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Title Statement Vision and difference : femininity, feminism, and histories of art
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Griselda Pollock provides concrete historical analyses of key moments in the formation of modern culture to reveal the sexual politics at the heart of modernist art. Crucially, she not only explores a feminist re-reading of the works of canonical male Impressionist and Pre-Raphaelite artists including Edgar Degas and Dante Gabriel Rossetti, but also re-inserts into art history their female contemporaries - women artists such as Berthe Morisot and Mary Cassatt.
Pollock discusses the work of women artists such as Mary Kelly and Yve Lomax, highlighting the problems of working in a culture where the feminine is still defined as the object of the male gaze. Now published with a new introduction, Vision and Difference is as powerful as ever for all those seeking not only to understand the history of the feminine in art, but also to develop new strategies for representation for the future.
List of illustrations p. ix Acknowledgements p. xv Introduction to the Routledge Classics Edition p. xvii Feminist interventions in the histories of art: an introduction p. 1 Vision, voice and power: feminist art histories and Marxism p. 25 Modernity and the spaces of femininity p. 70 Woman as sign in Pre-Raphaelite literature: the representation of Elizabeth Siddall (written in collaboration with Deborah Cherry) p. 128 A photo-essay: signs of femininity p. 163 Woman as sign: psychoanalytic readings p. 166 Screening the seventies: sexuality and representation in feminist practice--a Brechtian perspective p. 212 Notes p. 269 Bibliography p. 301 Index p. 309