Location KONST - Ibz Churchman, Leidy
Main Entry - Personal Name
Title Statement Leidy Churchman : crocodile
Varying Form of Title
Publication, Distribution, etc. (Imprint) Center for Curatorial Studies, Bard College ; Dancing Foxes Press, Annandale-on-Hudson, NY : Brooklyn, NY : 2019
©2019
Dewey Decimal Classification Number
SAB Classification Code
Physical Description 142 pages color illustrations 26 cm.
General Note Published on the occasion of the exhibition held at CCS Bard June 22-October 13, 2019, curated by Lauren Cornell.
Bibliography, etc. Note Includes bibliographical references.
Formatted Contents Note Foreword / Tom Eccles -- Crocodile as path / Arnisa Zeqo -- Against understanding / Alex Kitnick -- Knowledge must be burned, hammered, and beaten like pure gold / Ruba Katrib -- Lauren Cornell and Leidy Churchman in conversation.
Summary, etc Ranging from figurative representation to gestural abstraction, monumental landscape paintings to more intimate portraits, the oeuvre of American painter Leidy Churchman (born 1979) channels his artistic and literary influences, friendships, moods, surrounding landscapes and the visual iconography of divergent religions and philosophies. Crocodile highlights the artist's investigations into consciousness in his renderings of anthropomorphic animals and psychological states; his appropriation of existing artworks and aesthetics; and his recasting of various signs and symbols, from his depiction of the Buddhist symbol of the protector deity in Mahakala (2017) to the Mastercard logo in Mastercard (2013). Churchman, who divides his time between New York and Maine, emerges here as a dynamic protagonist of contemporary American painting. In addition to collecting 90 reproductions of works, the book features artwork made especially for it, plus texts by Ruba Katrib, Alex Kitnik and Arnisa Zeqo, in addition to a conversation between Churchman and Lauren Cornell. Exhibition: Hessel Museum, CCS Bard, Annadale-on-Hudson, USA (22.06.-13.10.2019).
Subject - Personal Name
Subject - Topical Term
Added Entry - Corporate Name
ISBN
Waiting
*000 nam a 3i 4500
*00150986
*00520211011102213.0
*008211011t20192019nyua|||||bc|||000 0|eng|d
*020 $a9780998632698$q(hbk.)
*020 $a0998632694$q(hbk.)
*035 $a(OCoLC)on1104834567
*035 $a(SE-LIBR)0dm88gznx2n4pwwf
*041 $aeng
*050 4$aND237.C527
*08204$a700.411
*084 $aI$2kssb/8 (machine generated)
*1001 $aChurchman, Leidy,$d1979-$4art
*24510$aLeidy Churchman :$bcrocodile /$cedited by Lauren Cornell, Karen Kelly and Barbara Schroeder.
*24610$aCrocodile
*264 1$aAnnandale-on-Hudson, NY :$bCenter for Curatorial Studies, Bard College ;$aBrooklyn, NY :$bDancing Foxes Press,$c2019
*264 4$c©2019
*300 $a142 pages$bcolor illustrations$c26 cm.
*336 $atext$btxt$2rdacontent
*336 $astill image$bsti$2rdacontent
*337 $aunmediated$bn$2rdamedia
*338 $avolume$bnc$2rdacarrier
*500 $aPublished on the occasion of the exhibition held at CCS Bard June 22-October 13, 2019, curated by Lauren Cornell.
*504 $aIncludes bibliographical references.
*5058 $tForeword /$rTom Eccles --$tCrocodile as path /$rArnisa Zeqo --$tAgainst understanding /$rAlex Kitnick --$tKnowledge must be burned, hammered, and beaten like pure gold /$rRuba Katrib --$tLauren Cornell and Leidy Churchman in conversation.
*5208 $aRanging from figurative representation to gestural abstraction, monumental landscape paintings to more intimate portraits, the oeuvre of American painter Leidy Churchman (born 1979) channels his artistic and literary influences, friendships, moods, surrounding landscapes and the visual iconography of divergent religions and philosophies. Crocodile highlights the artist's investigations into consciousness in his renderings of anthropomorphic animals and psychological states; his appropriation of existing artworks and aesthetics; and his recasting of various signs and symbols, from his depiction of the Buddhist symbol of the protector deity in Mahakala (2017) to the Mastercard logo in Mastercard (2013). Churchman, who divides his time between New York and Maine, emerges here as a dynamic protagonist of contemporary American painting. In addition to collecting 90 reproductions of works, the book features artwork made especially for it, plus texts by Ruba Katrib, Alex Kitnik and Arnisa Zeqo, in addition to a conversation between Churchman and Lauren Cornell. Exhibition: Hessel Museum, CCS Bard, Annadale-on-Hudson, USA (22.06.-13.10.2019).
*60010$aChurchman, Leidy,$d1979-$vExhibitions.
*60010$aChurchman, Leidy,$d1979-$xInterviews.
*60016$aChurchman, Leidy,$d1979-$vExpositions.
*650 7$aART / General.$2bisacsh
*655 7$aExhibition catalogs.$2fast
*655 7$aInterviews.$2fast
*655 7$aExhibition catalogs.$2lcgft
*7001 $aCornell, Lauren$4edt
*7001 $aKelly, Karen J.,$d1964-$4edt
*7001 $aSchröder, Barbara,$d1969-$4edt
*7102 $aBard College.$bCenter for Curatorial Studies$4his
*852 $5Ko$bKo$cKONST -$hIbz Churchman, Leidy
*887 $a{"@id":"0dm88gznx2n4pwwf","modified":"2021-10-11T10:22:13.649+02:00","checksum":"263638658411"}$2librisxl
*887 $5Ko$a{"@id":"8nwjjr756jrmznzc","modified":"2021-10-11T10:22:40.785+02:00","checksum":"266934597309"}$2librisxl
^
No reviews exists for this book.
Click here
to be the first to write a review.
Ranging from figurative representation to gestural abstraction, monumental landscape paintings to more intimate portraits, the oeuvre of American painter Leidy Churchman (born 1979) channels his artistic and literary influences, friendships, moods, surrounding landscapes and the visual iconography of divergent religions and philosophies.
Crocodile highlights the artist's investigations into consciousness in his renderings of anthropomorphic animals and psychological states; his appropriation of existing artworks and aesthetics; and his recasting of various signs and symbols, from his depiction of the Buddhist symbol of the protector deity in Mahakala (2017) to the Mastercard logo in Mastercard (2013).
Churchman, who divides his time between New York and Maine, emerges here as a dynamic protagonist of contemporary American painting. In addition to collecting 90 reproductions of works, the book features artwork made especially for it, plus texts by Ruba Katrib, Alex Kitnik and Arnisa Zeqo, in addition to a conversation between Churchman and Lauren Cornell.