Hylla
Konferensnamn
Titel och upphov Stories of almost everyone
Utgivning, distribution etc. Hammer Museum, Los Angeles : 2018
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning 271 s. ill. (hovedsakelig kol.)
Anmärkning: Allmän Utgitt i forbindelse med utstilling i Hammer Museum 28. januar - 6. mai 2018. Har biografier.
Term
ISBN
Antal i kö:
*000 nam a 3c 4500
*00148636
*00520201009095002.0
*008201009s2018 cau|||||||||||000 0|eng|d
*020 $a9783791356907
*020 $a3791356909
*035 $a(OCoLC)on1051130981
*035 $a(SE-LIBR)t60l479tr6cchnb5
*041 $aeng
*082 4$a707.1
*082 4$a701
*082 4$a709.05
*084 $aEabi$2kssb/8 (machine generated)
*084 $aIaa$2kssb/8 (machine generated)
*084 $aIb.6$2kssb/8 (machine generated)
*111 $aStories of almost everyone
*24510$aStories of almost everyone /$cAram Moshayedi.
*264 1$aLos Angeles :$bHammer Museum,$c2018
*300 $a271 s.$bill. (hovedsakelig kol.)
*500 $aUtgitt i forbindelse med utstilling i Hammer Museum 28. januar - 6. mai 2018.
*500 $aHar biografier.
*650 4$aKunstformidling
*650 4$aPublikum
*650 4$aUtstillinger
*650 4$aKunstfilosofi
*650 4$aKunst$y2000-2010$y2010-2020
*700 $aMoshayedi, Aram
*852 $5Ko$bKo$cKONST -$hIb.6
*887 $a{"@id":"t60l479tr6cchnb5","modified":"2020-10-09T09:50:02.501+02:00","checksum":"81074381305"}$2librisxl
*887 $5Ko$a{"@id":"q3wh15w4nkt9zsm2","modified":"2020-10-26T10:35:43.976+01:00","checksum":"71860242551"}$2librisxl
^
Det finns inga omdömen till denna titeln.
Klicka här
för att vara den första som skriver ett omdöme.
This book addresses how artifacts and objects of contemporary art create meaning and mythology in equal measure. What challenges does exhibiting a work pose to the inherent muteness of objects? How do artists choose to speak on behalf of inanimate artifacts and byproducts of material culture and the natural world? This volume coincides with an exhibition that examines these questions and is organized around the idea that objects possess narrative histories that the conventions of display can only, at best, approximate. In recent years, the continued emphasis on an art of ideas--inherited from the legacies of Conceptual and post-Conceptual art--has sought to broaden the function of everyday objects. Artists have, as a result, developed textual and non-textual approaches that reveal a faith in objects to communicate as well as skepticism of the promises of unmediated expression. The book is illustrated with works by Darren Bader, Kasper Bosmans, Carol Bove, Andrea Büttner, Jason Dodge, Haris Epaminonda, Iman Issa, Hassan Khan, Antonio Vega Macotela, Jill Magid, Dave McKenzie, Christodoulos Panayiotou, and others.
Foreword p. 10 The Narrative Conceit p. 14 Plates p. 26 The Shining p. 110 The Morality of Things p. 114 Itinerary p. 118 Newspaper on a Dubious Patio p. 124 Dancing with and for Objects p. 128 Hallowers p. 134 Untitled p. 138 Case Study in Care: Fingernails p. 142 Mount Monadnock Transmissions p. 146 Writing from the Shores p. 150 Readymade as Still Life p. 154 Inventory of Thirteen Effects p. 160 Mayoral Chandelier p. 168 Art, Artifact, and Commodity in the Natural History Museum p. 172 Myths, Not Mythologies p. 176 Heart of Glass p. 180 No Object in Mind p. 184 Keep the Faith: On the Curatorial Object and the Promise of Contemporary Art p. 190 Pillow and Tom p. 194 Unsettled Evidence: The Story of Seventeen Tasmanian Aborigines p. 196 Blankets p. 200 Self-Portrait p. 204 Contemporary Art as Production of the Past p. 208 Align p. 212 A Disquieting Muse p. 216 The Diplomatic Rock p. 222 An Archivist from Below on Top of the World p. 226 Derision p. 232 Artist Biographies p. 236 Contributors p. 256 Exhibition Checklist p. 258 Acknowledgments p. 266