Hylla
Personnamn
Titel och upphov Dekoloniseringskonst : art ivism i 2010-talets Sápmi
Utgivning, distribution etc. Institutionen för språkstudier, Umeå universitet, Umeå : 2020
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning 249 sidor illustrationer 24 cm
Serietitel - ej biuppslagsform
Nummer i serie
Seriebiuppslag under titel
Anmärkning: Dissertation o.dyl. Diss. Umeå : Umeå universitet, 2020
Anmärkning: Innehållsbeskrivning, sammanfattning During the 2010s, conceptual art took a prominent position in Sámi struggles for political and social change. Narratives about contemporary colonialism and decolonising alternative visions, conveyed through music, visual art s, performative acts, and poetry, engaged broad audiences and attracted widespread attention. This PhD project, undertaken in Sámi dutkan/Sámi Studies, revolves around the art istic works and practices of four contemporary Sámi art ists: Ti/Mimie Märak, Jörgen Stenberg, Anders Sunna and Jenni Laiti (including Suohpanterror). Taking its point of depart ure from decolonising methodologies, and theories of decolonisation and art ivism, the study explores how art ivism is used in relation to decolonisation, and discusses what art ivism does in this regard. The dissertation has a part icular focus on the relationship between Sápmi and Sweden, and the period between 2013 and 2017. Through an entrance in the art works, and the part icipating art ists' points of view, the study introduces new perspectives on colonialism and decolonisation in contemporary Sámi and Sámi-Swedish contexts. It serves as a theoretical and empirical contribution to discussions regarding the concept of art ivism, and shows how art ivism has initiated motion in the issue of decolonisation, and a movement around this issue. Start ing with art ivism relating to the 2013 Gállok mining conflict, and finishing with art ivism related to resurgence and self-determination to land in the Deatnu area in 2017, the study portrays an art ivism-driven decolonising process that has both influenced contemporary perceptions of decolonisation (set the issue in motion) and generated positions aligned with such perspectives (activated a movement around the issue). The study argues that the art ivism has shaped discourse around colonialism and contemporary Sweden. Through various art istic works and practices, structural colonial patterns are uncovered, displaying ongoing dispossession of land, exploitation of nature and culture, and a discursive disclosure of such practices as colonial, as part of the same colonial structure. Simultaneously, this art ivism enables for decolonising visions. These visions claim public space and motivate audiences to engage in a decolonising movement. A number of resistance subject positions are envisioned through this art ivism. These subjects are portrayed as proud, self-sufficient identities with integrity; subjects who are anchored within a Sámi and Indigenous collective, who are themselves intersectional and anti-oppressive, and stand in alliance with similar progressive movements . In alignment with the discourses related to these movements , Sámi traditional knowledge is art iculated as viable options to tackle continued environmental deterioration and climate change – problems often associated with colonialism. The movement gradually develops into a fictional recapture of land, which enables space for Sámi self-determining practices to take place. Here, the art istically created vision of self-determination, makes self-determination to land a reality – if so only temporary. As such, the art istic creation of a decolonised space, enables the actual space for decolonised practice. The study argues that there is a correlation between the art ivistic enabling, and activation of decolonising positions and visions.
Anmärkning: Språk With a summary in English
Personnamn
Term
Indexterm - Okontrollerad
Institutionsnamn
Annat medium Även utgiven elektroniskt Dekoloniseringskonst ISBN 9789178553365
Elektronisk adress och åtkomst (URI) http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-174973 Fritt tillgänglig via Umeå universitet
ISBN
Antal i kö:
*000 cam a 7i 4500
*00149359
*00520210114141009.0
*008200919s2020 sw ||||||m||||000 ||swe|c
*020 $a9789178553358
*020 $z9789178553365 (elektronisk)
*035 $a(DiVA)urn:nbn:se:umu:diva-174973
*035 $a(SE-LIBR)r4v5ppd6psfh613l
*041 $aswe$beng
*08204$a704.039457$223/swe
*084 $aIb$2kssb/8 (machine generated)
*100 $aSandström, Moa,$d1978-$4aut
*24510$aDekoloniseringskonst :$bart ivism i 2010-talets Sápmi /$cMoa Sandström.
*264 1$aUmeå :$bInstitutionen för språkstudier, Umeå universitet,$c2020
*300 $a249 sidor$billustrationer$c24 cm
*336 $atext$btxt$2rdacontent
*337 $aunmediated$bn$2rdamedia
*338 $avolume$bnc$2rdacarrier
*490 $aSámi dutkan / Sámi studies / Samiska studier,$x1651-5153 ;$v10
*490 $aStudier i språk och litteratur från Umeå universitet ;$v41
*502 $aDiss. Umeå : Umeå universitet, 2020
*520 $aDuring the 2010s, conceptual art took a prominent position in Sámi struggles for political and social change. Narratives about contemporary colonialism and decolonising alternative visions, conveyed through music, visual art s, performative acts, and poetry, engaged broad audiences and attracted widespread attention. This PhD project, undertaken in Sámi dutkan/Sámi Studies, revolves around the art istic works and practices of four contemporary Sámi art ists: Ti/Mimie Märak, Jörgen Stenberg, Anders Sunna and Jenni Laiti (including Suohpanterror). Taking its point of depart ure from decolonising methodologies, and theories of decolonisation and art ivism, the study explores how art ivism is used in relation to decolonisation, and discusses what art ivism does in this regard. The dissertation has a part icular focus on the relationship between Sápmi and Sweden, and the period between 2013 and 2017. Through an entrance in the art works, and the part icipating art ists' points of view, the study introduces new perspectives on colonialism and decolonisation in contemporary Sámi and Sámi-Swedish contexts. It serves as a theoretical and empirical contribution to discussions regarding the concept of art ivism, and shows how art ivism has initiated motion in the issue of decolonisation, and a movement around this issue. Start ing with art ivism relating to the 2013 Gállok mining conflict, and finishing with art ivism related to resurgence and self-determination to land in the Deatnu area in 2017, the study portrays an art ivism-driven decolonising process that has both influenced contemporary perceptions of decolonisation (set the issue in motion) and generated positions aligned with such perspectives (activated a movement around the issue). The study argues that the art ivism has shaped discourse around colonialism and contemporary Sweden. Through various art istic works and practices, structural colonial patterns are uncovered, displaying ongoing dispossession of land, exploitation of nature and culture, and a discursive disclosure of such practices as colonial, as part of the same colonial structure. Simultaneously, this art ivism enables for decolonising visions. These visions claim public space and motivate audiences to engage in a decolonising movement. A number of resistance subject positions are envisioned through this art ivism. These subjects are portrayed as proud, self-sufficient identities with integrity; subjects who are anchored within a Sámi and Indigenous collective, who are themselves intersectional and anti-oppressive, and stand in alliance with similar progressive movements . In alignment with the discourses related to these movements , Sámi traditional knowledge is art iculated as viable options to tackle continued environmental deterioration and climate change – problems often associated with colonialism. The movement gradually develops into a fictional recapture of land, which enables space for Sámi self-determining practices to take place. Here, the art istically created vision of self-determination, makes self-determination to land a reality – if so only temporary. As such, the art istic creation of a decolonised space, enables the actual space for decolonised practice. The study argues that there is a correlation between the art ivistic enabling, and activation of decolonising positions and visions.
*546 $aWith a summary in English
*60014$aMärak, Timimie
*60014$aSunna, Anders
*60014$aLaiti, Jenni
*60014$aStenberg, Jörgen
*650 7$aPolitiska aktivister$0https://id.kb.se/term/sao/Politiska%20aktivister$2sao
*650 7$aSociala medier$0https://id.kb.se/term/sao/Sociala%20medier$2sao
*650 7$aGatukonst$0https://id.kb.se/term/sao/Gatukonst$2sao
*650 7$aSamisk konst$0https://id.kb.se/term/sao/Samisk%20konst$2sao
*650 7$aSociala rörelser$0https://id.kb.se/term/sao/Sociala%20r%C3%B6relser$2sao
*650 7$aAvkolonisering$xi konsten$2sao
*650 0$aArt , Sami
*650 0$aFolk art , Sami
*650 0$aSocial media
*650 0$aStreet art
*650 0$aSocial movements
*650 0$aPolitical activists
*653 $aart ivism
*653 $adecolonization
*653 $aSámi art
*653 $aSwedish colonialism
*653 $aIndigenous movement
*653 $aart ivism
*653 $adekolonisering
*653 $asvensk kolonialism
*653 $aurfolksrörelse
*653 $aaktivism
*710 2$aUmeå universitet.$bInstitutionen för språkstudier$4pbl$0https://libris.kb.se/sq47ctlb1qxxvb7#it
*77608$iÄven utgiven elektroniskt$tDekoloniseringskonst$z9789178553365
*830 0$aStudier i språk och litteratur från Umeå universitet ;$v41
*852 $5Ko$bKo$cKONST -$hIb-c
*85642$uhttp://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-174973$zFritt tillgänglig via Umeå universitet
*887 $a{"@id":"r4v5ppd6psfh613l","modified":"2021-01-14T14:10:09.046+01:00","checksum":"128552055741"}$2librisxl
*887 $5Ko$a{"@id":"9n11sr2w7srpgrdp","modified":"2021-03-01T13:57:05.113+01:00","checksum":"173531088597"}$2librisxl
^
Det finns inga omdömen till denna titeln.
Klicka här
för att vara den första som skriver ett omdöme.