Location
Main Entry - Personal Name
Title Statement A forgotten maverick : Marlow Moss
Varying Form of Title
Publication, Distribution, etc. (Imprint) Hatje Cantz Verlag, Berlin : [2017]
©2017
Dewey Decimal Classification Number
SAB Classification Code
Physical Description 126 pages illustrations (some color), portraits (some color) 30 cm
General Note Catalog of an exhibition held at Museum Haus Konstruktiv, Zurich, February 9-May 7, 2017.
Bibliography, etc. Note Includes bibliographical references.
Formatted Contents Note Eine in Vergessenheit geratene Vor- und Querdenkerin = a neglected forward and lateral thinker / Sabine Schaschl -- Marlow Moss -- die Konstruktion einer neuen Wirklichkeit = Marlow Moss -- the construction of a new reality / Ankie de Jongh-Vermeulen -- Die Doppellinie von Miss//Moss = the double-line of Miss//Moss / Lucy Howarth.
Summary, etc The British artist Marlow Moss (1889-1958) is one of the few early female Constructivists who inspired the great modernist masters. For instance, the so-called double line was one of her most important inventions, which she began employing in her paintings in 1930. It is one of the elements that both Piet Mondrian and Jean Gorin picked up on for their own neo-sculptural compositions. Even though they do not openly refer to her, their works are still closely related to Moss and they share her original, new ideas about art and composition. Unlike her contemporaries, Moss did not limit herself to painting. She applied her linear structures and mathematical principles to reliefs and sculptures as well. These aspects of her work, along with her unusual life, are discussed in detail in this exhibition catalogue.
Language Note
Subject - Personal Name Moss, Marlow, Moss, Marlow, Moss, Marlow Moss, Marlow. Moss, Marlow, Moss, Marlow, Moss, Marlow,
Subject - Chronological Term
Subject - Topical Term Constructivism (Art) Women artists Painting, British Painting, Abstract Minimal art Relief (Sculpture) Sculpture, Abstract Avant-garde (Aesthetics) Geometric abstraction. Linear forms. Geometric abstraction. Linear forms. Avant-garde (Aesthetics) Constructivism (Art) Minimal art. Painting, Abstract. Painting, British. Relief (Sculpture) Sculpture, Abstract. Women artists. Exhibition catalogs. Art and Design. Avant-garde (Aesthetics) Constructivism (Art) Minimal art. Painting, Abstract. Painting, British. Relief (Sculpture) Sculpture, Abstract. Women artists. Art and Design. Constructivism (Art) Women artists Painting, British Painting, Abstract Minimal art Relief (Sculpture) Sculpture, Abstract Avant-garde (Aesthetics)
Subject - Geographic Name
Added Entry - Corporate Name
ISBN
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*500 $aCatalog of an exhibition held at Museum Haus Konstruktiv, Zurich, February 9-May 7, 2017.
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The British Constructivist Marlow Moss (1889-1958) was a pioneering modernist artist who also inspired her better-known colleagues such as Mondrian.
The so-called "double line" was one of her most important inventions, which she began employing in her paintings in 1930, and which both Mondrian and Jean Gorin adopted for their own neo-sculptural works. Although neither artist overtly cited the influence, their works are nonetheless closely related to those of Moss, and they shared and admired her ideas about art and composition. A founder member of the Abstraction-Cr ation group (alongside van Doesburg, H lion and Vantongerloo), Moss also applied her linear structures and mathematical principles to reliefs and sculptures. These aspects of her work, along with her unusual life as a transgendered man, are discussed in this volume, by far the most substantial publication on her accomplishments.