Konstfacks bibliotek

   
Craft is political
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  • DESIGN & KONSTHANTVERK - Ih:d
Titel och upphov
  • Craft is political
Utgivning, distribution etc.
  • Bloomsbury Visual Arts, London ; New York : 2021
Utgivningsår
  • 2021
  • Språk: Engelska.
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning
  • ix, 269 pages illustraions 24 cm
Anmärkning: Bibliografi etc.
  • Includes bibliographical references and index.
Anmärkning: Innehållsbeskrivning, sammanfattning
  • "Throughout the 21st century, craft practices have garnered significant attention across the West, which these essays argue is a direct response to and critique of the economic, social and technological contexts in which we live. Just as Ruskin and Morris viewed craft and its ethos in the 1800s as a political opposition to the Industrial Revolution, Craft is Political contends that current craft activities are politically saturated when perspectives from the Global South, Indigenous ideology and even Western government policy are examined. Case studies consider craft and design in Turkey and craft markets in New Zealand to Indigenous practitioners in Taiwan and Finnish craft education"-- Provided by publisher.
Term
Annat medium
  • Online version: Craft is political London ; New York : Bloomsbury Visual Arts, 2021 ISBN 9781350122277
ISBN
  • 9781350122260
  • 1350122262
Antal i kö:
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Throughout the 21st century, various craft practices have drawn the attention of academics and the general public in the West. In Craft is Political , D Wood has gathered a collection of essays to argue that this attention is a direct response to and critique of the particular economic, social and technological contexts in which we live.

Just as Ruskin and Morris viewed craft and its ethos in the 1800s as a kind of political opposition to the Industrial Revolution, Wood and her authors contend that current craft activities are politically saturated when perspectives from the Global South, Indigenous ideology and even Western government policy are examined. Craft is Political argues that a holistic perspective on craft, in light of colonialism, post-colonialism, critical race theory and globalisation, is overdue.

A great diversity of case studies is included, from craft and design in Turkey and craft markets in New Zealand to Indigenous practitioners in Taiwan and Finnish craft education. Craft is Politica l brings together authors from a variety of disciplines and nations to consider politicised craft.

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