Location
Main Entry - Personal Name
Title Statement Art + archive : understanding the archival turn in contemporary art
Varying Form of Title Art and archive Art & archive
Publication, Distribution, etc. (Imprint) Manchester University Press, Manchester : 2022
©2022
Dewey Decimal Classification Number
SAB Classification Code
Physical Description xiv, 332 pages, 16 unnumbered pages of plates illustrations (some colour) 24 cm.
Series Statement
Series Added Entry - Uniform Title
Bibliography, etc. Note Includes bibliographical references (pages 296-322) and index.
Summary, etc Art + Archive provides an in-depth analysis of the connection between art and the archive at the turn of the twenty-first century. The book examines how the archive emerged in art writing in the mid-1990s and how its subsequent ubiquity can be understood in light of wider social, technological, philosophical and art-historical conditions and concerns. Deftly combining writing on archives from different disciplines with artistic practices, the book clarifies the function and meaning of one of the most persistent artworld buzzwords of recent years, shedding light on the conceptual and historical implications of the so-called archival turn in contemporary art.
Subject - Chronological Term
Subject - Topical Term
Additional Physical Form Entry ebook version : ISBN 9781526156846
ISBN 1526156857 9781526156853 9781526160287 1526160285
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Archive' has been one of the most persistent buzzwords in the international artworld since the turn of the twenty-first century. Art + Archive examines the meaning and function of the notion of the archive in art writing and practices from 1995 to 2015, making a valuable contribution to an under-analysed topic in the field. The first part of the book outlines key texts about archive art, the interdisciplinary theories these build on and the specific meaning the archive comes to have when brought into the artworld. It shows how writing about archives by Michel Foucault and others lines up with the institutional theory of art established in the 1960s: both highlight the importance of institutional structures and point to a complex set of relations between history and critique. The second part of the book examines how the archive is used to make sense of different conditions and concerns relating to materiality, research, critique, curating and temporality. Instead of approaching the archive as an already defined conceptual tool for analysing art, Art + Archive rethinks the so-called archival turn, showing how it is deeply embedded in issues relating to social, technological, philosophical and historical contexts.