Konstfacks bibliotek

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*020  $a9783956795688$qpaperback
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*084  $aIbvz$2kssb/8 (machine generated)
*24510$aDon't follow the wind /$cNikolaus Hirsch & Jason Waite (eds.).
*264 1$aBerlin :$bSternberg Press,$c[2021]
*264 4$c©2021
*300  $a295 pages$billustrations (chiefly color), maps, portraits$c15 cm.
*336  $atext$btxt$2rdacontent
*336  $astill image$bsti$2rdacontent
*337  $aunmediated$bn$2rdamedia
*338  $avolume$bnc$2rdacarrier
*4901 $aCritical spatial practice ;$v12
*504  $aIncludes bibliographical references.
*5058 $gIntroduction --$tOnce Upon a Time Breathing Apparatus for Breathable Air /$rAhmet Öğüt --$tDifficult-to-Return Zone --$tA conversation among the curatorial collective Don't Follow the Wind /$rRyuta Ushiro [Chim Pom], Kenji Kubota, Jason Waite, Eva & Franco Mattes --$tHome /$rMeiro Koizumi --$tFukushima Texture Pack /$rEva & Franco Mattes --$tDon't Follow the Wind /$rNoi Sawaragi --$tDemio Fukushima 501 /$rGrand Guignol Mirai --$tRadio-Activity /$rSven Lütticken --$t'tome-ishi' boundary /$rAiko Miyanaga --$tBecoming Monument /$rNikolaus Hirsch & Jorge Otero-Pailos --$tNon-Visitor Centers --$tTrinity Cube /$rTrevor Paglen --$tThe Entropic Silence of Fukushima /$rJason Waite --$tDrawing a Blueprint /$rChim Pom --$tFinal Photos /$rTaryn Simon --$tNegative Commons : A conversation with Silvia Federici --$tElectricity That Exceeds Time /$rNobuaki Takekawa --$tA Letter to the Don't Follow the Wind Collective /$rJodi Dean --$tTime Travelers /$rKota Takeuchi --$tFukushima Project : A Ray of Hope /$rAi Weiwei --$tScrapbook /$rEva & Franco Mattes.
*650 0$aSite-specific installations (Art)$zJapan$zFukushima-ken.
*650 7$aSite-specific installations (Art)$2fast
*651 7$aJapan$zFukushima-ken.$2fast
*7001 $aHirsch, Nikolaus$4edt
*7001 $aWaite, Jason$4edt
*830 0$aCritical spatial practice ;$v12
*852  $5Ko$bKo$cKONST -$hIb.6
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Documenting an invisible, inaccessible exhibition within the radioactive Fukushima exclusion zone.


The twelfth volume of the Critical Spatial Practices series focuses on "Don't Follow the Wind," the acclaimed collaborative project situated in Fukushima's radioactive exclusion zone. The book explores the long-term environmental crisis in the coastal Japanese region through this ongoing, inaccessible exhibition, which maintains traces of human presence amid the fallout of the March 2011 nuclear reactor meltdown that displaced entire towns. What can art do in a continuing catastrophe when destruction and contamination have made living impossible?

The exhibition is located inside the exclusion zone, an evacuated radioactive area established after the nuclear disaster that forcibly separated residents from their homes, land, and community. In cooperation with former residents, participating artists installed newly commissioned works at sites in the exclusion zone. Although the exhibition opened in March 2015, the zone is still inaccessible to the public-the exhibition, like the radiation, is virtually invisible. The exhibition can only be viewed when restrictions are lifted and people are permitted to return. This might take several years or decades-a period that could extend beyond our lifetime. While nuclear contamination has displaced and ruptured communities, new temporary and translocal formations have emerged among the residents who have lent their sites, other former residents collaborating on the project, and the artists, curators, and cultural workers.

This book includes new texts by feminist theorist Silvia Federici, art historians Noi Sawaragi and Sven L tticken, and political philosopher Jodi Dean. The project was codeveloped and curated by the collective Don't Follow the Wind, whose members include Chim↑Pom, Kenji Kubota, Eva & Franco Mattes, and Jason Waite. The participating artists include Ai Weiwei, Chim↑Pom, Nikolaus Hirsch & Jorge Otero-Pailos, Meiro Koizumi, Eva & Franco Mattes, Grand Guignol Mirai, Aiko Miyanaga, Ahmet ğ t, Trevor Paglen, Taryn Simon, Nobuaki Takekawa, and Kota Takeuchi.