Konstfacks bibliotek

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*008201008t20202020maua|||||b||||001 0|eng| 
*020  $a9780262044134$q(hardcover)
*020  $a0262044137
*035  $a(OCoLC)on1140706959
*035  $a(SE-LIBR)3g8rbmd41df6l5qm
*041  $aeng
*050 0$aMT64.S68
*08200$a620.2$223
*084  $aPaadb$2kssb/8
*100  $aCollins, Karen,$d1973-$4aut
*24510$aStudying sound :$ba theory and practice of sound design /$cKaren Collins.
*264 1$aCambridge :$bThe MIT Press,$c[2020]
*264 4$c©2020
*300  $a235 pages$billustrations$c24 cm
*336  $atext$btxt$2rdacontent
*337  $aunmediated$bn$2rdamedia
*338  $avolume$bnc$2rdacarrier
*504  $aIncludes bibliographical references (pages 223-229) and index.
*505  $aIntroduction -- Hearing and listening -- Sound -- Recording sounds -- Sounds in space -- Sound effects -- Mixing -- Surround and spatial sound -- Sound and meaning -- Sound for story -- Conclusions and wrap-up.
*520  $a"This book is the first of its kind, in producing a modern text for sound design as a practice independent of visuals. It combines theories from academic research into media (including audio-visual media) with hands-on exercises and practice, scaffolding the skills in each chapter to build a creative, technically proficient sound designer. There are over 175 exercises in total, and there will be supporting video and audio examples and tutorials on the accompanying website that will help a reader with their practice, as well as PowerPoint slides to encourage an instructor to adopt the program. The book will also include a number of interviews with sound designers to provide real-world examples. Studying Sound will begin from the very foundational elements of learning about hearing and listening to the basics of acoustics and psychoacoustics to recording, sound effects, mixing, and then end with a more theoretical exploration of sound design"--$cProvided by publisher.
*650 7$aLjudinspelning$0https://id.kb.se/term/sao/Ljudinspelning$2sao
*650 7$aLjudproduktion$0https://id.kb.se/term/sao/Ljudproduktion$2sao
*650 0$aSound$xDesign.
*852  $5Ko$bKo$hP
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An introduction to the concepts and principles of sound design practice, with more than 175 exercises that teach readers to put theory into practice.

This book offers an introduction to the principles and concepts of sound design practice, from technical aspects of sound effects to the creative use of sound in storytelling. Most books on sound design focus on sound for the moving image. Studying Sound is unique in its exploration of sound on its own as a medium and rhetorical device. It includes more than 175 exercises that enable readers to put theory into practice as they progress through the chapters.

The book begins with an examination of the distinction between hearing and listening (with exercises to train the ears) and then offers an overview of sound as an acoustic phenomenon. It introduces recording sound, covering basic recording accessories as well as theories about recording and perception; explores such spatial effects as reverberation and echo; and surveys other common digital sound effects, including tremolo, vibrato, and distortion. It introduces the theory and practice of mixing; explains surround and spatial sound; and considers sound and meaning, discussing ideas from semiotics and psychology. Finally, drawing on material presented in the preceding chapters, the book explores in detail using sound to support story, with examples from radio plays, audio dramas, and podcasts. Studying Sound is suitable for classroom use or independent study.