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Titel och upphov Reuse, misuse, abuse : the ethics of audiovisual appropriation in the digital era
Utgivning, distribution etc. Rutgers University Press, New Brunswick, New Jersey : [2021]
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning vii, 219 pages illustrations 23 cm
Anmärkning: Bibliografi etc. Includes bibliographical references, filmography, and index.
Anmärkning: Innehåll (Re)exposing Intimate Traces -- Speaking through Others -- Dislocating the Hegemonic Gaze -- Reframing the Perpetrator's Gaze -- Abusing Images.
Anmärkning: Innehållsbeskrivning, sammanfattning "In contemporary culture, existing audiovisual recordings are constantly reused and repurposed for various ends, raising questions regarding the ethics of such appropriations, particularly when the recording depicts actual people and events. Every reuse of a preexisting recording is, on some level, a misuse in that it was not intended or at least anticipated by the original maker, but not all misuses are necessarily unethical. In fact, there are many instances of productive misuse that seem justified. At the same time, there are other instances in which the misuse shades into abuse. Documentary scholars have long engaged with the question of the ethical responsibility of documentary makers in relation to their subjects. But what happens when this responsibility is set at a remove, when the recording already exists for the taking and repurposing? Reuse, Misuse and Abuse surveys a range of contemporary films and videos that appropriate preexisting footage and attempts to theorize their ethical implications"-- Provided by publisher.
Term
ISBN 9780813599267 0813599261 9780813599274 081359927X
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*504 $aIncludes bibliographical references, filmography, and index.
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*520 $a"In contemporary culture, existing audiovisual recordings are constantly reused and repurposed for various ends, raising questions regarding the ethics of such appropriations, particularly when the recording depicts actual people and events. Every reuse of a preexisting recording is, on some level, a misuse in that it was not intended or at least anticipated by the original maker, but not all misuses are necessarily unethical. In fact, there are many instances of productive misuse that seem justified. At the same time, there are other instances in which the misuse shades into abuse. Documentary scholars have long engaged with the question of the ethical responsibility of documentary makers in relation to their subjects. But what happens when this responsibility is set at a remove, when the recording already exists for the taking and repurposing? Reuse, Misuse and Abuse surveys a range of contemporary films and videos that appropriate preexisting footage and attempts to theorize their ethical implications"--$cProvided by publisher.
*650 0$aStock footage.
*650 0$aActualities (Motion pictures)
*650 0$aGaze in motion pictures.
*650 0$aDocumentary films$xMoral and ethical aspects.
*650 0$aVideo recordings$xMoral and ethical aspects.
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*650 7$aGaze in motion pictures.$2fast
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*650 7$aDocumentary films$xMoral and ethical aspects.$2fast
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In contemporary culture, existing audiovisual recordings are constantly reused and repurposed for various ends, raising questions regarding the ethics of such appropriations, particularly when the recording depicts actual people and events. Every reuse of a preexisting recording is, on some level, a misuse in that it was not intended or at least anticipated by the original maker, but not all misuses are necessarily unethical. In fact, there are many instances of productive misuse that seem justified. At the same time, there are other instances in which the misuse shades into abuse . Documentary scholars have long engaged with the question of the ethical responsibility of documentary makers in relation to their subjects. But what happens when this responsibility is set at a remove, when the recording already exists for the taking and repurposing? Reuse, Misuse and Abuse surveys a range of contemporary films and videos that appropriate preexisting footage and attempts to theorize their ethical implications.
Introduction: Theorizing Misuse p. 1 (Re)exposing Intimate Traces p. 23 Speaking through Others p. 55 Dislocating the Hegemonic Gaze p. 92 Reframing the Perpetrator's Gaze p. 124 Abusing Images p. 154 Filmography p. 177 Acknowledgments p. 179 Notes p. 181 Bibliography p. 195 Index p. 203