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The extraordinary archive of Arthur J. Munby : photographing class and gender in the nineteenth century
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Titel och upphov
  • The extraordinary archive of Arthur J. Munby : photographing class and gender in the nineteenth century
Utgivning, distribution etc.
  • Routledge, London : 2020
Utgivningsår
  • 2020
  • Språk: Engelska.
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning
  • 1 online resource illustrations (black and white)
Anmärkning: Allmän
  • Previously issued in print: London: I.B. Tauris, 2018.
Anmärkning: Bibliografi etc.
  • Includes bibliographical references and index.
Anmärkning: Innehåll
  • Introduction: The Munby Archive 1 Academically Locating the Archive: History and Theory of Photography -- The Nineteenth Century 2 What is a Photograph? 3 Th e City, Photography and Relations of Looking 4 Who was Munby? Useful Readings of the Munby Archive 5 Munby and the Turn to Photography: Hannah, the Private Urban Collection and the Search for Phot, 7 Dressing Above Your Station and Making it Work for Him: Domestic Photographs of the Urban Working-C lass Woman 8 Under the Skin: Munby's Photographs of Facially Disfigured Women -- Th e Real and the Symbolic, Appendix: Th e Photographic Archiveographic Truth 6 Starting to Collect: Munby and his Turn to Commercially Produced Photographs of Working-C lass Women

Anmärkning: Innehållsbeskrivning, sammanfattning
  • In the mid-1860s Arthur J Munby began to collect the first mass-produced photographic images of working-class women in England, recording fascinating details about the women, the places he purchased the photographs and the raging debates on this new commercial practice of photography, in accompanying diaries. Many of these images - not to mention Munby's fascinating diaries - have never been published before. This book examines this previously un-investigated archive, offering a fresh and arresting perspective on the interrelationships between photographic representations of working-class women, the creation of new identities of class and gender and the evolution of popular conceptions of photography itself.
Anmärkning: Biografiska eller historiska uppgifter
  • Sarah Edge is Professor of Photography and Cultural Studies at the University of Ulster
Personnamn
Kronologisk term
  • 1800-1899
Term
Geografiskt namn
Annat medium
  • Print version: ISBN 9781780766973
Elektronisk adress och åtkomst (URI)
  • Ko https://ebookcentral.proquest.com/lib/konstfack/detail.action?docID=4890573 Read online / download
ISBN
  • 9781000213393
  • 1000213390
  • 9781003103929
  • 1003103928
  • 9781000211733
  • 1000211738
  • 9781000212501
  • 1000212505
Antal i kö:
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Introduction: The Munby Archive 1 Academically Locating the Archive: History and Theory of Photography -- The Nineteenth Century 2 What is a Photograph? 3 Th e City, Photography and Relations of Looking 4 Who was Munby? Useful Readings of the Munby Archive 5 Munby and the Turn to Photography: Hannah, the Private Urban Collection and the Search for Phot, 7 Dressing Above Your Station and Making it Work for Him: Domestic Photographs of the Urban Working-C lass Woman 8 Under the Skin: Munby's Photographs of Facially Disfigured Women -- Th e Real and the Symbolic, Appendix: Th e Photographic Archiveographic Truth 6 Starting to Collect: Munby and his Turn to Commercially Produced Photographs of Working-C lass Women

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In the mid-1860s Arthur J Munby began to collect the first mass-produced photographic images of working-class women in England, recording fascinating details about the women, the places he purchased the photographs and the raging debates on this new commercial practice of photography, in accompanying diaries. Many of these images - not to mention Munby's fascinating diaries - have never been published before. This book examines this previously un-investigated archive, offering a fresh and arresting perspective on the interrelationships between photographic representations of working-class women, the creation of new identities of class and gender and the evolution of popular conceptions of photography itself.

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