Konstfacks bibliotek

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*00149138
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*008210128t20192019nyua|||||b||||000 0|eng| 
*020  $a9781732955929$q(paperback)
*020  $a1732955921$q(paperback)
*035  $a(OCoLC)on1111694572
*035  $a(SE-LIBR)cq091xhg9ck2bpz9
*041  $aeng
*050 4$aP302.7
*100  $aRiggs, Stephanie$4aut
*24514$aThe end of storytelling :$bthe future of narrative in the storyplex /$cStephanie Riggs.
*250  $aFirst print edition.
*264 1$a[New York] :$bBeat Media Group,$c2019
*264 4$c©2019
*300  $a204 pages, 28 unnumbered pages$billustrations (chiefly color)$c23 cm
*336  $atext$btxt$2rdacontent
*337  $aunmediated$bn$2rdamedia
*338  $avolume$bnc$2rdacarrier
*500  $a"Book design and illustrations by Maya P. Lim"--Title page verso.
*504  $aIncludes bibliographical references.
*505  $aPrologue: At the edge of the known universe -- Immersive technology cheatsheet -- The storytelling problem -- What's old is new again -- The storyplex -- Endnotes.
*520  $a"Creators of immersive experiences in virtual reality, augmented reality, and mixed reality have relied heavily on familiar storytelling techniques used in books, theatre, and film -- often with confusing and unengaging results. Stephanie Riggs argues in The End of Storytelling that in order to develop powerful stories in these emerging mediums, we need nothing short of a paradigm shift in how we approach and conceptualize immersive narratives. Along the way, Riggs reveals why 'storytelling' as we know it doesn't work, what elements of human interaction and classical storytelling inform the story of the future, and how to embrace the innate capabilities of immersive technology. The End of Storytelling is informed by over two decades of work in both immersive and classical mediums, and is rich with examples, inspiration, and challenges for anyone interested in, or currently developing, effective immersive experiences. Its symphonic exploration presents fascinating context of our relationship to storytelling, and a practical model for building the future of narrative."--Page 4 of cover.
*650 7$aBerättande$0https://id.kb.se/term/sao/Ber%C3%A4ttande$2sao
*650 7$aVirtuell verklighet$0https://id.kb.se/term/sao/Virtuell%20verklighet$2sao
*650 0$aDiscourse analysis, Narrative.
*650 0$aNarration (Rhetoric)
*650 0$aShared virtual environments.
*650 0$aPlots (Drama, novel, etc.)
*650 0$aMotion picture authorship.
*650 0$aFiction$xTechnique.
*650 0$aFiction$xAuthorship.
*650 0$aVideo games$xAuthorship.
*650 0$aVirtual reality$xDesign.
*650 0$aVideo games$xStories, plots, etc.
*650 0$aAlternate reality games$xStories, plots, etc.
*650 0$aVideo games$xPsychological aspects.
*650 0$aVirtual reality$xPsychological aspects.
*650 0$aMultimedia systems$xPsychological aspects.
*650 7$aAlternate reality games.$2fast
*650 7$aDiscourse analysis, Narrative.$2fast
*650 7$aMotion picture authorship.$2fast
*650 7$aNarration (Rhetoric)$2fast
*650 7$aPlots (Drama, novel, etc.)$2fast
*650 7$aShared virtual environments.$2fast
*650 7$aVideo games.$2fast
*650 7$aFiction$xAuthorship.$2fast
*650 7$aFiction$xTechnique.$2fast
*650 7$aVideo games$xAuthorship.$2fast
*650 7$aVideo games$xPsychological aspects.$2fast
*650 0$aNarration (Rhetoric)$0(DLC)sh 85089833
*650 0$aVirtual reality
*655 7$aStories, plots, etc.$2fast
*700  $aLim, Maya P.$4ill
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^

Creators of immersive experiences in virtual reality, augmented reality, and mixed reality have relied heavily on familiar storytelling techniques used in books, theatre, and film -- often with confusing and unengaging results.

Stephanie Riggs argues in The End of Storytelling that in order to develop powerful stories in these emerging mediums, we need nothing short of a paradigm shift in how we approach and conceptualize immersive narratives. Beautifully designed and explosively written, this book will help you better understand how to approach the exciting medium and get your next immersive project off the ground by explaining:

The End of Storytelling is informed by over two decades of work in both immersive and classical mediums, and is rich with examples, inspiration, and challenges for anyone interested in, or currently developing, effective immersive experiences. Its symphonic exploration presents fascinating context of our relationship to storytelling, and a practical model for building the future of narrative.