Konstfacks bibliotek

Fashion theory : a reader
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  • Fashion theory : a reader
Utgivning, distribution etc.
  • Routledge, Taylor & Francis Group, London ; New York : 2020 ©2020
Utgivningsår
  • 2020
  • Språk: Engelska.
Upplaga
  • Second edition.
Fysisk beskrivning
  • xiii, 829 pages : illustrations 25 cm
Serietitel - ej biuppslagsform
Seriebiuppslag under titel
Anmärkning: Bibliografi etc.
  • Includes bibliographical references.
Anmärkning: Innehåll
  • Contents -- List of figures -- List of table -- Preface to the second edition -- Introduction -- PART ONE Fashion and fashion theories -- Introduction -- 1 Explaining it Away -- 2 The Empire of Fashion: Introduction -- 3 Adorned in Zeitgeist -- 4 Haute Couture and Haute Culture -- PART TWO What fashion is and is not -- Introduction -- 5 Fashion -- 6 Art -- 7 Antifashion: The Vicissitudes of Negation -- 8 Fashion -- 9 Extract from Fashion and Anti Fashion -- PART THREE Fashion and (the) image -- Introduction -- 10 Fashion Photography -- 11 Going Beyond 'The Fashion System': A Critique -- 12 'Doing Fashion Photographs' -- 13 Introduction: Aboud Sodano and Paul Smith -- PART FOUR Sustainable fashion -- Introduction -- 14 Consumers' Perceptions of 'Green': Why and How Consumers Use Eco-Fashion and Green Beauty Products -- 15 Fashion, Needs and Consumption -- 16 Fashion and Sustainability: Repairing the Clothes we Wear -- PART FIVE Fashion as communication -- Introduction -- 17 Social Life as a Sign System -- 18 The Analysis of the Rhetorical System -- 19 Do Clothes Speak? What Makes them Fashion? -- 20 When the Meaning is not a Message: A Critique of the Consumption as Communication Thesis -- 21 "Fashion as Communication Revisited" -- PART SIX Fashion: identity and difference -- Introduction -- 22 Express Yourself: The Politics of Dressing Up -- 23 Objectifying Gender: The Stiletto Heel -- 24 'Power Dressing' and the Construction of the Career Woman -- 25 From Gay to Queer -- Or, Wasn't Fashion Always Already a Very Queer Thing? -- 26 Lesbian Style: From Mannish Women to Lipstick Dykes -- 27 Popular Fashion and Working-Class Affluence -- 28 Fashion: From Class Differentiation to Collective Selection -- 29 Great Aspirations: Hip Hop and Fashion Dress for Excess and Success -- 30 Taste and Distinction: The Politics of Style -- 31 Islamic Fashions Cape -- 32 You Should Understand, It's a Freedom Thing: The Stoned Cherrie-Steve Biko T-Shirt -- PART SEVEN Fashion, clothes and the body -- Introduction -- 33 Addressing the Body -- 34 Deviant Bodies and Suitable Clothes -- 35 "My Leg is a Giant Stiletto Heel": Fashioning the Prosthetised Body -- 36 Fashion, Clothes and the Body -- PART EIGHT Fashion: production, consumption, prosumption -- Introduction -- 37 The Crossroad Between Production and Consumption -- 38 Consuming or Living with Things? Wearing it out -- 39 Reconceptualising Prosumption Beyond the 'Cultural Turn': Passive Fashion Prosumption in Korea and China -- 40 Attentiveness, Materials, and their use: The Stories of Never Washed, Perfect Piece and My Community -- 41 The Little Black Dress is the Solution, but what is the Problem? -- PART NINE Modern fashion -- Introduction -- 42 Adorned in Dreams: Introduction -- 43 Modernism and Fashion: A Social Psychological Interpretation -- 44 Public Roles/Personality in Public -- 45 Walter Benjamin: Fashion, Modernity and the City Street.
Anmärkning: Innehållsbeskrivning, sammanfattning
  • This thoroughly revised and updated edition of Fashion Theory: A Reader brings together and presents a wide range of essays on fashion theory that will engage and inform both the general reader and the specialist student of fashion. From apparently simple and accessible theories concerning what fashion is to seemingly more difficult or challenging theories concerning globalisation and new media, this collection contextualises different theoretical approaches to identify, analyse and explain the remarkable diversity, complexity and beauty of what we understand and experience every day as fashion and clothing. This second edition contains entirely new sections on fashion and sustainability, fashion and globalisation, fashion and digital/social media and fashion and the body/prosthesis. It also contains updated and revised sections on fashion, identity and difference, and on fashion and consumption and fashion as communication. More specifically, the section on identity and difference has been updated to include contemporary theoretical debates surrounding Islam and fashion, and LGBT+ communities and fashion and the section on consumption now includes theories of 'prosumption'. Each section has a specialist and dedicated Editor's Introduction which provides essential conceptual background, theoretical contextualisation and critical summaries of the readings in each section. Bringing together the most influential and ground breaking writers on fashion and exposing the ideas and theories behind what they say, this unique collection of extracts and essays brings to light the presuppositions involved in the things we all think and say about fashion. This second edition of Fashion Theory: A Reader is a timeless and invaluable resource for both the general reader and undergraduate students across a range of disciplines including sociology, cultural studies and fashion studies.
Anmärkning: Biografiska eller historiska uppgifter
  • Malcolm Barnard is Senior Lecturer in Visual Culture at Loughborough University, UK.
Term
ISBN
  • 9781138296947
  • 1138296945
Antal i kö:
  • 0 (0)
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*520  $aThis thoroughly revised and updated edition of Fashion Theory: A Reader brings together and presents a wide range of essays on fashion theory that will engage and inform both the general reader and the specialist student of fashion. From apparently simple and accessible theories concerning what fashion is to seemingly more difficult or challenging theories concerning globalisation and new media, this collection contextualises different theoretical approaches to identify, analyse and explain the remarkable diversity, complexity and beauty of what we understand and experience every day as fashion and clothing. This second edition contains entirely new sections on fashion and sustainability, fashion and globalisation, fashion and digital/social media and fashion and the body/prosthesis. It also contains updated and revised sections on fashion, identity and difference, and on fashion and consumption and fashion as communication. More specifically, the section on identity and difference has been updated to include contemporary theoretical debates surrounding Islam and fashion, and LGBT+ communities and fashion and the section on consumption now includes theories of 'prosumption'. Each section has a specialist and dedicated Editor's Introduction which provides essential conceptual background, theoretical contextualisation and critical summaries of the readings in each section. Bringing together the most influential and ground breaking writers on fashion and exposing the ideas and theories behind what they say, this unique collection of extracts and essays brings to light the presuppositions involved in the things we all think and say about fashion. This second edition of Fashion Theory: A Reader is a timeless and invaluable resource for both the general reader and undergraduate students across a range of disciplines including sociology, cultural studies and fashion studies.
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^
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This thoroughly revised and updated edition of Fashion Theory: A Reader brings together and presents a wide range of essays on fashion theory that will engage and inform both the general reader and the specialist student of fashion. From apparently simple and accessible theories concerning what fashion is to seemingly more difficult or challenging theories concerning globalisation and new media, this collection contextualises different theoretical approaches to identify, analyse and explain the remarkable diversity, complexity and beauty of what we understand and experience every day as fashion and clothing.

This second edition contains entirely new sections on fashion and sustainability, fashion and globalisation, fashion and digital/social media and fashion and the body/prosthesis. It also contains updated and revised sections on fashion, identity and difference, and on fashion and consumption and fashion as communication. More specifically, the section on identity and difference has been updated to include contemporary theoretical debates surrounding Islam and fashion, and LGBT+ communities and fashion, and the section on consumption now includes theories of 'prosumption'. Each section has a specialist and dedicated Editor's Introduction which provides essential conceptual background, theoretical contextualisation and critical summaries of the readings in each section.

Bringing together the most influential and ground breaking writers on fashion and exposing the ideas and theories behind what they say, this unique collection of extracts and essays brings to light the presuppositions involved in the things we all think and say about fashion. This second edition of Fashion Theory: A Reader is a timeless and invaluable resource for both the general reader and undergraduate students across a range of disciplines including sociology, cultural studies and fashion studies.

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