Konstfacks bibliotek

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*020  $a9781633451056$q(paperback)
*020  $a1633451054
*035  $a(OCoLC)on1226488857
*035  $a(SE-LIBR)q3fttqnrnqgxdbtt
*041  $aeng
*050 4$aN8217.E28
*100  $aAntonelli, Paola$4cur$4aut
*24514$aThe Neri Oxman material ecology catalogue /$cPaola Antonelli with Anna Burckhardt ; edited by Emily Hall and Jennifer Liese.
*264 1$aNew York :$bThe Museum of Modern Art,$c[2020]
*264 2$aNew York ;$aLondon :$bArtbook · D.A.P.$bThames & Hudson Ltd
*264 4$c©2020
*300  $a181 pages$bcolor illustrations$c30 cm
*336  $atext$btxt$2rdacontent
*336  $astill image$bsti$2rdacontent
*337  $aunmediated$bn$2rdamedia
*338  $avolume$bnc$2rdacarrier
*500  $aPublished in conjunction with the exhibition Neri Oxman: Material Ecology, at The Museum of Modern Art, New York, February 22-May 25, 2020.
*504  $aIncludes bibliographical references.
*505  $rGlenn D. Lowry --$gForeword /$tThe natural evolution of architecture /$rPaola Antonelli --$tLimbs of nature /$rHadas A. Steiner --$tMaterialecology --$tArmour / Metamesh --$tRaycounting --$tCartesian wax --$tMonocoque / Beast --$tExtrusions --$tAguahoja --$tSilk Pavilion --$tGlass --$tInfusions --$tImaginary beings --$tVespers / Lazarus --$tTotems.
*520  $aNeri Oxman calls her design approach Material Ecology--a process that draws on the structural, systemic, and aesthetic wisdom of nature, distilled and deployed through computation and digital fabrication. Throughout her twenty-year career, she has been a pioneer of new materials and construction processes, and a catalyst for dynamic interdisciplinary collaboration. With the Mediated Matter Group, her research team at the MIT Media Lab, Oxman has pursued experimentation that is grounded in science, propelled by visionary thinking, and distinguished by formal elegance. Published to accompany a monographic exhibition of Oxman's work at The Museum of Modern Art, New York, Neri Oxman: Material Ecology features essays by Paola Antonelli and Hadas A. Steiner. Its design, by Irma Boom, pays homage to Stewart Brand's legendary Whole Earth Catalog, which celebrated and provided resources for a new awareness in the late 1960s.
*60010$aOxman, Neri,$d1976-$vExhibitions.
*648 7$a2000-2099$2fast
*650 0$aThree-dimensional printing.
*650 0$aThree-dimensional modeling.
*650 0$aEcology in art$vExhibitions.
*650 0$aDesign and technology$vExhibitions.
*650 0$aIndustrial design$xHistory$y21st century$vExhibitions.
*650 0$aArt and science$vExhibitions.
*650 0$aArt, Israeli$y21st century$vExhibitions.
*650 7$aThree-dimensional printing.$2fast
*650 7$aThree-dimensional modeling.$2fast
*650 7$aIndustrial design.$2fast
*650 7$aEcology in art.$2fast
*650 7$aDesign and technology.$2fast
*650 7$aArt, Israeli.$2fast
*650 7$aArt and science.$2fast
*655 7$aHistory.$2fast
*655 7$aExhibition catalogs.$2fast
*655 7$aTentoonstellingscatalogi (vorm)$2gtt
*70012$aOxman, Neri,$d1976-$tWorks.$kSelections.
*700  $aBurckhardt, Anna$4cur$4ctb
*700  $aHall, Emily$4edt
*700  $aLiese, Jennifer$4edt
*710 2$aMuseum of Modern Art (New York, N.Y.)$4his
*852  $5Ko$bKo$cDESIGN -$hIhbz Oxman, Neri
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The first survey on the interdisciplinary biodesign genius of Neri Oxman, pioneer of "material ecology"

Throughout her 20-year career, Neri Oxman has invented not only new ideas for materials, buildings and construction processes, but also new frameworks for interdisciplinary-and interspecies-collaborations. She coined the term "material ecology" to describe her process of producing techniques and objects informed by the structural, systemic and aesthetic wisdom of nature, from the shells of crustaceans to the flow of human breathing.

Groundbreaking for its solid technological and scientific basis, its rigorous and daring experimentation, its visionary philosophy and its unquestionable attention to formal elegance, Oxman's work operates at the intersection of biology, engineering, architecture and artistic design, material science and computer science.

This book-designed by Irma Boom and published to accompany a midcareer retrospective of Oxman's work-highlights the interdisciplinary nature of the designer's practice. It demonstrates how Oxman's contributions allow us to question and redefine the idea of modernism-a concept in constant evolution-and of organic design. Some of the projects featured in the book and exhibition include the Silk Pavilion, which harnesses silkworms' ability to generate a 3-D cocoon out of a single thread silk in order to create architectural constructions; Aguahoja, a water-based fabrication platform that prints structures made out of different biopolymers; and Glass, an additive manufacturing technology for 3-D printing optically transparent glass structures at architectural dimensions.