Konstfacks bibliotek

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*020  $a9781846382185
*020  $a1846382181
*035  $a(NhCcYBP)om945505764
*035  $a(SE-LIBR)r5jtl0k7pmrkphf1
*041  $aeng
*050 4$aN6537.B828
*08204$a709.2$223/swe
*084  $aIbz$2kssb/8 (machine generated)
*1001 $aGroom, Amelia$4aut
*24510$aBeverly Buchanan :$bMarsh Ruins /$cAmelia Groom.
*24610$aMarsh Ruins
*264 1$aLondon :$bAfterall Books,$c2020
*300  $a90 pages$billustrations$c21 cm
*336  $atext$btxt$2rdacontent
*336  $astill image$bsti$2rdacontent
*337  $aunmediated$bn$2rdamedia
*338  $avolume$bnc$2rdacarrier
*4901 $aOne work
*504  $aIncludes bibliographical references.
*5058 $aRoadside attraction -- Torn walls -- Surroundings -- Already claiming the ruins -- The right to opacity -- Still here.
*520  $aAn illustrated examination of Beverly Buchanan's 1981 environmental sculpture, which exists in an ongoing state of ruination. Marsh Ruins (1981) is an environmental sculpture by the African American artist Beverly Buchanan. Located in the marshlands in Brunswick, on the coast of Georgia, the work consists of three solid mounds of rock, accompanied by a roughly modelled plaque bearing the artist's signature. Marsh Ruins is designed to blend in with its surroundings, conditioned by environmental forces--to exist in a state of ongoing ruination. This volume in Afterall's One Work series offers a detailed, generously illustrated examination of Marsh Ruins.
*60010$aBuchanan, Beverly,$d1940-$tMarsh Ruins.
*60014$aBuchanan, Beverly,$d1940-
*650 7$aSkulptur$0https://id.kb.se/term/sao/Skulptur$2sao
*650 0$aCement sculpture.
*650 7$aCement sculpture.$2fast
*650 0$aSculpture
*7001 $aBuchanan, Beverly,$d1940-$4art
*830 0$aOne work
*852  $5Ko$bKo$cKONST -$hIbz Buchanan, Beverley
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^

An illustrated examination of Beverly Buchanan's 1981 environmental sculpture, which exists in an ongoing state of ruination.

Beverly Buchanan's Marsh Ruins (1981) are large, solid mounds of cement and shell-based tabby concrete, yet their presence has always been elusive. Hiding in the tall grasses and brackish waters of the Marshes of Glynn, on the southeast coast of Georgia, the Marsh Ruins merge with their surroundings as they enact a curious and delicate tension between destruction and endurance. This volume offers an illustrated examination of Buchanan's environmental sculpture, which exists in an ongoing state of ruination.