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Publication, Distribution, etc. (Imprint) Liveright Publishing Corporation, a division of W. W. Norton & Company, New York, N.Y. [2020]
©2020
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Bibliography, etc. Note Includes bibliographical references.
Formatted Contents Note For Halloween I washed my face -- Juice from a neck bone -- Hattie McDaniel is dead -- Punishment Park -- The trouble with humans -- Mind the closing doors -- Mario's -- Epilogue: The new century.
Summary, etc "In the tradition of Edward Said's Orientalism and Frantz Fanon's Black Skin, White Masks, Afropessimism is an unparalleled account of the non-analogous experience of being Black. A seminal work that strikingly combines groundbreaking philosophy with searing flights of memoir, Afropessimism presents the tenets of an increasingly influential intellectual movement that theorizes blackness through the lens of perpetual slavery. Rather than interpreting slavery through a Marxist framework of class oppression, Frank B. Wilderson III, "a truly indispensable thinker" (Fred Moten), demonstrates that the social construct of slavery, as seen through pervasive, anti-black subjugation and violence, is hardly a relic of the past but an almost necessary force in our civilization that flourishes today, and that Black struggles cannot be conflated with the experiences of any other oppressed group. In mellifluous prose, Wilderson juxtaposes his seemingly idyllic upbringing in halcyon midcentury Minneapolis with the harshness that he would later encounter, whether in radicalized, late-1960s Berkeley or in the slums of Soweto. Following in the rich literary tradition of works by DuBois, Malcolm X and Baldwin, Afropessimism reverberates with wisdom and painful clarity in the fractured world we inhabit"-- Provided by publisher.
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Why does race seem to color almost every feature of our moral and political universe? Why does a perpetual cycle of slavery--in all its political, intellectual, and cultural forms--continue to define the Black experience? And why is anti-Black violence such a predominant feature not only in the United States but around the world? These are just some of the compelling questions that animate Afropessimism, Frank B. Wilderson III's seminal work on the philosophy of Blackness.
Combining precise philosophy with a torrent of memories, Wilderson presents the tenets of an increasingly prominent intellectual movement that sees Blackness through the lens of perpetual slavery. Drawing on works of philosophy, literature, film, and critical theory, he shows that the social construct of slavery, as seen through pervasive anti-Black subjugation and violence, is hardly a relic of the past but the very engine that powers our civilization, and that without this master-slave dynamic, the calculus bolstering world civilization would collapse. Unlike any other disenfranchised group, Wilderson argues, Blacks alone will remain essentially slaves in the larger Human world, where they can never be truly regarded as Human beings, where, "at every scale of abstraction, violence saturates Black life."
And while Afropessimism delivers a formidable philosophical account of being Black, it is also interwoven with dramatic set pieces, autobiographical stories that juxtapose Wilderson's seemingly idyllic upbringing in mid-century Minneapolis with the abject racism he later encounters--whether in late 1960s Berkeley or in apartheid South Africa, where he joins forces with the African National Congress. Afropessimism provides no restorative solution to the hatred that abounds; rather, Wilderson believes that acknowledging these historical and social conditions will result in personal enlightenment about the reality of our inherently racialized existence.
Radical in conception, remarkably poignant, and with soaring flights of lyrical prose, Afropessimism reverberates with wisdom and painful clarity in the fractured world we inhabit. It positions Wilderson as a paradigmatic thinker and as a twenty-first-century inheritor of many of the African American literary traditions established in centuries past.
Acknowledgments p. ix For Halloween I Washed My Face p. 3 Juice from a Neck Bone p. 19 Hattie McDaniel Is Dead p. 55 Punishment Park p. 147 The Trouble with Humans p. 191 Mind the Closing Doors p. 231 Mario's p. 253 Epilogue: The New Century p. 309 Notes p. 341