kitty Zijlmans -- Satellite cuisines: The human sciences and the visual arts / Wilfried van Damme -- Angèle Etoundi Essamba -- UNDECIDABILITY AND SPECTATORSHIP. Darkness as actor in the prints by Belkis Ayón / Stéphanie Noach -- What had happened?: Reflections in response to Melvin Edwards' Lynch Fragments / Robert Zwijnenberg -- Agonistic recipes: Constructive conflicting visual mediation as socio-political model / Helen Westgeest -- How not to bake a cake: Playful methods and 'pluriversing' / Sybille Lammes -- COLLECTIVES. Set in stone / Sonja van Kerkhoff, Parisa Damandan, Rudi Struik -- Ruangrupa: New outlooks on artist collectives in contemporary art / Thomas J. Berghuis -- Art is going underground / Janneke Wesseling -- Unanticipated intimacies: A collective writing experiment / Joo Yun Lee, Katja Kwastek, Chris Lee, Virginia MacKenny, Kyveli Mavrokordopoulou, Jacqueline Hoàng Nguyên, Jennifer Pranolo, Lize van Robbroeck, Pippa Skotnes, James Webb, Carine Zaayman -- Inclusive art history and canon formation: Contradictio in terminis? / Gregor Langfeld -- Prosthetic swarm intelligence: Of windmills, ships, and an aesthetic of brutality / Frans-Willem Korsten -- CIRCULATIONS. Rudi Struik -- Touching the break: Negotiating the world of art by feel / Anne Gerritsen -- Value accruement and dwindling of an iconic Chinese export painting, a journey / Rosalien van der Poel -- Ever given: On mobility, stasis, and the circulation of images after the 'global turn' / Eva-Maria Troelenberg -- New approaches to Asian modernity / John Clark -- Art in jade: Or, how to identify a 'cultural avant-garde' work / Leonor Veiga -- Tirzo Martha -- ON EXHIBITIONS. Dishing up colonialism: An innovative curatorial approach to Dutch colonial history / Anja Novak -- Black art matters: The successful branding of Black Lives Matter / Rob Perrée -- The proof of the pudding is in the eating / Stijn Huijts -- Revisiting Oshogbo / Paul Faber -- John Mawurndjul: Towards a truer transcultural exhibition / Georges Petitjean -- Our brain is a mirror / Meta Knol -- ARTISTS AT WORK. Mutability / Sonja van Kerkhoff -- The art of Gerard Caris and the world: A neural approach / John Onians -- Mental fusions / Henk Slager -- Artless aesthetics / Elisabeth de Bièvre -- Spiral retelling / Kitty Zijlmans in conversation with Charl Landvreugd -- POSTCOLONIAL PERSPECTIVES. The silent empress: What should she have said? / Sophie Ernst -- Rehumanizing acts: An outlook on (the meaning of) Dutch slavery research / Nancy Jouwe -- Art history rooms, decoloniality, and liberature: Practicing art history in the Heerenlogement at the Turfdraagsterpad / Christa-Maria Lerm Hayes -- The art foodie's lament: Vegan soundings of the contemporary art circuit / Sarat Maharaj -- The parallax effect / Leon Wainwright -- Cooking a transcultural pedagogical experiment: A recipe to turn a global art course into a vehicle for change / Isabel Hoving -- Intersectional spaces? DRC No. 12 / Ni Haifeng -- DEEP ART HISTORY. Evolutionary approaches to art: A fusion dish / Larissa Mendoza Straffon -- World art history: The dialogue between the prehistoric and the contemporary / Thomas DaCosta Kaufmann -- The future of the past: What comes after world art history? / Claire Farago -- Remy Jungerman -- AFTERS / Helen Westgeest, Astrid Vorstermans -- Biographies.
*5208 $aMix & Stir', this book's aim is an endeavour to understand art as being a panhuman phenomenon of all times and cultures; to steer away from the persistent Eurocentric/Western-centric viewpoint towards a transcultural and transnational interconnected model of exchange and processes of interculturalization. Mix & Stir wants to expand this landscape by bringing to the fore new, recalcitrant, queer, idiosyncratic practices and discourses, theories and topics, methods and concerns that open up ways to approach art from a global perspective. Analogous to a cookery book filled with recipes and instruction, Mix & Stir explores new outlooks on contemporary art from global perspectives. It intends to encourage studying art beyond national constraints, cultural dominances, and hierarchies: a voyage similar to that of culinary discovery. The book brings a variety of tastes and flavours to the table, and breaks new ground by allowing innovative, contrary, queer, idiosyncratic practices and discourses, theories and topics, methods, and concerns to access art in its global dimensions. Researchers, curators and artists with a special interest in this topical issue were invited to present, develop, outline, and contemplate compelling frames of reference, both theoretical and artistic, in order to arrive at a true 'world art studies'. Their contributions are structured in seven thematic fields: Undecidability and Spectatorship, Collectives, Circulations, Exhibitions, Artists at Work, Postcolonial Perspectives, and Deep Art History. The reader is invited to explore the vast supply of dishes, to taste and test the aromas and to feast.
*650 0$aCultural fusion.
*650 0$aArt, Modern$xPhilosophy.
*650 6$aDouble appartenance (Sciences sociales)
*650 7$aCultural fusion.$2fast
*650 7$aArt, Modern$xPhilosophy.$2fast
*7001 $aWestgeest, Helen,$d1958-$4edt$4ctb
*7001 $aZijlmans, Kitty$4edt$4ctb
*7001 $aBerghuis, Thomas J.$4ctb
*830 0$aPlural (Amsterdam, Netherlands) ;$v4
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Ingredients for a true "world art studies"
Aiming to encourage the study of art beyond national constraints and cultural domination, Mix & Stir proposes a voyage similar to that of culinary discovery, to arrive at a true "world art studies." Contributions are structured in seven themes: Undecidability and Spectatorship, Collectives, Circulations, Exhibitions, Artists at Work, Postcolonial Perspectives, and Deep Art History.