Konstfacks bibliotek

*000     nam a        i 4500
*00149177
*00520211125162100.0
*008211125t20192019nyua|||||b||||001 0|eng| 
*020  $a9781501344435$qhardcover
*020  $a1501344439$qhardcover
*020  $z9781501344442
*020  $z9781501344459
*020  $qelectronic book$z9781501344442$z9781501344459
*0248 $a40029678690
*035  $a(OCoLC)on1101269178
*035  $a(SE-LIBR)q4jc16bgn6lhl57f
*041  $aeng
*050 0$aNX650.S68
*08200$a700.981/0904$223
*084  $aIji-qdd$2kssb/8
*24510$aMaking it heard :$ba history of Brazilian sound art /$cedited by Rui Chaves and Fernando Iazzetta.
*264 1$aNew York :$bBloomsbury Academic,$c2019
*264 4$c©2019
*300  $axviii, 274 pages$c24 cm
*336  $atext$btxt$2rdacontent
*337  $aunmediated$bn$2rdamedia
*338  $avolume$bnc$2rdacarrier
*4900 $aSound studies
*504  $aIncludes bibliographical references and index.
*520  $a"From the mid-20th century to the present, the Brazilian cultural scene and its art, literature, and music has been witness to a wealth of creative approaches involving sound. This is the backdrop for Making It Heard: A History of Brazilian Sound Art, a volume that offers an overview of local artists working with performance, experimental vinyl production, sound installation, sculpture, radio, field recording, and sound mapping. It criticizes universal approaches to art and music historiography that fail to recognize local idiosyncrasies, and creates a local rationale and discourse. Through this approach, Chavez and Iazzetta enable students, researchers, and artists to discover and acknowledge work produced outside of a standard Anglo-European framework"--$cProvided by publisher.
*648 7$a1900-2099$2fast
*650 7$aLjudkonst
*650 0$aSound in art.
*650 0$aArts, Brazilian$y20th century$xThemes, motives.
*650 0$aArts, Brazilian$y21st century$xThemes, motives.
*650 0$aArt and music$zBrazil.
*650 7$aSound in art.$2fast
*650 7$aArt and music.$2fast
*650 7$aMusic.$2fast
*650 7$aSound installations (Art)$2fast
*650 0$aSound sculpture
*650 0$aSound installations (Art)
*651 7$aBrazil.$2fast
*655 7$aCriticism, interpretation, etc.$2fast
*7001 $aChaves, Rui$4edt
*7001 $aIazzetta, Fernando$4edt
*77608$iOnline version:$tMaking it heard$dNew York : Bloomsbury Academic, 2019.$z9781501344442
*852  $5Ko$bKo$cMUSIK & LJUDKONST -$hIji
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^

From the mid-20th century to present, the Brazilian art, literature, and music scene have been witness to a wealth of creative approaches involving sound. This is the backdrop for Making It Heard: A History of Brazilian Sound Art , a volume that offers an overview of local artists working with performance, experimental vinyl production, sound installation, sculpture, mail art, field recording, and sound mapping. It criticizes universal approaches to art and music historiography that fail to recognize local idiosyncrasies, and creates a local rationale and discourse. Through this approach, Chaves and Iazzetta enable students, researchers, and artists to discover and acknowledge work produced outside of a standard Anglo-European framework.