Konstfacks bibliotek

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*020  $a9780367408688$qhardcover
*020  $a0367408686$qhardcover
*020  $z9780367809614
*020  $qelectronic book$z9780367809614
*035  $a(OCoLC)on1164823699
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*041  $aeng
*050 0$aGV1623
*08200$a792.80973$223
*084  $aIky$2kssb/8 (machine generated)
*100  $aWikström, Josefine$4aut
*24510$aPractices of relations in task-dance and the event-score :$ba critique of performance /$cJosefine Wikström.
*264 1$aAbingdon, Oxon ;$aNew York, NY :$bRoutledge,$c2021
*264 4$c©2021
*300  $ax, 160 pages$billustrations$c25 cm.
*336  $atext$btxt$2rdacontent
*337  $aunmediated$bn$2rdamedia
*338  $avolume$bnc$2rdacarrier
*490  $aRoutledge advances in theatre and performance studies
*504  $aIncludes bibliographical references and index.
*505  $aIntroduction: From a cultural to a critical concept of performance -- Practice : performance a practice of relations -- Experience : art as experience or an art to experience? -- Object : acts of negations of the medium-specific art object -- Abstraction : task-dance's abstract ontology -- Structure : the performative structure-object.
*520  $a"In this study, Josefine Wikstrom challenges a concept of performance that makes no difference between art and non-art and argues for a new concept. This book confronts and criticises the way in which the dominating concept of performance has been used in Art Theory, Performance- and Dance Studies. Through an analysis of 1960s performance practices, Wikstrom focuses specifically on task-dance and event-score practices as well as through examination of the key philosophical concepts that are inseparable from such a concept of art, and are necessary for the reconstruction of a critical concept of performance such as: practice, experience, objects, abstraction and structure. Practices of Relations in Event-Score and Task-Dance Practices will be of great interest to scholars, students and practitioner across dance, performance art, aesthetics and art theory"--$cProvided by publisher.
*648 7$a1900-1999$2fast
*650 0$aAvant-garde (Aesthetics)
*650 0$aCategories (Philosophy)
*650 0$aModern dance$zUnited States$xHistory$y20th century.
*650 0$aModern dance$xPhilosophy.
*650 0$aPerformance art$zUnited States$xHistory$y20th century.
*650 0$aPerformance art$xPhilosophy.
*650 7$aAvant-garde (Aesthetics)$2fast
*650 7$aCategories (Philosophy)$2fast
*650 7$aModern dance.$2fast
*650 7$aPerformance art.$2fast
*650 7$aModern dance$xPhilosophy.$2fast
*651 7$aUnited States.$2fast
*655 7$aHistory.$2fast
*830 0$aRoutledge advances in theatre and performance studies
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^

In this study, Josefine Wikström challenges a concept of performance that makes no difference between art and non-art and argues for a new concept. This book confronts and criticises the way in which the dominating concept of performance has been used in art theory and performance and dance studies. Through an analysis of 1960s performance practices, Wikström focuses specifically on task-dance and event-score practices and provides an examination of the key philosophical concepts that are inseparable from such a concept of art and are necessary for the reconstruction of a critical concept of performance, such as "practice", "experience", "object", "abstraction" and "structure". This book will be of great interest to scholars, students and practitioners across dance, performance art, aesthetics and art theory.