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Outliers and American vanguard art
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  • Outliers and American vanguard art
Utgivning, distribution etc.
  • National Gallery of Art ; The University of Chicago Press, Washington : Chicago : [2018] ©2018
Utgivningsår
  • 2018
  • Språk: Engelska.
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning
  • xv, 396 pages illustrations (mostly color) 32 cm
Anmärkning: Allmän
  • "The exhibition is organized by the National Gallery of Art, Washington. Exhibition dates: National Gallery of Art, Washington, January 28-May 13, 2018; High Museum of Art, Atlanta, June 24-September 30, 2018; Los Angeles County Museum of Art, November 18, 2018 - March 18, 2019"--Title page verso.
Anmärkning: Bibliografi etc.
  • Includes bibliographical references and index.
Anmärkning: Innehåll
  • Director's foreword / Earl A. Powell III -- Lenders to the exhibition -- Acknowledgments -- Note to the reader -- Boundary trouble : Navigating margin and mainstream / Lynne Cooke -- Modernism's war on terror / Darby English -- How to make a modern primitive / Richard Meyer -- Find-and-seek : Discovery narratives, Americanization, and other tales of genius in modern American folk art / Jennifer Jane Marshall -- Black folk art redux : A curatorial roundtable / Lynne Cooke, John Beardsley, Katherine Jentleson. Faheem Majeed -- Museums, oh museums / Thomas J. Lax -- Affinities in abstraction : Textiles, otherness, paintings in the 1970's / Jenni Sorkin -- Archives of femininity / Douglas Crimp -- Personal voyages / Suzanne Hudson -- Plates : c.1924 to 1943 : Folk aesthetics refigured -- c.1968 to 1992 : Commensurables and incommensurables -- c.1998 to 2013 : Determining difference differently -- Biographies -- Checklist of the exhibition -- Index.
Anmärkning: Innehållsbeskrivning, sammanfattning
  • Some 250 works explore three distinct periods in American history when mainstream and outlier artists intersected, ushering in new paradigms based on inclusion, integration, and assimilation. The exhibition aligns work by such diverse artists as Charles Sheeler, Christina Ramberg, and Matt Mullican with both historic folk art and works by self-taught artists ranging from Horace Pippin to Janet Sobel and Joseph Yoakum. It also examines a recent influx of radically expressive work made on the margins that redefined the boundaries of the mainstream art world, while challenging the very categories of "outsider" and "self-taught." Historicizing the shifting identity and role of this distinctly American version of modernism's "other," the exhibition probes assumptions about creativity, artistic practice, and the role of the artist in contemporary culture. The exhibition is curated by Lynne Cooke, senior curator, special projects in modern art, National Gallery of Art.--Provided by publisher.
Kronologisk term
  • 1800-1999
Term
Geografiskt namn
Institutionsnamn
ISBN
  • 9780226522272
  • 022652227X
  • 9780894684104
  • 0894684108
Antal i kö:
  • 0 (0)
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Since the last century, the relationship between vanguard and self-taught artists has been defined by contradiction. The established art world has been quick to make clear distinctions between trained and untrained artists, yet at the same time it has been fascinated by outliers whom it draws selectively and intermittently into its orbits. For a new exhibition launching at the National Gallery of Art, curator Lynne Cooke explores shifting conceptualizations of the American outlier across the twentieth century, drawing on the inherent sociality of the exhibition in her installation of these works. This companion catalog, Outliers and American Vanguard Art , offers a fantastic opportunity to consider works by schooled and self-taught creators in relation to each other and defined by historical circumstance.

The art works in Outliers and American Vanguard Art come from three distinct periods when the intersections between mainstream and outlier artists were most dynamic and productive, ushering in exhibitions of art based on various degrees of co-existence, inclusion, and assimilation. Works by such diverse artists as Charles Sheeler, Christina Ramberg, and Matt Mullican are set in conversation with a range of works by such self-taught artists as Horace Pippin, Janet Sobel, and Henry Darger. Cooke also examines a recent increase of radically expressive work that challenges what it means to be an outlier today. She reveals how these distinctions have been freighted with a particularly American point of view as she investigates our assumptions about creativity, artistic practice, and the role of the artist in contemporary culture.

Outliers and American Vanguard Art is the most comprehensive show ever to examine outliers in dialogue with their established peers. It is sure to inspire vigorous conversation about how artists and the work they make are represented.

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